“Ethiopia was my second workshop with Nikos, at the end of each workshop I wish to be everlasting. Being in photographically gorgeous places with fantastic people in group and of course Nikos’s pragmatic approach to photography was a wonderful experience. I fell i made a big step up as a photographer. I would like to thank Nikos not only for his marvelous mentorship and guidance but also for his friendship. Looking forward to next workshop with a big enthusiasm.”

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

My name is Seungwoo Chae. I’m working as a photographer for a newspaper in Korea. I was feeling that something was missing in my photography. I wanted to know what I needed. Consequently, it was great idea to participate to Nikos’ workshop. He told me and showed me what was ‘photographic’. I felt to return to beginning. I think I could start again.

In just one week much of the information I had accumulated in a previous photo course, just clicked and started to make more sense. I loved your workshop. You made me see Istanbul and it’s people very differently. I cherish the opportunity to find out the stories behind some of your great works. Plus I discovered with amazement the incredibly humble and warm person behind the fascinating photographs that I had grown to admire. And as a bonus, you introduced us to Ara Guler who even signed books for us. Thanks, looking forward to seeing you again. From now on will always be looking for flying crocodiles..

This is my fifth workshop with Nikos. It has became kind of an annual meeting with him. Every year I discover something new. In Lisbon workshop, different photographic issues have arised about the event and the anti-event, go beyond description or what happen or not in the picture. I have learned to find a balance between all these photographic topics or, at least, I have begun to look for them in my pictures.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

For me the Istanbul workshop was, above all, a great chance to see how an exceptional photographer such as Nikos looks at, selects and talks about photographs. Nikos was keen to understand our photographs first and then offered ways to improve them. While doing so, he was always up-front and honest but never condescending or imposing. I felt that Nikos’ attitude towards us, the participants, and our photography was similar to the compassion one can see in his own photography in that, he makes sure that no one is ever stripped off of their dignity. His comments were not only related to the formal result but also what goes on before and during shooting. The workshop was, as others have said, intense and demanding, and I enjoyed every minute of it.

I participated in the workshop in Athens and I was so thrilled about that.
Nikos Economopoulos is a unique and authentic photographer and an inspired teacher.
He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life across in meetings, and speaks about the importance of freedom in everyday life.
He guides you along the photography to your inner self, and tries to reveal the most important elements of your personality.
In simple words it’s not only a workshop in photography, it is a workshop how to make your life more inspired by keeping the most important things and put them onto your frame.

My trip to Ghana was my third with Nikos Economopoulos. As always the workshop is very high quality, and a total eye-opener to photography. Nikos is one of the best photography teachers out there, and the general level of the participants leveled up daily. Ghana was very beautiful, and the resort absolutely stunning.
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.

“It’s a unique opportunity to push yourself a step further in photography. Challenge yourself! Leave all you know (or might know) about photography behind you. Face the reviews in the evenings and go out the next morning and try to do better than the day before. Thats what I did and since then I know that good photography is more then just colors, lines, structures and shapes. I look forward going to the next workshop with Nikos and to try to push myself once again a step further.”

This is the third time I participate in a Nikos’s workshop. Everybody comes back! Cuba was amazing. The people, the place, the backgrounds, the light, everything was perfect and of course Nikos’s passion for photography, his sharp vision, his keenness to find great images in our work made us produce and achieve great results. His comments are always truly useful and make us see in a different way. This is not a didactic class, this is an awareness journey, this is a personal search of style and meaning for our images. He does not tell us what to do. We ultimately discover it by ourselves and this is truly amazing. It looks like an impossible task but after a few days every body’s work becomes stronger, more compact and meaningful. Nikos is friendly and affectionate to everybody, he tries to understand the needs of every participant. He is generous with his time and he is always ready to help during the day. If he feels somebody needs extra help he immediately proposes a private meeting in the morning. The evening meetings are a delight. To see so many good images, talented photographers trying to improve their work is incredible motivating. I am planning to come to Iran in May and looking forward to it. Thank you Nikos for organizing the workshops and for your enthusiasm in our work. We do appreciate it, hugely.

