I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

There is a british saying – “those who can, do and those who can’t, teach” – and indeed, judging from my profession the best surgeons are usually unable to transmit their knowledge insofar as their talent and ingenuity is what drives them, and this cannot be easily transferred. So, I I did not know what to expect from a Magnum workshop.. I couldn’t have been more pleasantly surprised ! Nikos kept proving , again and again, how someone who is a (generally accepted) master in his work and has acquired a place as one of the main photographers of the 20th century, can also be a simple and down to earth person: His immense patience kept surprising me, day after day: When I thought that he would have had enough going through another bunch of amateur’s photos, he manifested kindness coupled with insight while critiquing our photos. He constantly managed to stay acutely interested, after hours of looking into photos, to adjust his level of critique to different photographer levels, without appearing either patronising or bored. Every photo would appear to be an opportunity to delve deep into the nature of photography this is not a course about flashes and lenses and f-stops indeed, it presupposes you have reached an appropriate technical level, going beyond that, trying to understand the nature of photography, why some photos move us and confuse and grasp us in such a way an academic level teaching from someone who at the same time is a real photographer. Someone who can gravitate at the same time between being the artist and the critic, the producer of art and the academic (a combination that would be normally unthinkable!). The course is not for the faint hearted it is intensive and demanding , not because of Nikos’ demands or attitude (on the contrary , he is relaxed as can be) but because you will be surrounded by talented, motivated photographers , everyone of which will be doing his/her best. This is not a course on sunsets and cute babies – but you will hear intelligent and thought provoking quotes on photography, that most people would have to spend years reading to finding from the non-descriptive power of photography to the importance of light and to the language and balance of images.. One could keep on talking about the course what was most interesting was that half of the participants Addis course have followed his previous workshops. Probably this is the greatest compliment to the workshop. I am looking forward to my next session with Nikos..

Dear Nikos,
I wanted to take a moment to express my gratitude for all of the guidance and support you have provided me as a www.ontheroad.greloping photographer.
Your expertise in composition and storytelling has truly helped me to www.ontheroad.grelop my photographic eye and to think more deeply about the messages and stories that can be conveyed through photography.
I have appreciated very much, the way that you take the time to review my work, editing each picture and explaining every detail. Whether we have met in person during workshops or through Zoom sessions, your feedback has always been gentle yet constructive, pointing me in the right directions to further www.ontheroad.grelop my skills.
You have taught me that every picture must stand on its own in terms of composition and that each one should tell a complete story.
Your own masterful ability to create complex situations or to focus on a single subject always triggers empathy and astonishment in the viewer, and I am so grateful for the way you have taught me, to hopefully do this in my own work.
Thank you for being such an extraordinary teacher and mentor, and for sharing your wisdom and expertise with me. I am grateful to have had the opportunity to learn from you and to grow as a photographer under your guidance.
Lookin forward to continue our journey together.
All the best

This is the third time I participate in a Nikos’s workshop. Everybody comes back! Cuba was amazing. The people, the place, the backgrounds, the light, everything was perfect and of course Nikos’s passion for photography, his sharp vision, his keenness to find great images in our work made us produce and achieve great results. His comments are always truly useful and make us see in a different way. This is not a didactic class, this is an awareness journey, this is a personal search of style and meaning for our images. He does not tell us what to do. We ultimately discover it by ourselves and this is truly amazing. It looks like an impossible task but after a few days every body’s work becomes stronger, more compact and meaningful. Nikos is friendly and affectionate to everybody, he tries to understand the needs of every participant. He is generous with his time and he is always ready to help during the day. If he feels somebody needs extra help he immediately proposes a private meeting in the morning. The evening meetings are a delight. To see so many good images, talented photographers trying to improve their work is incredible motivating. I am planning to come to Iran in May and looking forward to it. Thank you Nikos for organizing the workshops and for your enthusiasm in our work. We do appreciate it, hugely.

Addis Ababa was my second workshop with Nikos. I came back for two reasons: One, because I know he is a great teacher who brings out the best in you. He gives you honest and relevant feedback which helps you www.ontheroad.grelop more as a photographer in a week than you would normally in a year. Two, because he is a great guy also on a personal level, and he really knows how to make a group work together and have fun at the same time. Plus did I say most of his workshops takes place in exciting and exotic locations, with more motives that your mind can process? I am already looking at how soon I can go again..

I recently returned from Nikos “Balkan Expedition”, although I have been back for three months, I don’t feel like I am anywhere near to returning to “normal life”. My experience during Nikos workshop was spectacular. Visited locations I would never have travelled to and energized to photograph there. I learned so much and experienced so much that I am sure it will take quite a while to fully assimilate. The symposium experience was truly flawless, from discussions and critiques with an honest opinion about your photography. And lets not forget the participants themselves, an amazing diverse and talented group who were a joy to be around and learned much from each other. If you are serious about wanting to become a better street photographer you can not go wrong with Nikos “Balkan Expedition” workshop. For myself, I am already thinking about my next Economopoulos experience.

