To go on a workshop with Nikos is one big learning experience. It means to challenge yourself in ways that at least I don’t do in my everyday life. I really appreciate his strong opinions and straightforwardness. To talk about photography and show your daily work to him is very rewarding because of his profound knowledge and total honesty. I strongly recommend anyone interested in this type of photography to go on a workshop with Nikos. I’m truly grateful for what I have learned from him and of course I will return for another workshop.

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

I recently returned from Nikos “Balkan Expedition”, although I have been back for three months, I don’t feel like I am anywhere near to returning to “normal life”. My experience during Nikos workshop was spectacular. Visited locations I would never have travelled to and energized to photograph there. I learned so much and experienced so much that I am sure it will take quite a while to fully assimilate. The symposium experience was truly flawless, from discussions and critiques with an honest opinion about your photography. And lets not forget the participants themselves, an amazing diverse and talented group who were a joy to be around and learned much from each other. If you are serious about wanting to become a better street photographer you can not go wrong with Nikos “Balkan Expedition” workshop. For myself, I am already thinking about my next Economopoulos experience.

 I would like to say how very much I valued Nikos’ perceptive, insightful and supportive comments. While just starting out in photography the workshop was a really valuable guide on how I should be thinking about it. I really liked the emphasis on looking for the humanity in the image, the unusual, the abnormal, the avoidance of the simply descriptive, the banal, the obvious and cliché. Not to mention the need to be very selective, paying attention to backgrounds, the value of geometry in composition, finding interesting elements and locations, the need to concentrate on simple forms and shapes and avoid clutter. The workshop was a genuinely supportive and helpful experience.
So thank you Nikos for lots of really helpful advice and I hope to see you on future workshops.

Thank you for the workshop, overall it was great and I look forward to joining you somewhere else in the future. In terms of feedback, particularly at my beginner level, I was often seeking more and more direction and information from you and as you probably realise, I would continually ask for more and more information as the days went on. Apart from that however, it was a great experience and an overall (apart from the food) good trip.

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.

“I travel to photograph”, Nikos says. This statement made me rethink my purpose for travel. Not only do I want to see and be in the moment, I now strive to capture those feelings in a still image as well, so that I may later find pleasure in viewing it. This is my takeaway from Nikos’ workshop. He has given me a new perspective on travel and a new way to photograph and derive pleasure from it. It’s been some time since our group parted ways in Iran, and yet my thoughts are still suffused with notes from discussions with Nikos. The challenge now, it seems, is how to get into workshop mode and produce quality images without Nikos around. It’s tough. Whether it’s your first workshop or your fourth, Nikos’ methods will challenge you to level-up. Accept his teaching with an open mind, plus a dose of humility, and you will be rewarded with discernment of what is a good photograph, and what is mediocre. I look forward to being On The Road again.

I came to the workshop feeling dissatisified with what I was doing with my photography and hoped that the workshop would help me find a more definite direction. I was particularly impressed with your ability to look at the work of the members of the workshop group, assess where we were up to photographically and individually give us feedback and suggestions based on this and on the work we did progressively throughout the workshop. The practical information you gave us (eg about ‘visual impact’, about taking care with all elements that fill the frame of a photograph – not just the main subject, etc), I also found useful. As well, I enjoyed the ‘journey’ of the workshop itself – seeing everyone’s work each evening and hearing about our different explorations of Istanbul (particularly those to areas away from the tourist hordes). However, the main overall impact of the workshop for me was that it made me realise and accept that, if I am to continue seriously with my photography, I do need to change my focus. Doing things the same old way is no longer an option. It will take me some time to properly work out what this should be, but the workshop has given me the impetus to make a start, as well as some constructive ideas. I am very grateful for that.

For me the Istanbul workshop was, above all, a great chance to see how an exceptional photographer such as Nikos looks at, selects and talks about photographs. Nikos was keen to understand our photographs first and then offered ways to improve them. While doing so, he was always up-front and honest but never condescending or imposing. I felt that Nikos’ attitude towards us, the participants, and our photography was similar to the compassion one can see in his own photography in that, he makes sure that no one is ever stripped off of their dignity. His comments were not only related to the formal result but also what goes on before and during shooting. The workshop was, as others have said, intense and demanding, and I enjoyed every minute of it.

The expertise and clear vision of Nikos criticism is the best gift for any photographer attending his workshops. The last few years I had lost motivation for photography and all i was hoping from this workshop was just to awake my “eye” and to feel the magic of the photographic process. The “mission” was more than accomplished! Until the end of the workshop i felt falling in love with photography again and got the thrill of grabbing my camera and go photograph the action. Nikos guided me through this process and with his generosity shared precious “secrets” of big photographers. The end of the workshop meant a new start to my photographic projects. I continue photograph the city and feel the influence of this workshop on my work. THANK YOU! I am really looking forward to the next photographic workshop with Nikos!

Attending a workshop with Nikos as your teacher, critic and guide into the world of creating the best images that you can produce, is both a challenging and inspiring experience. This was my second workshop with Nikos, and it was incredible!! How he teaches you to look at a photograph and “not just see it” makes me compose each individual frame with an more critical eye and deeper understanding on how to make a photograph come alive. With his encouragement and strong commitment to getting the best from me, he guided me in the direction that I wanted to grow. Ultimately the week with Nikos was a very rewarding experience! On another note just spending time with him, over dinner or lunch, listening to his stories, is great. Traveling around parts of Istanbul with him on tram’s, trains and taxi’s looking for stadiums, they are all great memories that will be with me for a longtime.

I want to thank you for eight days of ups and downs, of believing and disbeliveing in the own skills and for your remarkable approach in pushing us gently forward but never hiding something or letting something be unspoken. You treated us with your admirable respect in every human being and your humanity which let me felt comfortable in every situation of the course. Thank you for answering all my questions with so much patience. I learned so much from you – professionally and personally. The only thing i’m angry about is that you did not let me pay the taxi to the airport I hope to see you again.

Thank you very much for a great yet challenging week in Marrakesh. Being ‘On the Road’ with you helped me to understand what the street photography is all about. This workshop allowed me to discover photography once again. Your advices and suggestions helped me in choosing a right direction for my future photographic journey. Time spent with other participants and possibility to see their work helped me to understand how much photography dependents on personality. In fact it inspired me to be a better person. I am sure I will see you again…

“First time in the Balkans. First time with Nikos. A great experience. While I knew him as an outstanding photographer, I discovered a gentle, honest person. He talks, does not assume. He shares his personal experience, without secrets. He is tough, but not rude. He does not overwhelms you with his skill. And what a wonderful travel companion! My only regret: having to unexpectedly leave a few days earlier”.

I participated in the workshop in Athens and I was so thrilled about that.
Nikos Economopoulos is a unique and authentic photographer and an inspired teacher.
He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life across in meetings, and speaks about the importance of freedom in everyday life.
He guides you along the photography to your inner self, and tries to reveal the most important elements of your personality.
In simple words it’s not only a workshop in photography, it is a workshop how to make your life more inspired by keeping the most important things and put them onto your frame.

Why my last workshop with Nikos (in Buenos Aires) was the Sixth and hopefully not the last one ?
-The pleasure of learning and improving from a great photographer and a marvellous teacher
-The pleasure of being part of a high level group where community is more important than competition
-The pleasure of travelling trying to look at the country from inside
-The pleasure of the pleasure.

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.