participants’ work
The photographs presented in this section are the final outcome of each workshop.
Their creators range from professional photographers to people who may have just learned how to hold a camera.
The challenge in these workshops is how to bring out each one’s unique glance.
Click on each participant’s name to view the portfolio full-screen.
Christine FitzGerald, Ireland
The Myanmar “on the road” trip was such an enjoyable and memorable experience. I really enjoyed meeting Nikos, and all the other participants, and have genuinely learnt so much, which is gradually finding it’s way into my photography. Nikos’s passion for photography was inspiring. I found him to be a great teacher, warm, genuine, direct,
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The Myanmar “on the road” trip was such an enjoyable and memorable experience. I really enjoyed meeting Nikos, and all the other participants, and have genuinely learnt so much, which is gradually finding it’s way into my photography. Nikos’s passion for photography was inspiring. I found him to be a great teacher, warm, genuine, direct, and generous in sharing his wealth of insight and experience. Nikos encouraged us to create interesting photographs that went beyond the purely descriptive. Day by day, through the editing process, the resulting portfolios grew to reflect each participant’s personal response to the people and places we encountered along the way. The experience was made all the more enjoyable by sharing it with a group of interesting, creative people. I found the workshop challenging but hugely rewarding, and I know that I will continue to apply all that I have learnt, thanks Nikos!
Jan Gott, Austria
Nikos is a wayfaring man. He takes you on a journey which is neither comfy nor sluggish, but encourages you to witness the foreign and encounter your own limits. This way of traveling with the camera forces you to participate with the world around you and in the evenings during the workshop your participation will
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Nikos is a wayfaring man. He takes you on a journey which is neither comfy nor sluggish, but encourages you to witness the foreign and encounter your own limits. This way of traveling with the camera forces you to participate with the world around you and in the evenings during the workshop your participation will be putted to the test, if you have sweated enough. On some days life gifts you with one or two good photographs, but on some not a single one. So the next morning you’ll head out again and demand your luck. And at the end of a week or two with Nikos you make your way home safe in the knowledge that you have achieved and experienced something unique.
Fatma Khamis, Kuwait
I wanted to thank you so much for your dedication and for offering all help possible for all the participants. I can’t forget that you stayed up one class time until 2 a.m. reviewing & editing my work. The workshop was one of the best hands on learning experience that I had since I took
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I wanted to thank you so much for your dedication and for offering all help possible for all the participants. I can’t forget that you stayed up one class time until 2 a.m. reviewing & editing my work. The workshop was one of the best hands on learning experience that I had since I took interest in photography. Mainly because we watched you daily critique and edit every participant’s work right after a full day of shooting. This process has pushed me to think seriously about my work and the changes needed to make in order to improve. It allowed me to compare my work with others and this gave me new ideas for future projects and ways to improve. Not only that, we had discussions on equipment and why some of us use certain cameras or laptops. Which was really useful for someone like me who never cared for the technical side of photography. It was hard to go back to work and my usual routine because I will not be photographing as much as I did during the workshop even though one of my main tasks at my work is photography. Photography as full time job is not the same as the photography we did during the workshop which is the kind of photography I dream of pursuing one day. As a result of this workshop, I am more focused about my personal photography goals inside Kuwait and I am planning to commit myself to planning photography trips outside Kuwait. I am trying to commit myself more to my personal photography. I forgot how much joy that used to bring me and that workshop was a great reminder. Thank you especially for being tough on me! I didn’t come all the way to hear what I would like to hear. I wanted someone to push or dare me for a change and you did! Honestly I haven’t put my 24mm on the side. But I am crazy over the 35 mm. And that is a great start.
Monica Trachsel, Switzerland
I sometimes felt like a first year violin player in a master class. I do not mind feeling a bit stupid at times and think I profit a lot by learning of the best. I have learned a lot and will continue to do so for quite some time. And hopefully, I will be able
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I sometimes felt like a first year violin player in a master class. I do not mind feeling a bit stupid at times and think I profit a lot by learning of the best. I have learned a lot and will continue to do so for quite some time. And hopefully, I will be able to join other workshops (…) I liked the approach very much – giving advice on the one hand and letting the participants find their own way on the other. And then, of course, the voyage was marvellous, extraordinary in the purest sense of the word.
