participants’ work
The photographs presented in this section are the final outcome of each workshop.
Their creators range from professional photographers to people who may have just learned how to hold a camera.
The challenge in these workshops is how to bring out each one’s unique glance.
Click on each participant’s name to view the portfolio full-screen.
James Wellence, USA
I’ve been thinking the past two weeks, trying to re-evaluate my photos with a better, more critical eye. Seeing how you evaluate each photo, examining each element, their relation to each other, and how they come together to make a photograph changed the way I look at photographs now. And I think this is what
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I’ve been thinking the past two weeks, trying to re-evaluate my photos with a better, more critical eye. Seeing how you evaluate each photo, examining each element, their relation to each other, and how they come together to make a photograph changed the way I look at photographs now. And I think this is what I gained most from the workshop: I can already see that your comments were pretty much spot on about the portfolio I presented, but I’m still a long ways from being a decent editor. I’ve already started heavily studying the works of other photographers and I’ll probably do a re-edit of that portfolio in six months to see how much I’ve progressed. The other benefit from the workshop was that I’m more focused in shooting. You saw this change during the course of the week, so I don’t think I need to elaborate more. Now I just need to work harder to make good photos. (…) Completely changing my photography in a week is almost impossible, but I think you’ve pointed me in the right direction. The real benefits of the workshop will come months from now if I follow through on two things:
learn to recognize a good photo and
put what makes those good photos good into my photos (but not in a way that I’m copying).
It was a fun and helpful week. I’ll work to make better photos now!
Giorgos Zografidis, Greece
This workshop provided me with a new prism at taking photographs including more sentiment and injecting more thought and content to my work. As a newcomer to “Street photography”, the workshop allowed me to quickly get into a pace and experiment with this new to me approach, producing some fair results quite quickly. Invaluable was the fact that I gained a
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This workshop provided me with a new prism at taking photographs including more sentiment and injecting more thought and content to my work. As a newcomer to “Street photography”, the workshop allowed me to quickly get into a pace and experiment with this new to me approach, producing some fair results quite quickly. Invaluable was the fact that I gained a lot from the positive evaluation by Nikos of my other coworkers’ work. This evaluation demonstrated to me things to avoid once I get further down in my own journey and also experience paradigms of good quality work that I could try and experiment with. Things that take ages to discover, are presented to you during one week’s teamwork. Absolutely a positive experience with a lot of new friends that I really enjoyed!
Siri Thompson, Canada
First I think anyone who wants to travel and learn to be a better photographer should take at least one of Niko’s workshops. When I came back from Cuba I felt that I really knew Havana and interacted with so many people (even with my non-existent Spanish) and it was so amazing to feel part
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First I think anyone who wants to travel and learn to be a better photographer should take at least one of Niko’s workshops. When I came back from Cuba I felt that I really knew Havana and interacted with so many people (even with my non-existent Spanish) and it was so amazing to feel part of the city, not just a tourist. I have the travel bug now and I would never travel any other way again.
Nikos, In your workshop, the messages that you have about photography are so important for anyone who is interested in taking better photos. They are in my head constantly. Visually valid is such a hard thing to put into words but I am striving to find that more and more in my photos. You really push people to dig deeper and find something more in their photography (but in the nicest way).
And also I want to say how much I appreciated your generosity. It’s not very often that I come across people as kind and giving as you are, from your knowledge with photography – taking photos, editing, post processing, you shared as much as you could. You even shared your sandwich with me on the first day!
And also I am really interested in doing a master class but I have to save up more before I can. And hopefully I can do another workshop in the future but this time I will be much more prepared for the adventures!
Thanks again Nikos!!!
Nikos, In your workshop, the messages that you have about photography are so important for anyone who is interested in taking better photos. They are in my head constantly. Visually valid is such a hard thing to put into words but I am striving to find that more and more in my photos. You really push people to dig deeper and find something more in their photography (but in the nicest way).
And also I want to say how much I appreciated your generosity. It’s not very often that I come across people as kind and giving as you are, from your knowledge with photography – taking photos, editing, post processing, you shared as much as you could. You even shared your sandwich with me on the first day!
And also I am really interested in doing a master class but I have to save up more before I can. And hopefully I can do another workshop in the future but this time I will be much more prepared for the adventures!
Thanks again Nikos!!!
Michael Fuery, Australia
I came to the workshop feeling dissatisified with what I was doing with my photography and hoped that the workshop would help me find a more definite direction. I was particularly impressed with your ability to look at the work of the members of the workshop group, assess where we were up to photographically and individually give us feedback
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I came to the workshop feeling dissatisified with what I was doing with my photography and hoped that the workshop would help me find a more definite direction. I was particularly impressed with your ability to look at the work of the members of the workshop group, assess where we were up to photographically and individually give us feedback and suggestions based on this and on the work we did progressively throughout the workshop. The practical information you gave us (eg about ‘visual impact’, about taking care with all elements that fill the frame of a photograph – not just the main subject, etc), I also found useful. As well, I enjoyed the ‘journey’ of the workshop itself – seeing everyone’s work each evening and hearing about our different explorations of Istanbul (particularly those to areas away from the tourist hordes). However, the main overall impact of the workshop for me was that it made me realise and accept that, if I am to continue seriously with my photography, I do need to change my focus. Doing things the same old way is no longer an option. It will take me some time to properly work out what this should be, but the workshop has given me the impetus to make a start, as well as some constructive ideas. I am very grateful for that.
