Addis Ababa was my second workshop with Nikos. I came back for two reasons: One, because I know he is a great teacher who brings out the best in you. He gives you honest and relevant feedback which helps you www.ontheroad.grelop more as a photographer in a week than you would normally in a year. Two, because he is a great guy also on a personal level, and he really knows how to make a group work together and have fun at the same time. Plus did I say most of his workshops takes place in exciting and exotic locations, with more motives that your mind can process? I am already looking at how soon I can go again..

Ok..it was really my pleasure to meet you and be part of the Damascus workshop.. A really nice experience and a good start for myself and my photos. The workshop has encouraged me to become better and learn more … In the one week I learned from your comments and your suggestions what I should look for and what to avoid. You gave me directions for finding my own style and to experiment on that. Now being back inCyprus, believe it or not, I feel like a “new ” person. I know this might sound strange but the one week that I spent time with myself and my camera and later having your comments about my work made me fall in love once again with the world of photography, keep taking photos, love the people and try more.

Ethiopia was my 4th workshop and i feel like it is already more than a workshop but seeing a good friend, travelling around and having good time. It’s more like learning more about life not only photography. So if anybody still have doubts about attending one, go, be yourself and let Maestro show you what you actually are.

This week was, by far, my best spent time concerning photography over these last few years.
I was trying to clear my mind, to find the right approach to photography, and this workshop was a stepping stone, taking me to another level of understanding.
Staying late each night, patiently going through other participants’ work, as well as my own, answering our questions, explaining choices we did not understand in the beginning, helping us to see the good and the bad elements in a photo, pointing out good content and good intention.
All these things and more, Nikos did in a very honest way, sharing his thoughts and his knowledge with each of us. A great photographer, and a really inspiring mentor.

This is the third time I participate in a Nikos’s workshop. Everybody comes back! Cuba was amazing. The people, the place, the backgrounds, the light, everything was perfect and of course Nikos’s passion for photography, his sharp vision, his keenness to find great images in our work made us produce and achieve great results. His comments are always truly useful and make us see in a different way. This is not a didactic class, this is an awareness journey, this is a personal search of style and meaning for our images. He does not tell us what to do. We ultimately discover it by ourselves and this is truly amazing. It looks like an impossible task but after a few days every body’s work becomes stronger, more compact and meaningful. Nikos is friendly and affectionate to everybody, he tries to understand the needs of every participant. He is generous with his time and he is always ready to help during the day. If he feels somebody needs extra help he immediately proposes a private meeting in the morning. The evening meetings are a delight. To see so many good images, talented photographers trying to improve their work is incredible motivating. I am planning to come to Iran in May and looking forward to it. Thank you Nikos for organizing the workshops and for your enthusiasm in our work. We do appreciate it, hugely.

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

The workshop in Lisbon was very enlightening for me, since I don’t normally do this kind of photography. After sharing these days with Nikos and the other participants, I find myself noticing things more, actually “seeing” people and their interaction with each other and the immediate environment. It was an eye opener and this kind of photography is something that is gradually becoming more enticing and enjoyable for me. Besides, the way Nikos leads the participants gives them complete freedom to experiment and achieve durable results, while gently guided by a master towards better and better images and a keener vision. He hides nothing from the participants and genuinely strives to give everyone an unforgettable experience. Nikos Economopoulos, thank you very much for a very enjoyable week.

Thank you so much for the incredible opportunity to participate in your Istanbul workshop. After the first day, I realized everything I thought I knew about photography was crap. I appreciate your patience and kindness with me during the entire time, especially as a novice. I felt that I really limited myself in the workshop because of my current level.
I wanted so badly to learn, and want to continue to learn, how to create and compose a good photograph and this workshop provided me with a starting point. Your critiques were invaluable. The conversations we all shared and the insight given from the other photographers helped me immensely. It was inspiring to be immersed in an environment with such passionate people. Having Jason Eskenazi share his work with us was also a great highlight from the workshop.
I already miss our group meetings, staying up until 1 a.m. discussing photography. I wish it could have lasted longer. I will continue to work on improving my skills and I cherish the foundation you have been able to provide. Again, thank you, thank you, thank you! 

My name is Seungwoo Chae. I’m working as a photographer for a newspaper in Korea. I was feeling that something was missing in my photography. I wanted to know what I needed. Consequently, it was great idea to participate to Nikos’ workshop. He told me and showed me what was ‘photographic’. I felt to return to beginning. I think I could start again.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.

I want to thank you for eight days of ups and downs, of believing and disbeliveing in the own skills and for your remarkable approach in pushing us gently forward but never hiding something or letting something be unspoken. You treated us with your admirable respect in every human being and your humanity which let me felt comfortable in every situation of the course. Thank you for answering all my questions with so much patience. I learned so much from you – professionally and personally. The only thing i’m angry about is that you did not let me pay the taxi to the airport I hope to see you again.

“Loved loved the workshop. Nikos is a great teacher. The way he offers feedback is fantastic, it helps you grow from day to day and see things in a different way from day to day. Really liked the daily edit session and learned a lot from looking at each other’s work. It was an honor to be part of a group of so talented photographers. Hopefully will be able to join another workshop in the near future.”

I would like to express my gratitude to Nikos for being not only an attentive and demanding photography mentor, but also for being a humble, caring and infinitely friendly person. It was always a pleasure for us to share with him not only ideas about photography, but also numerous stories about his life and adventures. I feel that in that week my photographic skills moved to a completely new level. The first few days have been a bit of a strugle as I tried to implement Nikos’ technical suggestions and made sure I really followed his advice, but at the end the magic happened and I felt like my vision had changed once and forever.

This workshop provided me with a new prism at taking photographs including more sentiment and injecting more thought and content to my work. As a newcomer to “Street photography”, the workshop allowed me to quickly get into a pace and experiment with this new to me approach, producing some fair results quite quickly. Invaluable was the fact that I gained a lot from the positive evaluation by Nikos of my other coworkers’ work. This evaluation demonstrated to me things to avoid once I get further down in my own journey and also experience paradigms of good quality work that I could try and experiment with. Things that take ages to discover, are presented to you during one week’s teamwork. Absolutely a positive experience with a lot of new friends that I really enjoyed!

Two words about something I don’t understand. About something that has been in me for over a decade. A tale that I had made up in my mind (…) In September 2009, I packed two changes of clothes dress and two cameras and came to Istanbul. Expectations? Countless. Reservations? Even more. ‘Fairy-tales do not exist’ I said to myself. But what I experienced in a week was more than I ever expected or even imagined. (…) I have been in a photographic frenzy ever since. I carry my camera with me all the time, everywhere. (…) Can no longer do otherwise.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.