This workshop provided me with a new prism at taking photographs including more sentiment and injecting more thought and content to my work. As a newcomer to “Street photography”, the workshop allowed me to quickly get into a pace and experiment with this new to me approach, producing some fair results quite quickly. Invaluable was the fact that I gained a lot from the positive evaluation by Nikos of my other coworkers’ work. This evaluation demonstrated to me things to avoid once I get further down in my own journey and also experience paradigms of good quality work that I could try and experiment with. Things that take ages to discover, are presented to you during one week’s teamwork. Absolutely a positive experience with a lot of new friends that I really enjoyed!

I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt always close to his photography. I remember several key inputs, which I see now how to reflect my view to my frames. I hope to hear as usual Nikos’s open and constructive comments in the next workshops as well, which help my www.ontheroad.grelopment a lot. Meeting so diverse cultures during the workshops is another pleasure which enriches it with no doubt!

My trip to Ghana was my third with Nikos Economopoulos. As always the workshop is very high quality, and a total eye-opener to photography. Nikos is one of the best photography teachers out there, and the general level of the participants leveled up daily. Ghana was very beautiful, and the resort absolutely stunning.
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

It was a great trip and although I worked really hard, I still had a lot of fun wandering the streets and trying to hone my eye.
It seemed to me that Nikos explained more in this workshop (as compared to the others I’ve taken with him) and I think that is a good thing. Even when it’s something that we think we know, it is always good to be reminded and guided. I really enjoyed hearing his thoughts on so many aspects of photography and I personally needed a nudge in being reminded to look at the work of the great photographers. I had slacked off in that department over the last few months. I also love how he meets each student at his/her level and encourages them.
And, as usual, what I learned will continue to resonate with, and direct, me for months.

This is my fifth workshop with Nikos. It has became kind of an annual meeting with him. Every year I discover something new. In Lisbon workshop, different photographic issues have arised about the event and the anti-event, go beyond description or what happen or not in the picture. I have learned to find a balance between all these photographic topics or, at least, I have begun to look for them in my pictures.

I just returned from my 5th workshop with Nikos. This was the second time I joined him in Cuba. It was, once again, an amazing experience. It is very exciting when you know what to expect: growth, challenge, intellectual stimulation, encouragement and friendship. You can count on these every time. As many participants have pointed out, there is little structure to the workshop, no handouts or hand holding. Nikos treats everyone as if we were all professional peers. The meetings at the end of each day are magical, enlightening, and stimulating. Nikos does not tell you how to do things rather he accurately points out what works for each person considering individual interests and styles. He points you in the right direction for you to go to work the next day. We work very hard. We work long days, we edit hundreds of images, and we go home with strong portfolios. We are one hundred percent immersed in photography for the length of the workshop. Something else I appreciate and enjoy is the post learning experience. Days or weeks after the workshop you continue to realize how much you learned then and continue to learn from that workshop. It is a privilege to have Nikos as a mentor. He is not only a master in this craft but also the most considerate, encouraging, and generous professional photographer I have come across. I already look forward to the next workshop On the Road.

After the first meeting with Nikos, I felt my photos and the way I thought about them were too old and ordinary. Nikos shared some of his hints with me and the other guys, and as a consequence I started to feel more comfortable with my camera while taking pictures in different situations: I thought my images were improving and were becoming more interesting. Then, after all the reviews I attended, I saw my pictures and suddenly they were old and ordinary again. I was completely upset. But now I am realizing that day after day and picture after picture, his advices led me to start finding a new way – my own way – to take photos. Ok, probably this is just the beginning, but it’s a good start. Thanks Nikos!

Thank you for the workshop, overall it was great and I look forward to joining you somewhere else in the future. In terms of feedback, particularly at my beginner level, I was often seeking more and more direction and information from you and as you probably realise, I would continually ask for more and more information as the days went on. Apart from that however, it was a great experience and an overall (apart from the food) good trip.

Thank you for another amazing workshop. I feel that not only I noticed the great improvement of the quality of my work, but also feel that Nikos is not only a great teacher &amp mentor but also a great friend. Also interacting with talented photographers from all over the world added a lot to the experience. What is amazing about this workshop was the fact that all attendees were at different levels. Being able to provide assistance to all showed Nikos’s ability as a great teacher. I think each one of us returned home with many goals to pursue &amp ideas to improve their work. I am more clear about what I want to photograph, what lens I want to buy next, and needing to work on my weak ‘editing’ skills. I just wanted to thank you and thank all attendees for this great workshop. I learned a lot from each one of you! I am really looking forward to being on the road again.

Thank you so much for the incredible opportunity to participate in your Istanbul workshop. After the first day, I realized everything I thought I knew about photography was crap. I appreciate your patience and kindness with me during the entire time, especially as a novice. I felt that I really limited myself in the workshop because of my current level.
I wanted so badly to learn, and want to continue to learn, how to create and compose a good photograph and this workshop provided me with a starting point. Your critiques were invaluable. The conversations we all shared and the insight given from the other photographers helped me immensely. It was inspiring to be immersed in an environment with such passionate people. Having Jason Eskenazi share his work with us was also a great highlight from the workshop.
I already miss our group meetings, staying up until 1 a.m. discussing photography. I wish it could have lasted longer. I will continue to work on improving my skills and I cherish the foundation you have been able to provide. Again, thank you, thank you, thank you! 

I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.

I want to thank you for eight days of ups and downs, of believing and disbeliveing in the own skills and for your remarkable approach in pushing us gently forward but never hiding something or letting something be unspoken. You treated us with your admirable respect in every human being and your humanity which let me felt comfortable in every situation of the course. Thank you for answering all my questions with so much patience. I learned so much from you – professionally and personally. The only thing i’m angry about is that you did not let me pay the taxi to the airport I hope to see you again.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

During the workshop, I was deeply inspired by Nikos and his work especially the reason why he takes photos – that it simply gives him joy, not for fame, recognition, or any other reason. He encouraged us to find our own style and reminded us not to try too hard to prove something or mimic someone else’s style. This had a profound effect on me. I felt “liberated” to take photos of moments that speak to me instead of photos that I think would be appreciated by others. I felt I was “allowed” to explore my own style and express myself through photography. I am normally shy and afraid of people but I slowly opened up and pushed myself with the help of Nikos’ and the group’s guidance and encouragement. It also helped that Athens has a unique character and most Greek people are charming, open, and kind – it was challenging yet inspiring to photograph there. The workshop changed how I see photography in my life and gave me a clearer sense of where I want to take my photography next.

“Just walking, seeing and saying nothing and seeing the result at the end of the day. Giving myself to the road and being on the road. Hearing the honest comments Seeing throw a window that dear Nikos opens to my eyes, and exploring my country Even myself more than it. My second workshop. I wait for the next chance”

Two words about something I don’t understand. About something that has been in me for over a decade. A tale that I had made up in my mind (…) In September 2009, I packed two changes of clothes dress and two cameras and came to Istanbul. Expectations? Countless. Reservations? Even more. ‘Fairy-tales do not exist’ I said to myself. But what I experienced in a week was more than I ever expected or even imagined. (…) I have been in a photographic frenzy ever since. I carry my camera with me all the time, everywhere. (…) Can no longer do otherwise.