The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took me one year to digest what I’ve learned in those days. Nikos is the old hard core street photographer, and one of the finest in the Magnum group (is not only me to say it, but other Magnum photographers), I say this because what you can learn from this kind of photographers, nobody else is able to teach you. I have learned to compose better, to have more attention to what is in my frame, to slow down and think and shoot, I have learned to edit pictures in a more selective way choosing only the great pictures not the good ones, to be ruthless in editing..

With this workshop i finally felt the urge to pay attention to my work, the way to select a photo for a portfolio and harmony between the series of photos in a portfolio. This is not by force but by the inspiration and motivation that Nikos was emitting. I feel so lucky to work with him and with all the other great photographers who have attended. He gave me the direction, inspiration and motivation that I was in need of, now shooting only 35mm and only colour, I feel excitement and joy and cannot wait for another workshop with Nikos to evaluate the improvement (hopefully) together. Now i see 35mm framelines everywhere i look.

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.

I have been an avid photographer for the past few years and moved to Greece from New York only a few months ago. Greece is my homeland but has experienced many changes during my 9 years of absence and I am eager to use my camera to tell the present story. Attending the workshop was a no brainer, being on the spot and needing a serious incentive to get me on the streets of Athens. What I got in return was much more than I had bargained for!!! I met Nikos and discovered a person who went far beyond small technical issues, discussing what photography is really all about and using his own experiences as examples. The topics were endless and his willingness to answer every question and clarify every blurry notion was remarkable. I was very impressed with his openness and how friendly and giving he was. Sharing our knowledge and our experiences is most important and it is what helps us and those around us grow. And Nikos certainly does that. Furthermore, I was very happy that Nikos encouraged participants to go off on their own to shoot. We need to www.ontheroad.grelop our own vision and make our own mistakes. In short, thank you Niko for an amazing week and I look forward to future workshops and more guidance from you!

4th time on Nikos’ workshop – be careful, it can become addictive! Seriously, like most people who have followed him on his workshops, I keep being impressed with how effective these workshops are for bringing the best out of everyone : I am thinking how difficult it would be in my job to deal with apprentices at such different levels of skills, from completely amateur to accomplished professional: Nikos manages to pull the trick every time – his natural humbleness and humanity and interest in people make it seem effortless. And the interactions between the team and Nikos is always one of the best things about the course – how you always end up meeting interesting people and getting close to them.

The Sanliurfa workshop was inspiring and exciting both with regard to the photos taken by the other members of the group as well as the area and the cities we were visiting. Further, I enjoyed the evening sessions. I like the way Nikos criticizes the pictures of the photographers and gives them advice each on his/her individual professional levels. Nobody has to fear to be embarrassed – on the contrary, I was motivated not only by the comments and advice to become a better photgrapher but felt also supported by the other group members.

I did not know what to expect from a Greek maestro who lives and travels half the year in his cool VW T3. From the first hour of meeting Nikos in Pristina, my perspective on human relations and photography changed. His no-nonsense approach, opinions and advice delivered always with respect, kindness and often times, humour plus his wealth of life and photographic experience taught me to be free, take risks, challenge the norm and focus on making a compelling and difficult photo instead of fiddling with technical issues. What is also priceless, is his personal interest in the places and people we visited. Without his thoughtful commentary on the historical and cultural background to frame the environment we were in and his interesting friends who joined us during the week, it would have been a totally superficial tourist visit to Kosovo. I can’t wait to join him again.

I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go deeper, shoot better. Over the course of the week, I greedily collected the pearls of wisdom he would drop about everything from composition to lens choice to how to most effectively approach shooting in the street, and I realized that I was learning as much from what he had to say about my classmates’ photographs as my own. Through it all Nikos imposes no single viewpoint about what photography should be, but instead pushes each student to fulfill his or her own vision. I felt I made a huge leap with my work. Finally, “On The Road” is a fantastic way to experience a new city, and to have seven glorious days with the luxury of thinking about nothing except photography.

In Cuba I had the pleasure of meeting lovely new participants and others that I had seen before. 70% of the participants had already attended other workshops with Nikos. There must be a reason why we come back! After three workshops that I attended I discovered that Nikos is still able to guide me without telling me much but with slight hints that help me realize the direction to follow. I consider that’s the great ability of a good “mentor”, without showing me the way but by focussing me back in track. It’s always a pleasure to see in every meeting how our work gets transformed and how we all manage at the end to have a good body of work. Thank you, Niko, always looking forward to a new adventure with you.

