“First time in the Balkans. First time with Nikos. A great experience. While I knew him as an outstanding photographer, I discovered a gentle, honest person. He talks, does not assume. He shares his personal experience, without secrets. He is tough, but not rude. He does not overwhelms you with his skill. And what a wonderful travel companion! My only regret: having to unexpectedly leave a few days earlier”.

4th time on Nikos’ workshop – be careful, it can become addictive! Seriously, like most people who have followed him on his workshops, I keep being impressed with how effective these workshops are for bringing the best out of everyone : I am thinking how difficult it would be in my job to deal with apprentices at such different levels of skills, from completely amateur to accomplished professional: Nikos manages to pull the trick every time – his natural humbleness and humanity and interest in people make it seem effortless. And the interactions between the team and Nikos is always one of the best things about the course – how you always end up meeting interesting people and getting close to them.

I’ve learnt loads of things and I met very nice people who hopefully i’ll see again. I improved my way to get close to the city people, who allowed me to capture intimate moments. This workshop also helped me in how to become honest to myself taking pictures and how to capture the humanity of the moment. Anyway, my conclusion is that I knew less than I thought, which motivates me a lot. Now I see how to work. Thank you for show me things that its no possible to find in books and to guide me in the road of my way of life, photography.

I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go deeper, shoot better. Over the course of the week, I greedily collected the pearls of wisdom he would drop about everything from composition to lens choice to how to most effectively approach shooting in the street, and I realized that I was learning as much from what he had to say about my classmates’ photographs as my own. Through it all Nikos imposes no single viewpoint about what photography should be, but instead pushes each student to fulfill his or her own vision. I felt I made a huge leap with my work. Finally, “On The Road” is a fantastic way to experience a new city, and to have seven glorious days with the luxury of thinking about nothing except photography.

First I think anyone who wants to travel and learn to be a better photographer should take at least one of Niko’s workshops. When I came back from Cuba I felt that I really knew Havana and interacted with so many people (even with my non-existent Spanish) and it was so amazing to feel part of the city, not just a tourist. I have the travel bug now and I would never travel any other way again.
Nikos, In your workshop, the messages that you have about photography are so important for anyone who is interested in taking better photos. They are in my head constantly. Visually valid is such a hard thing to put into words but I am striving to find that more and more in my photos. You really push people to dig deeper and find something more in their photography (but in the nicest way).
And also I want to say how much I appreciated your generosity. It’s not very often that I come across people as kind and giving as you are, from your knowledge with photography – taking photos, editing, post processing, you shared as much as you could. You even shared your sandwich with me on the first day!
And also I am really interested in doing a master class but I have to save up more before I can. And hopefully I can do another workshop in the future but this time I will be much more prepared for the adventures!
Thanks again Nikos!!!

Those few seconds you waste thinking too much about whether to take that picture or not. This is what you learn to get rid of when joining an On the Road workshop.
In this respect, working with Nikos is a sort of liberating experience. You learn to let it go, to just go with the flow. And you do it because the camera eventually becomes your main means of communication. It’s no more an object you use to do something but, instead, it turns into an essential part of the creative process. You start feeling the images through the viewfinder and not just seeing them.
And, as a matter of fact, this is really good fun!

I didn’t know what to expect when I sign up for this workshop. As this was a highly recommended workshop by a friend of mine I went for with the hope that it will change my style of photography and help me photograph better and understand the dynamics of what makes a picture different. I got more than I bargained for as each day was challenging to say the least. There were days when I struggled with my preconception of what makes a good photos and this prevented me from doing my best. It was when I was told by Nikos to “take photos like a child” did it liberate me and improved my style and brought me up to a different level. For this I am very grateful as it was a very important lesson for me. To be brought to a different level of understanding and photography and I leave the workshop in appreciation to my fellow photographers who have taught me a few things just by looking at their pictures and to Nikos for his invaluable advice.

To go on a workshop with Nikos is one big learning experience. It means to challenge yourself in ways that at least I don’t do in my everyday life. I really appreciate his strong opinions and straightforwardness. To talk about photography and show your daily work to him is very rewarding because of his profound knowledge and total honesty. I strongly recommend anyone interested in this type of photography to go on a workshop with Nikos. I’m truly grateful for what I have learned from him and of course I will return for another workshop.

I participated in the workshop in Athens and I was so thrilled about that.
Nikos Economopoulos is a unique and authentic photographer and an inspired teacher.
He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life across in meetings, and speaks about the importance of freedom in everyday life.
He guides you along the photography to your inner self, and tries to reveal the most important elements of your personality.
In simple words it’s not only a workshop in photography, it is a workshop how to make your life more inspired by keeping the most important things and put them onto your frame.

As a professional photographer for 25+ years I thought this would be a pleasant little holiday, it turned out to be so much more. Whoever said you can’t teach an old dog new tricks had the wrong teacher. Be inspired and energised by one of our greatest living photographers. Thank you Nikos for reigniting my passion.