Thank you so much for the incredible opportunity to participate in your Istanbul workshop. After the first day, I realized everything I thought I knew about photography was crap. I appreciate your patience and kindness with me during the entire time, especially as a novice. I felt that I really limited myself in the workshop because of my current level.
I wanted so badly to learn, and want to continue to learn, how to create and compose a good photograph and this workshop provided me with a starting point. Your critiques were invaluable. The conversations we all shared and the insight given from the other photographers helped me immensely. It was inspiring to be immersed in an environment with such passionate people. Having Jason Eskenazi share his work with us was also a great highlight from the workshop.
I already miss our group meetings, staying up until 1 a.m. discussing photography. I wish it could have lasted longer. I will continue to work on improving my skills and I cherish the foundation you have been able to provide. Again, thank you, thank you, thank you! 

 I would like to say how very much I valued Nikos’ perceptive, insightful and supportive comments. While just starting out in photography the workshop was a really valuable guide on how I should be thinking about it. I really liked the emphasis on looking for the humanity in the image, the unusual, the abnormal, the avoidance of the simply descriptive, the banal, the obvious and cliché. Not to mention the need to be very selective, paying attention to backgrounds, the value of geometry in composition, finding interesting elements and locations, the need to concentrate on simple forms and shapes and avoid clutter. The workshop was a genuinely supportive and helpful experience.
So thank you Nikos for lots of really helpful advice and I hope to see you on future workshops.

Attending a workshop with Nikos as your teacher, critic and guide into the world of creating the best images that you can produce, is both a challenging and inspiring experience. This was my second workshop with Nikos, and it was incredible!! How he teaches you to look at a photograph and “not just see it” makes me compose each individual frame with an more critical eye and deeper understanding on how to make a photograph come alive. With his encouragement and strong commitment to getting the best from me, he guided me in the direction that I wanted to grow. Ultimately the week with Nikos was a very rewarding experience! On another note just spending time with him, over dinner or lunch, listening to his stories, is great. Traveling around parts of Istanbul with him on tram’s, trains and taxi’s looking for stadiums, they are all great memories that will be with me for a longtime.

I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt always close to his photography. I remember several key inputs, which I see now how to reflect my view to my frames. I hope to hear as usual Nikos’s open and constructive comments in the next workshops as well, which help my www.ontheroad.grelopment a lot. Meeting so diverse cultures during the workshops is another pleasure which enriches it with no doubt!

For me as a professional photojournalist, to be with Nikos takes me back to photography where surprise and curiosity are key elements, instead of telling the story as specific as possible – as many editors seek today. Working in a fast moving newsflow, photojournalism needs surprise to stop readers, and Niko’s photography does exactly that. It intrigues us and plays with our imagination. It moves us from the world of realism to the world of surrealism.
And a workshop with Nikos is a vital reminder of photography at its best: to show us the world in a way we don’t see it ourselves. And to be formulated by a teacher, not only extremely talented, but also a friendly and charismatic travel companion.
I’m already looking forward to my next workshop with Nikos Economopoulos.

I came to the workshop feeling dissatisified with what I was doing with my photography and hoped that the workshop would help me find a more definite direction. I was particularly impressed with your ability to look at the work of the members of the workshop group, assess where we were up to photographically and individually give us feedback and suggestions based on this and on the work we did progressively throughout the workshop. The practical information you gave us (eg about ‘visual impact’, about taking care with all elements that fill the frame of a photograph – not just the main subject, etc), I also found useful. As well, I enjoyed the ‘journey’ of the workshop itself – seeing everyone’s work each evening and hearing about our different explorations of Istanbul (particularly those to areas away from the tourist hordes). However, the main overall impact of the workshop for me was that it made me realise and accept that, if I am to continue seriously with my photography, I do need to change my focus. Doing things the same old way is no longer an option. It will take me some time to properly work out what this should be, but the workshop has given me the impetus to make a start, as well as some constructive ideas. I am very grateful for that.

I’ll never forget that week. It was like a revolution for me. Nikos and his point of view really impressed me and that workshop opened my eyes and showed me new worlds and possibilities. Words can’t express how great everything was. I felt so much free in Istanbul and I was so close to people who I didn’t know very well. It was much more about changing my ideals than my photographic view.