I liked very much not only the editing process but the general discussions we had about photography, and the way you challenged everyone and frankly shared your opinions. In my opinion, the more opinionated, the better. (…) I liked the way you emphasized the idea of creating the portfolio from pictures with a similar approach. I feel I am on the way to www.ontheroad.greloping a style.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

Those few seconds you waste thinking too much about whether to take that picture or not. This is what you learn to get rid of when joining an On the Road workshop.
In this respect, working with Nikos is a sort of liberating experience. You learn to let it go, to just go with the flow. And you do it because the camera eventually becomes your main means of communication. It’s no more an object you use to do something but, instead, it turns into an essential part of the creative process. You start feeling the images through the viewfinder and not just seeing them.
And, as a matter of fact, this is really good fun!

I met Nikos last April in Iran’s workshop for the first time.We traveled for ten days and that trip changed my perception of photography. He taught me how to go beyond the limits and break strict rules and let creativity inspire me to create my own photography style. After 7 months,I decided to participate in another workshop and Varanasi was a great choice for me. The city was the most amazing place I’ve ever visited and if it wasn’t for the workshop, I might have never gone there. We had enough time during the day to see the city and the special ceremony which was held in that time. And in the evenings,reviewing participant’s photos encouraged me to explore the city more in the next day.

First of all I would like to thank Nikos and the participants very much for the workshop in Istanbul. The learning experience of the workshop was absolutely immense. It was participant-centered, and this provided not only close supervision but also great space for creativity and room for www.ontheroad.grelopment. Further, I have really enjoyed meeting with Nikos and the other participants. For me meeting with Nikos was like ‘downloading wisdom’ from a master photographer like himself but the challenge lied in reflecting that wisdom on my photographs. In addition, I think participants added much to my experience with their diverse approaches to photography and they were great company. Given his credentials, I think Nikos is very modest while professing strongly his mastery secrets and has a very nice personality. I feel privileged to have been a part of this whole experience and hope to get together with them sometime in the near future at another workshop.

It was a huge learning experience for me attending your workshop. The feedback and the criticism you gave, pushed me and challenged me to see better and improve myself. Although Sicily wasn’t very interesting for me photographically, I learned that no matter where you are, there are always good photos to be taken. I really enjoyed the company of the other participants, and also learned a lot from their work. Sharing your knowledge and insights with us was priceless. Thank you so much, and hopefully will join you soon on another photography adventure!!

I just returned from my 5th workshop with Nikos. This was the second time I joined him in Cuba. It was, once again, an amazing experience. It is very exciting when you know what to expect: growth, challenge, intellectual stimulation, encouragement and friendship. You can count on these every time. As many participants have pointed out, there is little structure to the workshop, no handouts or hand holding. Nikos treats everyone as if we were all professional peers. The meetings at the end of each day are magical, enlightening, and stimulating. Nikos does not tell you how to do things rather he accurately points out what works for each person considering individual interests and styles. He points you in the right direction for you to go to work the next day. We work very hard. We work long days, we edit hundreds of images, and we go home with strong portfolios. We are one hundred percent immersed in photography for the length of the workshop. Something else I appreciate and enjoy is the post learning experience. Days or weeks after the workshop you continue to realize how much you learned then and continue to learn from that workshop. It is a privilege to have Nikos as a mentor. He is not only a master in this craft but also the most considerate, encouraging, and generous professional photographer I have come across. I already look forward to the next workshop On the Road.

My feedback is very positive. First of all, the management of the booking and preparation for the workshop is helpfully assisted by your assistant Dimitri. Second, you have been a very nice and empathic person all around, and this means a lot because apart from photography we are all human beings and have human beings’ needs, therefore being around nice people is something that comes before, and really helps, learning and participating. Third, I feel that your editing sessions during the workshop, and all the general interaction with you and the other participants, have helped my understanding of photography. All in all, I have come back after the workshop with lots of new creative energy and ideas, and I believe this is all because of the unique environment of your workshop. Your comments of our work feel objective and are often revealing, and your advice is at once simple and effective. I cannot but very highly recommend your workshop to anybody that has interest in photography.

Being on the road with Nikos for a month traveling through Turkey and Georgia was a true adventure. For those interested in documentary photography, this style of travel produces photo opportunities faster than you can click. We were 8 people traveling together, and Nikos’ unpretentious, genuine and friendly personality really brought out the best of each person in the group. He is also a skilled teacher and gives great guidance in the important work of trying to find your own personal style. Though his approach is different than on other workshops, focusing on selection and feedback rather than instructions, I truly believe this is his greatest asset. Let the results speak for themselves, and all you need to do is take a look at the works produced by his participants on this website. I can not wait till next time I will be joining again!

I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been an excellent teacher and mentor (and hopefully a friend). His comments throughout the workshop encouraged us to try harder and not only to reach our limits but also go beyond them, to take photographic risks and try and see the world around us differently. We were encouraged to go beyond the simple record of places, people and moment. At the end of the day, you do not usually get a MAGNUM photographer to spend a week with you and your photos, and seriously help you www.ontheroad.grelop your way of seeing, but Nikos did exactly that. The number of participants was the ideal one, not too small and not unmanageably big. Interaction and comments were encouraged and indeed helped us all to see our own photos in a different way.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

This is my third workshop with Nikos. It has been very helpfull to me in order to discover what kind of photography I want to do in the near future and to begin to www.ontheroad.grelop my own style. I think Turkey is a great place to take pictures and I have the intention to go back several times and make a solid photographic portfolio of the country. The atmosphere, participants, place…all have been great.