There is a british saying – “those who can, do and those who can’t, teach” – and indeed, judging from my profession the best surgeons are usually unable to transmit their knowledge insofar as their talent and ingenuity is what drives them, and this cannot be easily transferred. So, I I did not know what to expect from a Magnum workshop.. I couldn’t have been more pleasantly surprised ! Nikos kept proving , again and again, how someone who is a (generally accepted) master in his work and has acquired a place as one of the main photographers of the 20th century, can also be a simple and down to earth person: His immense patience kept surprising me, day after day: When I thought that he would have had enough going through another bunch of amateur’s photos, he manifested kindness coupled with insight while critiquing our photos. He constantly managed to stay acutely interested, after hours of looking into photos, to adjust his level of critique to different photographer levels, without appearing either patronising or bored. Every photo would appear to be an opportunity to delve deep into the nature of photography this is not a course about flashes and lenses and f-stops indeed, it presupposes you have reached an appropriate technical level, going beyond that, trying to understand the nature of photography, why some photos move us and confuse and grasp us in such a way an academic level teaching from someone who at the same time is a real photographer. Someone who can gravitate at the same time between being the artist and the critic, the producer of art and the academic (a combination that would be normally unthinkable!). The course is not for the faint hearted it is intensive and demanding , not because of Nikos’ demands or attitude (on the contrary , he is relaxed as can be) but because you will be surrounded by talented, motivated photographers , everyone of which will be doing his/her best. This is not a course on sunsets and cute babies – but you will hear intelligent and thought provoking quotes on photography, that most people would have to spend years reading to finding from the non-descriptive power of photography to the importance of light and to the language and balance of images.. One could keep on talking about the course what was most interesting was that half of the participants Addis course have followed his previous workshops. Probably this is the greatest compliment to the workshop. I am looking forward to my next session with Nikos..

My name is Seungwoo Chae. I’m working as a photographer for a newspaper in Korea. I was feeling that something was missing in my photography. I wanted to know what I needed. Consequently, it was great idea to participate to Nikos’ workshop. He told me and showed me what was ‘photographic’. I felt to return to beginning. I think I could start again.

Nikos is a wayfaring man. He takes you on a journey which is neither comfy nor sluggish, but encourages you to witness the foreign and encounter your own limits. This way of traveling with the camera forces you to participate with the world around you and in the evenings during the workshop your participation will be putted to the test, if you have sweated enough. On some days life gifts you with one or two good photographs, but on some not a single one. So the next morning you’ll head out again and demand your luck. And at the end of a week or two with Nikos you make your way home safe in the knowledge that you have achieved and experienced something unique.

“This is my third workshop with Nikos and even though I should know what to expect, it was still such an intense journey from agony, elation through awakening, without any bullshit. It was like a much needed spiritual cleansing to expel the bad habits for a simple goal to make a better photograph that’s visually valid. Nikos, thank you for pushing me further – I know my next workshops with you will be just as rewarding.”

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

After the first meeting with Nikos, I felt my photos and the way I thought about them were too old and ordinary. Nikos shared some of his hints with me and the other guys, and as a consequence I started to feel more comfortable with my camera while taking pictures in different situations: I thought my images were improving and were becoming more interesting. Then, after all the reviews I attended, I saw my pictures and suddenly they were old and ordinary again. I was completely upset. But now I am realizing that day after day and picture after picture, his advices led me to start finding a new way – my own way – to take photos. Ok, probably this is just the beginning, but it’s a good start. Thanks Nikos!

It was a huge learning experience for me attending your workshop. The feedback and the criticism you gave, pushed me and challenged me to see better and improve myself. Although Sicily wasn’t very interesting for me photographically, I learned that no matter where you are, there are always good photos to be taken. I really enjoyed the company of the other participants, and also learned a lot from their work. Sharing your knowledge and insights with us was priceless. Thank you so much, and hopefully will join you soon on another photography adventure!!

Here is some feedback on the Oaxaca workshop. Simple and short – the workshop was absolutely amazing. Excellence defined.
The feedback sessions in the evenings were transforming with deep inspiration continuing as a growth journey day by day. I highly appreciate the way Nikos gives feedback and shares his amazing vision and way of seeing, it is clear and to the point, with the beauty of the creative process not being jeopardised. A way of life, how to shoot, when not to shoot, and how to discipline your mind loosing the experienced feeling of time. I definitely left Oaxaca with deep and new inspiration.
Excellent workshop. Amazing atmosphere.
Great workshop set up – with a feeling of freedom in the creative process and flow during the day.
Unique feedback sessions in the evenings with firm and clear communication.
Tailored feedback how to improve day by day Again. Just great. Difficult to describe in words!