Thank you again for that week in Istanbul. I had a realy good time. All was great, the workshop and the city. At the beginning, when you saw my previous work, i received “a bucket of cold water on my head”. And that was exactly what i needed. My aproach to photograhy has changed totally. The way I look at photography now is more mature. During a week spent at the workshop i feel i achieved something I’m proud of. The only bad thing is i start loving this city and now I’m planing to go back there and do some more work.. Once more big thanks for all.

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

This is my fifth workshop with Nikos. It has became kind of an annual meeting with him. Every year I discover something new. In Lisbon workshop, different photographic issues have arised about the event and the anti-event, go beyond description or what happen or not in the picture. I have learned to find a balance between all these photographic topics or, at least, I have begun to look for them in my pictures.

I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and have pleasure of taking pictures of it. I can see a background in my photos of emptiness, artificial spaces, simulation, loneliness, people with strange feelings…Everybody reflect their own personality in their pictures.

Why my last workshop with Nikos (in Buenos Aires) was the Sixth and hopefully not the last one ?
-The pleasure of learning and improving from a great photographer and a marvellous teacher
-The pleasure of being part of a high level group where community is more important than competition
-The pleasure of travelling trying to look at the country from inside
-The pleasure of the pleasure.

The workshop and Nikos in particular have transformed my outlook as a photographer and will hopefully have a long-lasting impact in my work. I have genuinely appreciated Nikos’ insight and approach. During the workshop he managed to shed valuable light to the next steps needed ahead, in a practical, tangible, results-oriented and implementable manner, yet customised to each participant’s needs. Nikos has a unique way of guiding and helping the participants improve. He can be, at the same time, encouraging and motivating, while remaining ruthlessly honest when pointing mistakes and areas that need further work. Perhaps even more importantly, I am particularly grateful for his generosity in sharing and mentoring. Nikos has been remarkably open and welcoming and succeeded in reaffirming my enthusiasm, not only for photography but especially for documentary photography. I am looking forward to the next workshop and to new explorations.

During the workshop, I was deeply inspired by Nikos and his work especially the reason why he takes photos – that it simply gives him joy, not for fame, recognition, or any other reason. He encouraged us to find our own style and reminded us not to try too hard to prove something or mimic someone else’s style. This had a profound effect on me. I felt “liberated” to take photos of moments that speak to me instead of photos that I think would be appreciated by others. I felt I was “allowed” to explore my own style and express myself through photography. I am normally shy and afraid of people but I slowly opened up and pushed myself with the help of Nikos’ and the group’s guidance and encouragement. It also helped that Athens has a unique character and most Greek people are charming, open, and kind – it was challenging yet inspiring to photograph there. The workshop changed how I see photography in my life and gave me a clearer sense of where I want to take my photography next.

People ask me why I keep attending Nikos’ workshops. Well, I can’t imagine a better way to experience and photograph a new place than through Nikos’ workshop! The regimen and discipline it requires is just impossible to duplicate if you’re otherwise simply traveling on holiday. What’s even better is that you get daily feedback and instruction. We see ourselves improve, whatever skill level we’re at. Our understanding of photography and our own approach thereto is deepened with each session, in every workshop attended. This is probably why this tribe of On The Road travellers has continued to grow into a thriving community of like-minded people. Even after the workshop, we have continued to keep in touch and remain friends, providing each other with insight and feedback on photography. This is why I like being On The Road with Nikos.

I recently returned from Nikos “Balkan Expedition”, although I have been back for three months, I don’t feel like I am anywhere near to returning to “normal life”. My experience during Nikos workshop was spectacular. Visited locations I would never have travelled to and energized to photograph there. I learned so much and experienced so much that I am sure it will take quite a while to fully assimilate. The symposium experience was truly flawless, from discussions and critiques with an honest opinion about your photography. And lets not forget the participants themselves, an amazing diverse and talented group who were a joy to be around and learned much from each other. If you are serious about wanting to become a better street photographer you can not go wrong with Nikos “Balkan Expedition” workshop. For myself, I am already thinking about my next Economopoulos experience.