No doubt about it, a workshop with Nikos is an extraordinary experience. To all potential participants: feelings of incompetence and dread are not uncommon during the first 2 days, no matter your photographic level. Then the magic happens: Nikos’ unparalleled expertise, judgement, and above all humanity come to the fore – inspiring and fostering better and better work from all participants as the days pass. The honest and down-to-earth approach which characterizes Nikos simply ensures that, at the end, regardless of level and interests, you will feel and act like a better photographer. The result: a portfolio to be proud of, a fresh ‘eye’ and energy for all future photographic endeavours, a new group of friends you can learn from, and a profound sense of belonging to a dispersed yet resourceful photographic community that is On the Road workshops.

It worked — or as Nikos said “It always works”. I needed three days to throw everything over board I thought to know about photography. How to select backgrounds, how to use the 35mm lens, how to lead the eye of the beholder, how to avoid clichees, how to get closer, how to recognize a good photograph and how to find my own style. Nikos has something like a built-in compass for good photography which always functions. It was a pleasure to learn from him, to talk with him about his philosophy and to see his passion for beautiful visual events. Even when he felt sick and his face looked as grey as some of my worse photographs he got excited and touched by every great picture he saw at our group meetings in the evenings. He is such a nice and open guy and it seems he has also a talent to attract like-minded people to his workshops. I felt very welcome from the first moment. The Thailand workshop was my first one with him. But for sure not the last..

I didn’t know what to expect when I sign up for this workshop. As this was a highly recommended workshop by a friend of mine I went for with the hope that it will change my style of photography and help me photograph better and understand the dynamics of what makes a picture different. I got more than I bargained for as each day was challenging to say the least. There were days when I struggled with my preconception of what makes a good photos and this prevented me from doing my best. It was when I was told by Nikos to “take photos like a child” did it liberate me and improved my style and brought me up to a different level. For this I am very grateful as it was a very important lesson for me. To be brought to a different level of understanding and photography and I leave the workshop in appreciation to my fellow photographers who have taught me a few things just by looking at their pictures and to Nikos for his invaluable advice.

The Trapani, Sicily workshop was the first I had with Nikos. The group was mixed with novice, very amateur and also more experienced photographers. Being an amateur photographer made me feel nervous in the beginning of the workshop. Rather than embarrassed on the first day I was quite happy and ready to go the next day. This feeling was related on how Niko created the environment, how he explained the portfolio and what he wanted from the novice participants in his workshop. The workshop really helped me to understand and feel the street photography and so it paved my path to a kind of photography which I really like. Niko’s does not go out with you and photograph with you, he let your instinct and mind to guide during the day while helps you in the afternoon during which he selects and edit the photos. The way he describes the art of photography was very helpful for every one of us and helped us to grow and to see the world in a different perspective. You always have something to note or keep in mind even if that comment was directed to a more experienced photographer.
“On the Road” helps every photographer to create new goals to achieve and also give to you the critical viewpoint for the photography. 
Another skill that you learn or handle better is the editing and the creation of a portfolio. Every day when you sit with Nikos to see and edit the photo he shows how a portfolio is create and is managed. Or maybe how a picture is edited. I am a black and white photographer and the workshop helped me to give the right tone and contrast for the photo in the editing process. In the end, Niko shows to everyone what he expects from them. Ending my comment I would suggest this kind of workshop not only for the accuracy Niko’s chooses the place, but even more of how he treats the participants (we spend quite a lot time together discussing as a community), how he treats photography and how it expresses and helps you gain at least a new level. Niko’s workshops help you to find a goal and work to achieve it but in the same time it gives to you the feeling of wanting to go to a new one. So, you can show to him if you have mastered the goal he posed before you. Looking forward to catch another wonderful and very helpful workshop with Niko very soon.

As a passionate photographer I was looking for a workshop that was not about pixels, gear and academic lectures.
Coincidentally, I discovered Nikos’ on the road workshops. The participants’ work immediately caught my eyes – and shortly after I found myself at the Istanbul workshop. It exceeded by far my expectations: Nikos’ joviality, patience, his guidance and incitement to try new ways and discover what might be dormant in oneself was incredible! It was manifest everyday in the pictures we “brought home” after long and exhausting walks in this staggering city. The vespertine meetings were fun as well. Thank you, Nikos, for your effort and thanks to all participants for the great atmosphere!

My sincere thanks for the exciting workshop in Istanbul. I really enjoyed the time with you and the other participants. It opened my eyes for things I have been looking for (getting away from boring pictures). I certainly have lots to think about and practicing to do for some months now and I am sure I will produce better pictures in the end.

“This is my third workshop with Nikos and even though I should know what to expect, it was still such an intense journey from agony, elation through awakening, without any bullshit. It was like a much needed spiritual cleansing to expel the bad habits for a simple goal to make a better photograph that’s visually valid. Nikos, thank you for pushing me further – I know my next workshops with you will be just as rewarding.”