“It’s a unique opportunity to push yourself a step further in photography. Challenge yourself! Leave all you know (or might know) about photography behind you. Face the reviews in the evenings and go out the next morning and try to do better than the day before. Thats what I did and since then I know that good photography is more then just colors, lines, structures and shapes. I look forward going to the next workshop with Nikos and to try to push myself once again a step further.”

This week was, by far, my best spent time concerning photography over these last few years.
I was trying to clear my mind, to find the right approach to photography, and this workshop was a stepping stone, taking me to another level of understanding.
Staying late each night, patiently going through other participants’ work, as well as my own, answering our questions, explaining choices we did not understand in the beginning, helping us to see the good and the bad elements in a photo, pointing out good content and good intention.
All these things and more, Nikos did in a very honest way, sharing his thoughts and his knowledge with each of us. A great photographer, and a really inspiring mentor.

“First time in the Balkans. First time with Nikos. A great experience. While I knew him as an outstanding photographer, I discovered a gentle, honest person. He talks, does not assume. He shares his personal experience, without secrets. He is tough, but not rude. He does not overwhelms you with his skill. And what a wonderful travel companion! My only regret: having to unexpectedly leave a few days earlier”.

In Cuba I had the pleasure of meeting lovely new participants and others that I had seen before. 70% of the participants had already attended other workshops with Nikos. There must be a reason why we come back! After three workshops that I attended I discovered that Nikos is still able to guide me without telling me much but with slight hints that help me realize the direction to follow. I consider that’s the great ability of a good “mentor”, without showing me the way but by focussing me back in track. It’s always a pleasure to see in every meeting how our work gets transformed and how we all manage at the end to have a good body of work. Thank you, Niko, always looking forward to a new adventure with you.

For me as a professional photojournalist, to be with Nikos takes me back to photography where surprise and curiosity are key elements, instead of telling the story as specific as possible – as many editors seek today. Working in a fast moving newsflow, photojournalism needs surprise to stop readers, and Niko’s photography does exactly that. It intrigues us and plays with our imagination. It moves us from the world of realism to the world of surrealism.
And a workshop with Nikos is a vital reminder of photography at its best: to show us the world in a way we don’t see it ourselves. And to be formulated by a teacher, not only extremely talented, but also a friendly and charismatic travel companion.
I’m already looking forward to my next workshop with Nikos Economopoulos.

Nikos family name has something to do with economics. But don’t be mistaken, he is more the kind of person always happy, without any sense of saving its time, to be involved 200% in its works as a…. what? Teacher is an understatement for an attitude towards the rest of the world which helps you in advancing at a fast rate towards the excellency. Always saying what he thinks, if there is something he does not like, and helpful in finding the good sides to be www.ontheroad.greloped.

I recently returned from Nikos “Balkan Expedition”, although I have been back for three months, I don’t feel like I am anywhere near to returning to “normal life”. My experience during Nikos workshop was spectacular. Visited locations I would never have travelled to and energized to photograph there. I learned so much and experienced so much that I am sure it will take quite a while to fully assimilate. The symposium experience was truly flawless, from discussions and critiques with an honest opinion about your photography. And lets not forget the participants themselves, an amazing diverse and talented group who were a joy to be around and learned much from each other. If you are serious about wanting to become a better street photographer you can not go wrong with Nikos “Balkan Expedition” workshop. For myself, I am already thinking about my next Economopoulos experience.

The workshop in Ghana was my first with Nikos. It was a great experience because Nikos is not only an excellent photographer and teacher, but also a really wonderful person to be with! In Nikos’ teaching methods I loved especially that he let everybody go his own way and let us www.ontheroad.grelop our own visions. He was not imposing his own style or anything else, so each participant was free to photograph whatever he or she wanted to. In the evenings we all met for long and very interesting editing sessions. Then Nikos went carefully through all the photographs we offered him, regardless if there were only a few or even a hundred. He gave each of us excellent feedback on our daily work in a direct and honest, but always very friendly way. With this we learnt how to avoid common traps or clichés, how to recognise easy tricks, and avoid making boring and badly composed pictures. So he carefully guided each of us and helped us day by day to improve our work. Thanks a lot for all this Nikos, you are a great inspiration and I already look forward to being with you again in another workshop! Thanks also to all the participants for the great time we had together!

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

Two words about something I don’t understand. About something that has been in me for over a decade. A tale that I had made up in my mind (…) In September 2009, I packed two changes of clothes dress and two cameras and came to Istanbul. Expectations? Countless. Reservations? Even more. ‘Fairy-tales do not exist’ I said to myself. But what I experienced in a week was more than I ever expected or even imagined. (…) I have been in a photographic frenzy ever since. I carry my camera with me all the time, everywhere. (…) Can no longer do otherwise.