Adam Brooks, USA
I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go
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I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go deeper, shoot better. Over the course of the week, I greedily collected the pearls of wisdom he would drop about everything from composition to lens choice to how to most effectively approach shooting in the street, and I realized that I was learning as much from what he had to say about my classmates’ photographs as my own. Through it all Nikos imposes no single viewpoint about what photography should be, but instead pushes each student to fulfill his or her own vision. I felt I made a huge leap with my work. Finally, “On The Road” is a fantastic way to experience a new city, and to have seven glorious days with the luxury of thinking about nothing except photography.
Fahri Yasar, Turkey
“Ethiopia was my second workshop with Nikos, at the end of each workshop I wish to be everlasting. Being in photographically gorgeous places with fantastic people in group and of course Nikos’s pragmatic approach to photography was a wonderful experience. I fell i made a big step up as a photographer. I would like to thank Nikos not
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“Ethiopia was my second workshop with Nikos, at the end of each workshop I wish to be everlasting. Being in photographically gorgeous places with fantastic people in group and of course Nikos’s pragmatic approach to photography was a wonderful experience. I fell i made a big step up as a photographer. I would like to thank Nikos not only for his marvelous mentorship and guidance but also for his friendship. Looking forward to next workshop with a big enthusiasm.”
Lei Davis, Singapore
During the workshop, I was deeply inspired by Nikos and his work especially the reason why he takes photos – that it simply gives him joy, not for fame, recognition, or any other reason. He encouraged us to find our own style and reminded us not to try too hard to prove something or mimic
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During the workshop, I was deeply inspired by Nikos and his work especially the reason why he takes photos – that it simply gives him joy, not for fame, recognition, or any other reason. He encouraged us to find our own style and reminded us not to try too hard to prove something or mimic someone else’s style. This had a profound effect on me. I felt “liberated” to take photos of moments that speak to me instead of photos that I think would be appreciated by others. I felt I was “allowed” to explore my own style and express myself through photography. I am normally shy and afraid of people but I slowly opened up and pushed myself with the help of Nikos’ and the group’s guidance and encouragement. It also helped that Athens has a unique character and most Greek people are charming, open, and kind – it was challenging yet inspiring to photograph there. The workshop changed how I see photography in my life and gave me a clearer sense of where I want to take my photography next.
Jacek Piaseczny, Poland
Thank you again for that week in Istanbul. I had a realy good time. All was great, the workshop and the city. At the beginning, when you saw my previous work, i received “a bucket of cold water on my head”. And that was exactly what i needed. My aproach to photograhy has changed totally.
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Thank you again for that week in Istanbul. I had a realy good time. All was great, the workshop and the city. At the beginning, when you saw my previous work, i received “a bucket of cold water on my head”. And that was exactly what i needed. My aproach to photograhy has changed totally. The way I look at photography now is more mature. During a week spent at the workshop i feel i achieved something I’m proud of. The only bad thing is i start loving this city and now I’m planing to go back there and do some more work.. Once more big thanks for all.
Aurel Cepoi, Moldavia
Nikos, thank you for your patience and effort. It was a pleasure for me to work with a legendary photographer. Keep working and stay in shape. Humanity needs you.
Enrico Donelli, Italy
Ethiopia’s workshop has been a wonderful experience for my photography. Nikos guides you on a very precise path: one camera, one lens, one format between black and white and color, and focus on the image. Just relax, react to what you see, without too much thought or preparation. This may sound obvious, but it was
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Ethiopia’s workshop has been a wonderful experience for my photography.
Nikos guides you on a very precise path: one camera, one lens, one format between black and white and color, and focus on the image. Just relax, react to what you see, without too much thought or preparation.
This may sound obvious, but it was not for me at the beginning: I’ve passed from confusion, feelings of inadequacy, to be more and more confident and able to enjoy the process, and it’s been amazing for me to see my pictures improve day by day, become more interesting and less ordinary.