This workshop provided me with a new prism at taking photographs including more sentiment and injecting more thought and content to my work. As a newcomer to “Street photography”, the workshop allowed me to quickly get into a pace and experiment with this new to me approach, producing some fair results quite quickly. Invaluable was the fact that I gained a lot from the positive evaluation by Nikos of my other coworkers’ work. This evaluation demonstrated to me things to avoid once I get further down in my own journey and also experience paradigms of good quality work that I could try and experiment with. Things that take ages to discover, are presented to you during one week’s teamwork. Absolutely a positive experience with a lot of new friends that I really enjoyed!

The more workshops I do with Nikos the more I want to come back. Every place is different as the challenges to encounter. The good thing about coming back, is that he already knows how much we can achieve so he pressures us accordingly, and I think we most agree that our results get a bit better every time.
Like each new workshop is like starting from scratch, each day of it is also starting from scratch. In every meeting he would choose a few photos but the next morning we start again from blank. The days are long and intense, but for me it’s just pure joy. We have some good days but others we hit the wall. It’s inexplicable the pleasure we have when we manage to go over that wall. Sometimes it happens, sometimes it doesn’t. But as Nikos well said: “We can have good days and bad days. But that is not important. What really matters is that we never lose the great feeling of wanting to go out and take photos. That, it is very important.” And I do hope, to never lose that feeling.
Niko, thank you again, and I am already looking forward to Argentina next month.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and have pleasure of taking pictures of it. I can see a background in my photos of emptiness, artificial spaces, simulation, loneliness, people with strange feelings…Everybody reflect their own personality in their pictures.

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

My trip to Ghana was my third with Nikos Economopoulos. As always the workshop is very high quality, and a total eye-opener to photography. Nikos is one of the best photography teachers out there, and the general level of the participants leveled up daily. Ghana was very beautiful, and the resort absolutely stunning.
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.

I sometimes felt like a first year violin player in a master class. I do not mind feeling a bit stupid at times and think I profit a lot by learning of the best. I have learned a lot and will continue to do so for quite some time. And hopefully, I will be able to join other workshops (…) I liked the approach very much – giving advice on the one hand and letting the participants find their own way on the other. And then, of course, the voyage was marvellous, extraordinary in the purest sense of the word.

I met Nikos last April in Iran’s workshop for the first time.We traveled for ten days and that trip changed my perception of photography. He taught me how to go beyond the limits and break strict rules and let creativity inspire me to create my own photography style. After 7 months,I decided to participate in another workshop and Varanasi was a great choice for me. The city was the most amazing place I’ve ever visited and if it wasn’t for the workshop, I might have never gone there. We had enough time during the day to see the city and the special ceremony which was held in that time. And in the evenings,reviewing participant’s photos encouraged me to explore the city more in the next day.

I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been an excellent teacher and mentor (and hopefully a friend). His comments throughout the workshop encouraged us to try harder and not only to reach our limits but also go beyond them, to take photographic risks and try and see the world around us differently. We were encouraged to go beyond the simple record of places, people and moment. At the end of the day, you do not usually get a MAGNUM photographer to spend a week with you and your photos, and seriously help you www.ontheroad.grelop your way of seeing, but Nikos did exactly that. The number of participants was the ideal one, not too small and not unmanageably big. Interaction and comments were encouraged and indeed helped us all to see our own photos in a different way.

The Varanasi workshop was clearly the highlight of my India visit. Nikos’ advice after our first editing sessions that I should use only my 50mm lens and shoot only black and white was very valuable. After that I felt more relaxed and focused and could produce more consistent and better images. After coming home I have re-examined the Varanasi photos and I must say that I am pleased with the results. I would also like to thank for the great company during the workshop. During the daytime each student could work individually with her/his own problems. In the evenings we gathered together to discuss the results. This scheme worked out very well: you could see how the students progressed during the week. I felt that Nikos’ comments, even the critical ones, were to the point and always supportive. A specially memorable evening was when Nicos showed and discussed some of his own iconic images. I felt privileged to see and hear his thoughts on style, photography, art and life in general.

I just returned from my 5th workshop with Nikos. This was the second time I joined him in Cuba. It was, once again, an amazing experience. It is very exciting when you know what to expect: growth, challenge, intellectual stimulation, encouragement and friendship. You can count on these every time. As many participants have pointed out, there is little structure to the workshop, no handouts or hand holding. Nikos treats everyone as if we were all professional peers. The meetings at the end of each day are magical, enlightening, and stimulating. Nikos does not tell you how to do things rather he accurately points out what works for each person considering individual interests and styles. He points you in the right direction for you to go to work the next day. We work very hard. We work long days, we edit hundreds of images, and we go home with strong portfolios. We are one hundred percent immersed in photography for the length of the workshop. Something else I appreciate and enjoy is the post learning experience. Days or weeks after the workshop you continue to realize how much you learned then and continue to learn from that workshop. It is a privilege to have Nikos as a mentor. He is not only a master in this craft but also the most considerate, encouraging, and generous professional photographer I have come across. I already look forward to the next workshop On the Road.