The workshop in Lisbon was very enlightening for me, since I don’t normally do this kind of photography. After sharing these days with Nikos and the other participants, I find myself noticing things more, actually “seeing” people and their interaction with each other and the immediate environment. It was an eye opener and this kind of photography is something that is gradually becoming more enticing and enjoyable for me. Besides, the way Nikos leads the participants gives them complete freedom to experiment and achieve durable results, while gently guided by a master towards better and better images and a keener vision. He hides nothing from the participants and genuinely strives to give everyone an unforgettable experience. Nikos Economopoulos, thank you very much for a very enjoyable week.

The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took me one year to digest what I’ve learned in those days. Nikos is the old hard core street photographer, and one of the finest in the Magnum group (is not only me to say it, but other Magnum photographers), I say this because what you can learn from this kind of photographers, nobody else is able to teach you. I have learned to compose better, to have more attention to what is in my frame, to slow down and think and shoot, I have learned to edit pictures in a more selective way choosing only the great pictures not the good ones, to be ruthless in editing..

The Trapani, Sicily workshop was the first I had with Nikos. The group was mixed with novice, very amateur and also more experienced photographers. Being an amateur photographer made me feel nervous in the beginning of the workshop. Rather than embarrassed on the first day I was quite happy and ready to go the next day. This feeling was related on how Niko created the environment, how he explained the portfolio and what he wanted from the novice participants in his workshop. The workshop really helped me to understand and feel the street photography and so it paved my path to a kind of photography which I really like. Niko’s does not go out with you and photograph with you, he let your instinct and mind to guide during the day while helps you in the afternoon during which he selects and edit the photos. The way he describes the art of photography was very helpful for every one of us and helped us to grow and to see the world in a different perspective. You always have something to note or keep in mind even if that comment was directed to a more experienced photographer.
“On the Road” helps every photographer to create new goals to achieve and also give to you the critical viewpoint for the photography. 
Another skill that you learn or handle better is the editing and the creation of a portfolio. Every day when you sit with Nikos to see and edit the photo he shows how a portfolio is create and is managed. Or maybe how a picture is edited. I am a black and white photographer and the workshop helped me to give the right tone and contrast for the photo in the editing process. In the end, Niko shows to everyone what he expects from them. Ending my comment I would suggest this kind of workshop not only for the accuracy Niko’s chooses the place, but even more of how he treats the participants (we spend quite a lot time together discussing as a community), how he treats photography and how it expresses and helps you gain at least a new level. Niko’s workshops help you to find a goal and work to achieve it but in the same time it gives to you the feeling of wanting to go to a new one. So, you can show to him if you have mastered the goal he posed before you. Looking forward to catch another wonderful and very helpful workshop with Niko very soon.

“This was my first workshop with Nikos, absolutely a wonderful experience!!! The way the workshop is managed it’s a unique opportunity to improve your photographic skills. At my beginner level, I was looking to improve my visual capacities and tο learn how tο frame my shots: I am definitely more than satisfied, and I will definitely come back to attend more workshops. This unique experience has then been enriched by a fantastic atmosphere and excellent fellows with sharing a lot of information. Overall a great experience, definitely worth and to be soon repeated”

Nikos teaches the real thing – learning to shoot excellent photos that capture the eye and interest. Stopping fashionable habits like” storytelling”, “streetphotography” – avoiding clichés, mannerism and boredom instead pure clarity and mastership in creating compelling visuals. A group of excellent photographers with very special talents meets – surprising in expertise and dedication.
Nikos himself – an open-minded and well-balanced teacher: straightforward, clear and offering individual ways of learning to everyone.
You will shoot on your own during the day those topics that give you most pleasure. In the long evenings there is a very intense time for moving forward by editing the shots taken and studying examples from the history of photography: you start to see like your camera does and to discover the beauty of the unknown. 
Nikos acts with attentive care for the thoughts and ideas of the participants, offering a new step every day on how to continue. Efcharisto poli.

Honestly Nikos – your workshops are really amazing. Again, I’m so taken with your warmth and generosity, it’s something that is not all that common in people and really a gift to your “students”. You are really inspiring with how you speak about photography, not only in terms of composition, framing, being careful about the light, but also in terms of having feelings for the people or things that you’re photographing. It has really made me think a little differently about how and what I would photograph.
I also wanted to mention how much I enjoy meeting the other participants and that so many of the participants are such talented photographers, it makes the editing sessions so informative and enjoyable. Watching you edit, process and discuss the photos are really a good learning experience for me.

I would like to say how much I enjoyed the Istanbul workshop, from all the photographic advice and guidance that you gave me to the pleasure of exploring the city and walking through areas that I might not have visited on a normal ‘city break’ trip. The maps and descriptions of the various neighbourhoods proved very useful and it gave me a focus on how to structure the day. I always looked forward to the editing sessions in the evening and all the feedback you were able to give. Each day I tried to refine my photography, taking into account what you had said the previous evening. By the end of the workshop I could see my technique improving and I was very happy with the final edited sequence. I feel that the experience was very positive and the effect it has had on my photography is that I have the confidence to get closer to the subject and also to dig a little deeper and not just take the obvious ‘tourist’ type of photograph.

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.