Evşen Süleymanoğlu, Turkey
I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt
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I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt always close to his photography. I remember several key inputs, which I see now how to reflect my view to my frames. I hope to hear as usual Nikos’s open and constructive comments in the next workshops as well, which help my www.ontheroad.grelopment a lot. Meeting so diverse cultures during the workshops is another pleasure which enriches it with no doubt!
Rose Vandepitte, Belgium
Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and
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Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.
Raimund Moser, Italy
This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers
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This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.
Maria Spyropoulou, Greece
I had the chance to participate in one of Nikos Economopoulos’ photographic journeys-workshops. The unique and very particular way that he has in guiding you without giving you recipes, while respecting your personal worldview, turns the whole photographic experience into a broad aesthetic and intellectual experience, as well as pure joy. Within just a few
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I had the chance to participate in one of Nikos Economopoulos’ photographic journeys-workshops. The unique and very particular way that he has in guiding you without giving you recipes, while respecting your personal worldview, turns the whole photographic experience into a broad aesthetic and intellectual experience, as well as pure joy. Within just a few days, I discovered that the chaotic world around me has balance and poetry.
Graciela Magnoni, Uruguay
I’ve participated in Nikos’ workshops 7 times. It’s never enough. The experience is so enriching that as soon as it is done you find yourself planing for the next one! The Ghana workshop was incredibly fulfilling. Every participant was talented, lots of very good images emerged during the 11 day workshop. Nikos always challenges everybody
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I’ve participated in Nikos’ workshops 7 times. It’s never enough. The experience is so enriching that as soon as it is done you find yourself planing for the next one! The Ghana workshop was incredibly fulfilling. Every participant was talented, lots of very good images emerged during the 11 day workshop. Nikos always challenges everybody at many levels. It is very personal. Nikos’ workshop is a journey that gives you the inspiration and direction to find and deepen your personal vision. Nikos is a mentor, an amazing human being who always celebrates good images made during his workshop with joy and passion. He is genuine and sincere. He has a sharp eye for editing. He does not tell you what to do, he does not impose his own style. It’s a common effort. It’s like a visual catharsis. This is why it is so fulfilling to participate in his workshops. It’s all about growing visually in a collaborative and friendly environment. Once you are on the road with Nikos you stay on the road with Nikos because the journey never ends.
Jan Gott, Austria
The “Balkan expedition” trip didn’t changed my photography so much after 8 workshops with Nikos – it’s going to change my life as a photographer..
Colin Steel, Scotland
I really had great time in Istanbul and found the workshop every bit as challenging as I had hoped. The blend of nationalities was great and I think it was a good idea to move the sessions to the middle of the day to allow shooting in better light. I guess the only thing was
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I really had great time in Istanbul and found the workshop every bit as challenging as I had hoped. The blend of nationalities was great and I think it was a good idea to move the sessions to the middle of the day to allow shooting in better light. I guess the only thing was that removed the social aspect a little as I guess in the evenings we would have had a meal or some beers afterwards and a chance to talk more on a personal level. From my personal perspective, I did find the workshop extremely challenging and I do find it a little hard to force shooting and I did struggle to find photographs that express my thinking. Having said that, this was exactly the reason I came, to be challenged and taken forward in my photographic evolution. I can safely say that since the workshop I am much more demanding of myself and no longer tolerate shots that are safe or just plain nice. I think the workshop facility and location was superb, and I really enjoyed meeting all the guys. Maybe some more reviews of local photographers work would have been good as it’s always nice to see a different perspective. I do hope to make it to some of your future workshops and am even thinking of Istanbul again in December as I love the city so much.
Nikos Tsitsos, Greece
The workshop and Nikos in particular have transformed my outlook as a photographer and will hopefully have a long-lasting impact in my work. I have genuinely appreciated Nikos’ insight and approach. During the workshop he managed to shed valuable light to the next steps needed ahead, in a practical, tangible, results-oriented and implementable manner, yet
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The workshop and Nikos in particular have transformed my outlook as a photographer and will hopefully have a long-lasting impact in my work. I have genuinely appreciated Nikos’ insight and approach. During the workshop he managed to shed valuable light to the next steps needed ahead, in a practical, tangible, results-oriented and implementable manner, yet customised to each participant’s needs. Nikos has a unique way of guiding and helping the participants improve. He can be, at the same time, encouraging and motivating, while remaining ruthlessly honest when pointing mistakes and areas that need further work. Perhaps even more importantly, I am particularly grateful for his generosity in sharing and mentoring. Nikos has been remarkably open and welcoming and succeeded in reaffirming my enthusiasm, not only for photography but especially for documentary photography. I am looking forward to the next workshop and to new explorations.