Niko’s passion is contagious, he’s able to criticize very precisely and firmly but always in a positive and constructive way.
I still have l a long way to go, but I can only thank Nikos for giving me back enthusiasm and directions to improve my photography.
I really look forward for the next workshop with Nikos!
Nikos guides you on a very precise path: one camera, one lens, one format between black and white and color, and focus on the image. Just relax, react to what you see, without too much thought or preparation.
This may sound obvious, but it was not for me at the beginning: I’ve passed from confusion, feelings of inadequacy, to be more and more confident and able to enjoy the process, and it’s been amazing for me to see my pictures improve day by day, become more interesting and less ordinary.
Niko’s passion is contagious, he’s able to criticize very precisely and firmly but always in a positive and constructive way.
I still have l a long way to go, but I can only thank Nikos for giving me back enthusiasm and directions to improve my photography.
I really look forward for the next workshop with Nikos!
Seungwoo Chae, Korea
My name is Seungwoo Chae. I’m working as a photographer for a newspaper in Korea. I was feeling that something was missing in my photography. I wanted to know what I needed. Consequently, it was great idea to participate to Nikos’ workshop. He told me and showed me what was ‘photographic’. I felt to return
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My name is Seungwoo Chae. I’m working as a photographer for a newspaper in Korea. I was feeling that something was missing in my photography. I wanted to know what I needed. Consequently, it was great idea to participate to Nikos’ workshop. He told me and showed me what was ‘photographic’. I felt to return to beginning. I think I could start again.
Nerris Markogiannis, Greece-Sudan
I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been
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I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been an excellent teacher and mentor (and hopefully a friend). His comments throughout the workshop encouraged us to try harder and not only to reach our limits but also go beyond them, to take photographic risks and try and see the world around us differently. We were encouraged to go beyond the simple record of places, people and moment. At the end of the day, you do not usually get a MAGNUM photographer to spend a week with you and your photos, and seriously help you www.ontheroad.grelop your way of seeing, but Nikos did exactly that. The number of participants was the ideal one, not too small and not unmanageably big. Interaction and comments were encouraged and indeed helped us all to see our own photos in a different way.
Jun Javelosa, Philippines
“I travel to photograph”, Nikos says. This statement made me rethink my purpose for travel. Not only do I want to see and be in the moment, I now strive to capture those feelings in a still image as well, so that I may later find pleasure in viewing it. This is my takeaway from
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“I travel to photograph”, Nikos says. This statement made me rethink my purpose for travel. Not only do I want to see and be in the moment, I now strive to capture those feelings in a still image as well, so that I may later find pleasure in viewing it. This is my takeaway from Nikos’ workshop. He has given me a new perspective on travel and a new way to photograph and derive pleasure from it. It’s been some time since our group parted ways in Iran, and yet my thoughts are still suffused with notes from discussions with Nikos. The challenge now, it seems, is how to get into workshop mode and produce quality images without Nikos around. It’s tough. Whether it’s your first workshop or your fourth, Nikos’ methods will challenge you to level-up. Accept his teaching with an open mind, plus a dose of humility, and you will be rewarded with discernment of what is a good photograph, and what is mediocre. I look forward to being On The Road again.
Raimund Moser, Italy
Cuba was my third workshop with Nikos. Not only is he inspiring, patient, and always awakens joy in taking and discussing pictures, but Nikos is also a great companion and friend! Nikos to me is like a lighthouse showing the right path when being lost on the high seas – both in www.ontheroad.greloping my photographic
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Cuba was my third workshop with Nikos. Not only is he inspiring, patient, and always awakens joy in taking and discussing pictures, but Nikos is also a great companion and friend! Nikos to me is like a lighthouse showing the right path when being lost on the high seas – both in www.ontheroad.greloping my photographic intuition and most importantly in approaching and interacting with people. I am looking forward to be again on the road with Nikos!
