In Cuba I had the pleasure of meeting lovely new participants and others that I had seen before. 70% of the participants had already attended other workshops with Nikos. There must be a reason why we come back! After three workshops that I attended I discovered that Nikos is still able to guide me without telling me much but with slight hints that help me realize the direction to follow. I consider that’s the great ability of a good “mentor”, without showing me the way but by focussing me back in track. It’s always a pleasure to see in every meeting how our work gets transformed and how we all manage at the end to have a good body of work. Thank you, Niko, always looking forward to a new adventure with you.

My experience in Beirut, participating in a photography workshop with Nikos was not only BRILLIANT and AMAZING, it was something more! The daily editing sessions were key to learning more not just about my own work and what direction it might take, but I learn’t so much from everyone else too and what you taught us in those sessions. I now look at a photograph with critical eyes and less emotion, I want the photo to tell me a story, in and of itself. I compose differently, I use my camera more effectively (I think &amp hope) everywhere I look I am trying to compose a photograph, not just when I feel it intuitively but when it might not be the ideal situation photographically. I am more patient with myself and the elements around me. But something that I took away from the workshop in Beirut, you said it a number of times but especially towards the end of the week. You said “Take pleasure in what you photograph” and that is exactly what I am doing more so than ever and I am loving every moment of this new enlighten journey I am embarking on with my camera!

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

The Sanliurfa workshop was inspiring and exciting both with regard to the photos taken by the other members of the group as well as the area and the cities we were visiting. Further, I enjoyed the evening sessions. I like the way Nikos criticizes the pictures of the photographers and gives them advice each on his/her individual professional levels. Nobody has to fear to be embarrassed – on the contrary, I was motivated not only by the comments and advice to become a better photgrapher but felt also supported by the other group members.

I’ve learnt loads of things and I met very nice people who hopefully i’ll see again. I improved my way to get close to the city people, who allowed me to capture intimate moments. This workshop also helped me in how to become honest to myself taking pictures and how to capture the humanity of the moment. Anyway, my conclusion is that I knew less than I thought, which motivates me a lot. Now I see how to work. Thank you for show me things that its no possible to find in books and to guide me in the road of my way of life, photography.

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

It was a huge learning experience for me attending your workshop. The feedback and the criticism you gave, pushed me and challenged me to see better and improve myself. Although Sicily wasn’t very interesting for me photographically, I learned that no matter where you are, there are always good photos to be taken. I really enjoyed the company of the other participants, and also learned a lot from their work. Sharing your knowledge and insights with us was priceless. Thank you so much, and hopefully will join you soon on another photography adventure!!

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

I really had great time in Istanbul and found the workshop every bit as challenging as I had hoped. The blend of nationalities was great and I think it was a good idea to move the sessions to the middle of the day to allow shooting in better light. I guess the only thing was that removed the social aspect a little as I guess in the evenings we would have had a meal or some beers afterwards and a chance to talk more on a personal level. From my personal perspective, I did find the workshop extremely challenging and I do find it a little hard to force shooting and I did struggle to find photographs that express my thinking. Having said that, this was exactly the reason I came, to be challenged and taken forward in my photographic evolution. I can safely say that since the workshop I am much more demanding of myself and no longer tolerate shots that are safe or just plain nice. I think the workshop facility and location was superb, and I really enjoyed meeting all the guys. Maybe some more reviews of local photographers work would have been good as it’s always nice to see a different perspective. I do hope to make it to some of your future workshops and am even thinking of Istanbul again in December as I love the city so much.

My trip to Ghana was my third with Nikos Economopoulos. As always the workshop is very high quality, and a total eye-opener to photography. Nikos is one of the best photography teachers out there, and the general level of the participants leveled up daily. Ghana was very beautiful, and the resort absolutely stunning.
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.

I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go deeper, shoot better. Over the course of the week, I greedily collected the pearls of wisdom he would drop about everything from composition to lens choice to how to most effectively approach shooting in the street, and I realized that I was learning as much from what he had to say about my classmates’ photographs as my own. Through it all Nikos imposes no single viewpoint about what photography should be, but instead pushes each student to fulfill his or her own vision. I felt I made a huge leap with my work. Finally, “On The Road” is a fantastic way to experience a new city, and to have seven glorious days with the luxury of thinking about nothing except photography.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

Nikos workshop was by far the event with the most intense and strongest impact on my photographic view. It was an amazing pleasure to see everyone flourishing under Nikos relaxed and still disciplined guidance. Initially you might experience some confusion. You might still carry the diffuse anxious anticipation you built up before the workshop. Or You might feel even jammed seeing your former photographic concepts going to pieces. But then: Boooooom – comes the creative explosion within the steep part of the learning curve. You´ll very soon get more selective, more focused, more careful, more personal and more playful when working with your camera. Powerful stuff, hard work, lovely people and lots of fun. Nikos teaches a wonderfully concentrated no-frills approach to photography. One camera, one fixed focal. It´s all about the picture, the visual event in the frame and within that rigorous selection of what is interesting and what is not.

This is the second time I joined Nikos workshop and it keeps getting better and better. What amazes me about Nikos is the joy good images gives him. He is always excited when we achieve good pictures. He inspires us to enjoy the search for better images. Looking at people, faces, expressions, positions, backgrounds, and light becomes more important and somehow different from before. At the end, everybody is enjoying the challenges of producing interesting images. Nikos ‘s workshop is not a commercial course to make people believe that taking good pictures is easy and that being a good photographer is easy too. This workshop is for people who are passionate about photography and want to www.ontheroad.grelop a personal approach and style. It is hard because ultimately you realize that you have to find whatever your are looking for by yourself. At the end it is all worth it and incredible rewarding. I wish I had had Nikos as a teacher 20 years ago. No body has taught me as much as him in one week. It is amazing. Thank you again Nikos for being our photographic inspiration and for sharing your knowledge with us. See you in Iran!

After the first meeting with Nikos, I felt my photos and the way I thought about them were too old and ordinary. Nikos shared some of his hints with me and the other guys, and as a consequence I started to feel more comfortable with my camera while taking pictures in different situations: I thought my images were improving and were becoming more interesting. Then, after all the reviews I attended, I saw my pictures and suddenly they were old and ordinary again. I was completely upset. But now I am realizing that day after day and picture after picture, his advices led me to start finding a new way – my own way – to take photos. Ok, probably this is just the beginning, but it’s a good start. Thanks Nikos!