participants’ work
The photographs presented in this section are the final outcome of each workshop.
Their creators range from professional photographers to people who may have just learned how to hold a camera.
The challenge in these workshops is how to bring out each one’s unique glance.
Click on each participant’s name to view the portfolio full-screen.
Ora Buerkli, Switzerland
The workshops with Nikos are a pleasure. I really appreciate the structure which gives me freedom to structure my day and ample feedback and learning in the evenings. Nikos’ feedback is a wonderful combination of straight shooting and kindness. I learned a lot and will certainly attend again.
Ozgur Oney, Turkey
Elena Michael, Cyprus
Jacek Piaseczny, Poland
Mehri Jamshidi, Iran
Eja Nilsson, Sweden
Second, I really enjoy to experience and to watch how good you are pedagogically. One little step at a time, go easy, you manage to lift us all a little bit – also the not so experienced. Thank you so much for that!
You do it so well, and discreetly – I think we hardly notice that we learn something, a little at a time. And also always interesting to listen when you tell of your experiences, travels, of the history of photography and the great photographers in the past.
I come home happy, having learned a lot. Now looking at my photos with more critical eyes, knowing maybe how to do it better next time.
Margreeth Vroom, Netherlands
Aisling Murray, Irlande
Graciela Magnoni, Uruguay
Jan Gott, Austria
Fatma Khamis, Kuwait
Alex Wydler, Switzerland
This was my third workshop with Nikos. The Iran trip was a unique journey and we all had a great time. But more important, thanks to the up-front teaching of Nikos, I could made a big step forward in my photography. I’m looking forward going with Nikos “on the road” again!
Graciela Magnoni, Uruguay
Christos Georgalas, Greece
Oliver Bradshaw, Australia
Marika Poquet, France
Anja Bruehling, Germany
Teresa Santos, Portugal
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.
Lei Davis, Singapore
Fernando Retuerto Piñeiro, Spain
Nikos always selects places for his workshops where freedom is breathed and Cuba is a great place to take photos. The group was composed of fantastic people with talent for photography. Some of them really impressed me. Nikos’ comments and advice about everybody’s pictures were, as always, superb.