Graciela Magnoni, Uruguay
This is the third time I participate in a Nikos’s workshop. Everybody comes back! Cuba was amazing. The people, the place, the backgrounds, the light, everything was perfect and of course Nikos’s passion for photography, his sharp vision, his keenness to find great images in our work made us produce and achieve great results. His
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This is the third time I participate in a Nikos’s workshop. Everybody comes back! Cuba was amazing. The people, the place, the backgrounds, the light, everything was perfect and of course Nikos’s passion for photography, his sharp vision, his keenness to find great images in our work made us produce and achieve great results. His comments are always truly useful and make us see in a different way. This is not a didactic class, this is an awareness journey, this is a personal search of style and meaning for our images. He does not tell us what to do. We ultimately discover it by ourselves and this is truly amazing. It looks like an impossible task but after a few days every body’s work becomes stronger, more compact and meaningful. Nikos is friendly and affectionate to everybody, he tries to understand the needs of every participant. He is generous with his time and he is always ready to help during the day. If he feels somebody needs extra help he immediately proposes a private meeting in the morning. The evening meetings are a delight. To see so many good images, talented photographers trying to improve their work is incredible motivating. I am planning to come to Iran in May and looking forward to it. Thank you Nikos for organizing the workshops and for your enthusiasm in our work. We do appreciate it, hugely.
Lars Just, Danemark
Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of
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Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.
Jacopo Quaranta, Italy
The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took
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The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took me one year to digest what I’ve learned in those days. Nikos is the old hard core street photographer, and one of the finest in the Magnum group (is not only me to say it, but other Magnum photographers), I say this because what you can learn from this kind of photographers, nobody else is able to teach you. I have learned to compose better, to have more attention to what is in my frame, to slow down and think and shoot, I have learned to edit pictures in a more selective way choosing only the great pictures not the good ones, to be ruthless in editing..
Alex Wydler, Switzerland
“It’s a unique opportunity to push yourself a step further in photography. Challenge yourself! Leave all you know (or might know) about photography behind you. Face the reviews in the evenings and go out the next morning and try to do better than the day before. Thats what I did and since then I know
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“It’s a unique opportunity to push yourself a step further in photography. Challenge yourself! Leave all you know (or might know) about photography behind you. Face the reviews in the evenings and go out the next morning and try to do better than the day before. Thats what I did and since then I know that good photography is more then just colors, lines, structures and shapes. I look forward going to the next workshop with Nikos and to try to push myself once again a step further.”
Leif Sandberg, Sweden
My sincere thanks for the exciting workshop in Istanbul. I really enjoyed the time with you and the other participants. It opened my eyes for things I have been looking for (getting away from boring pictures). I certainly have lots to think about and practicing to do for some months now and I am sure
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My sincere thanks for the exciting workshop in Istanbul. I really enjoyed the time with you and the other participants. It opened my eyes for things I have been looking for (getting away from boring pictures). I certainly have lots to think about and practicing to do for some months now and I am sure I will produce better pictures in the end.
Marcos Andronicou, Cyprus
No doubt about it, a workshop with Nikos is an extraordinary experience. To all potential participants: feelings of incompetence and dread are not uncommon during the first 2 days, no matter your photographic level. Then the magic happens: Nikos’ unparalleled expertise, judgement, and above all humanity come to the fore – inspiring and fostering better
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No doubt about it, a workshop with Nikos is an extraordinary experience. To all potential participants: feelings of incompetence and dread are not uncommon during the first 2 days, no matter your photographic level. Then the magic happens: Nikos’ unparalleled expertise, judgement, and above all humanity come to the fore – inspiring and fostering better and better work from all participants as the days pass. The honest and down-to-earth approach which characterizes Nikos simply ensures that, at the end, regardless of level and interests, you will feel and act like a better photographer. The result: a portfolio to be proud of, a fresh ‘eye’ and energy for all future photographic endeavours, a new group of friends you can learn from, and a profound sense of belonging to a dispersed yet resourceful photographic community that is On the Road workshops.













