Graciela Magnoni, Uruguay
The best aspect of Nikos workshop for me was to realize that a good photo can be best produce by liberating oneself from codes and rules. Seeing everyday each participant become visually freer and freer was revealing. Nikos has a passion for images and this workshop was all about sharing with us this passion. We
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The best aspect of Nikos workshop for me was to realize that a good photo can be best produce by liberating oneself from codes and rules. Seeing everyday each participant become visually freer and freer was revealing. Nikos has a passion for images and this workshop was all about sharing with us this passion. We were all motivated and thrilled by everybody’s images, comments and discussion about what makes an image better than others. Nikos gave us freedom, feedback and love for photography beyond imagination. Thank you. It was truly a unique experience.
Bruno Leite, Brazil
Being part of the On The Road Workshop was a unique experience for me. Spent 7 days in Istanbul dedicated to photography, shooting during the day and editing at night with your opinion making my thoughts about photography and what I was doing move to another level. I have learned a lot by listening many
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Being part of the On The Road Workshop was a unique experience for me. Spent 7 days in Istanbul dedicated to photography, shooting during the day and editing at night with your opinion making my thoughts about photography and what I was doing move to another level. I have learned a lot by listening many times what makes a good picture (and what was missing in ours!), seeing and talking about great pictures and photographers. It was also great to hear your vision of modern photography, social media and always have in mind why we are making photos. I definitely will be part in another one!
Esra Belgin, Turkey
I participated in just one workshop with Nikos so far, and now I see why people want to do it over and over again. It was a unique experience! It is amazing how my way of seeing things changed in one week.Nikos is a great photographer and an educator. I will certainly return.
Enrique Ramirez, Mexico/USA
My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos
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My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos is not only a great photographer, he’s also an open, direct, and natural mentor.
Silvia Hagge de Crespin, Argentina
Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal
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Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!
Teresa Santos, Portugal
First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would
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First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.
Fernando Retuerto Pineiro, Spain
I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and
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I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and have pleasure of taking pictures of it. I can see a background in my photos of emptiness, artificial spaces, simulation, loneliness, people with strange feelings…Everybody reflect their own personality in their pictures.
Xhodi Hysa, Albania
The Trapani, Sicily workshop was the first I had with Nikos. The group was mixed with novice, very amateur and also more experienced photographers. Being an amateur photographer made me feel nervous in the beginning of the workshop. Rather than embarrassed on the first day I was quite happy and ready to go the next
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The Trapani, Sicily workshop was the first I had with Nikos. The group was mixed with novice, very amateur and also more experienced photographers. Being an amateur photographer made me feel nervous in the beginning of the workshop. Rather than embarrassed on the first day I was quite happy and ready to go the next day. This feeling was related on how Niko created the environment, how he explained the portfolio and what he wanted from the novice participants in his workshop. The workshop really helped me to understand and feel the street photography and so it paved my path to a kind of photography which I really like. Niko’s does not go out with you and photograph with you, he let your instinct and mind to guide during the day while helps you in the afternoon during which he selects and edit the photos. The way he describes the art of photography was very helpful for every one of us and helped us to grow and to see the world in a different perspective. You always have something to note or keep in mind even if that comment was directed to a more experienced photographer.
“On the Road” helps every photographer to create new goals to achieve and also give to you the critical viewpoint for the photography.
Another skill that you learn or handle better is the editing and the creation of a portfolio. Every day when you sit with Nikos to see and edit the photo he shows how a portfolio is create and is managed. Or maybe how a picture is edited. I am a black and white photographer and the workshop helped me to give the right tone and contrast for the photo in the editing process. In the end, Niko shows to everyone what he expects from them. Ending my comment I would suggest this kind of workshop not only for the accuracy Niko’s chooses the place, but even more of how he treats the participants (we spend quite a lot time together discussing as a community), how he treats photography and how it expresses and helps you gain at least a new level. Niko’s workshops help you to find a goal and work to achieve it but in the same time it gives to you the feeling of wanting to go to a new one. So, you can show to him if you have mastered the goal he posed before you. Looking forward to catch another wonderful and very helpful workshop with Niko very soon.
“On the Road” helps every photographer to create new goals to achieve and also give to you the critical viewpoint for the photography.
Another skill that you learn or handle better is the editing and the creation of a portfolio. Every day when you sit with Nikos to see and edit the photo he shows how a portfolio is create and is managed. Or maybe how a picture is edited. I am a black and white photographer and the workshop helped me to give the right tone and contrast for the photo in the editing process. In the end, Niko shows to everyone what he expects from them. Ending my comment I would suggest this kind of workshop not only for the accuracy Niko’s chooses the place, but even more of how he treats the participants (we spend quite a lot time together discussing as a community), how he treats photography and how it expresses and helps you gain at least a new level. Niko’s workshops help you to find a goal and work to achieve it but in the same time it gives to you the feeling of wanting to go to a new one. So, you can show to him if you have mastered the goal he posed before you. Looking forward to catch another wonderful and very helpful workshop with Niko very soon.




















































