People ask me why I keep attending Nikos’ workshops. Well, I can’t imagine a better way to experience and photograph a new place than through Nikos’ workshop! The regimen and discipline it requires is just impossible to duplicate if you’re otherwise simply traveling on holiday. What’s even better is that you get daily feedback and instruction. We see ourselves improve, whatever skill level we’re at. Our understanding of photography and our own approach thereto is deepened with each session, in every workshop attended. This is probably why this tribe of On The Road travellers has continued to grow into a thriving community of like-minded people. Even after the workshop, we have continued to keep in touch and remain friends, providing each other with insight and feedback on photography. This is why I like being On The Road with Nikos.

The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took me one year to digest what I’ve learned in those days. Nikos is the old hard core street photographer, and one of the finest in the Magnum group (is not only me to say it, but other Magnum photographers), I say this because what you can learn from this kind of photographers, nobody else is able to teach you. I have learned to compose better, to have more attention to what is in my frame, to slow down and think and shoot, I have learned to edit pictures in a more selective way choosing only the great pictures not the good ones, to be ruthless in editing..

Ethiopia’s workshop has been a wonderful experience for my photography.
Nikos guides you on a very precise path: one camera, one lens, one format between black and white and color, and focus on the image. Just relax, react to what you see, without too much thought or preparation.
This may sound obvious, but it was not for me at the beginning: I’ve passed from confusion, feelings of inadequacy, to be more and more confident and able to enjoy the process, and it’s been amazing for me to see my pictures improve day by day, become more interesting and less ordinary.
Niko’s passion is contagious, he’s able to criticize very precisely and firmly but always in a positive and constructive way.
I still have l a long way to go, but I can only thank Nikos for giving me back enthusiasm and directions to improve my photography.
I really look forward for the next workshop with Nikos!

I didn’t know what to expect when I sign up for this workshop. As this was a highly recommended workshop by a friend of mine I went for with the hope that it will change my style of photography and help me photograph better and understand the dynamics of what makes a picture different. I got more than I bargained for as each day was challenging to say the least. There were days when I struggled with my preconception of what makes a good photos and this prevented me from doing my best. It was when I was told by Nikos to “take photos like a child” did it liberate me and improved my style and brought me up to a different level. For this I am very grateful as it was a very important lesson for me. To be brought to a different level of understanding and photography and I leave the workshop in appreciation to my fellow photographers who have taught me a few things just by looking at their pictures and to Nikos for his invaluable advice.

In just one week much of the information I had accumulated in a previous photo course, just clicked and started to make more sense. I loved your workshop. You made me see Istanbul and it’s people very differently. I cherish the opportunity to find out the stories behind some of your great works. Plus I discovered with amazement the incredibly humble and warm person behind the fascinating photographs that I had grown to admire. And as a bonus, you introduced us to Ara Guler who even signed books for us. Thanks, looking forward to seeing you again. From now on will always be looking for flying crocodiles..

I sometimes felt like a first year violin player in a master class. I do not mind feeling a bit stupid at times and think I profit a lot by learning of the best. I have learned a lot and will continue to do so for quite some time. And hopefully, I will be able to join other workshops (…) I liked the approach very much – giving advice on the one hand and letting the participants find their own way on the other. And then, of course, the voyage was marvellous, extraordinary in the purest sense of the word.

Thank you again for that week in Istanbul. I had a realy good time. All was great, the workshop and the city. At the beginning, when you saw my previous work, i received “a bucket of cold water on my head”. And that was exactly what i needed. My aproach to photograhy has changed totally. The way I look at photography now is more mature. During a week spent at the workshop i feel i achieved something I’m proud of. The only bad thing is i start loving this city and now I’m planing to go back there and do some more work.. Once more big thanks for all.

I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt always close to his photography. I remember several key inputs, which I see now how to reflect my view to my frames. I hope to hear as usual Nikos’s open and constructive comments in the next workshops as well, which help my www.ontheroad.grelopment a lot. Meeting so diverse cultures during the workshops is another pleasure which enriches it with no doubt!

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

This is the second time I joined Nikos workshop and it keeps getting better and better. What amazes me about Nikos is the joy good images gives him. He is always excited when we achieve good pictures. He inspires us to enjoy the search for better images. Looking at people, faces, expressions, positions, backgrounds, and light becomes more important and somehow different from before. At the end, everybody is enjoying the challenges of producing interesting images. Nikos ‘s workshop is not a commercial course to make people believe that taking good pictures is easy and that being a good photographer is easy too. This workshop is for people who are passionate about photography and want to www.ontheroad.grelop a personal approach and style. It is hard because ultimately you realize that you have to find whatever your are looking for by yourself. At the end it is all worth it and incredible rewarding. I wish I had had Nikos as a teacher 20 years ago. No body has taught me as much as him in one week. It is amazing. Thank you again Nikos for being our photographic inspiration and for sharing your knowledge with us. See you in Iran!

Most recently, I participated in the Argentina/Uruguay workshop with NIkos. This was my third workshop with him. Each one has been as different as the countries we visit, our photography levels, and the wonderful people who participate in them. What is certain each time, is the positive photographic and personal experience. Nikos doesnt hold your hand, tell you where to go, or how to photograph. He encourages you to find that yourself and you do. You can count on his encouragement and guidance but the search is yours as you will www.ontheroad.grelop your own style and your own way of being a photographer. The daily evening meetings are fantastic, everyone shares their work from that day and the conversation is very enriching. Nikos enthusiasm to see everyones work is wonderful, he is interested and excited about our images as if they were his own. This contagious enthusiasm and his amazing constructive criticism becomes our best tool and guidance for the next day. Nikos workshops are not for the faint of heart, they are a lot of hard work, discovery, physical and emotional effort and incredibly rewarding. I can hardly wait for the next one. I am amazed at my growth as a photographer as a result of Nikos’ workshops, not to mention what a wonderful way this is to see the world and become part of it. Thank you Nikos!

As always, a great workshop, good people and rewarding discussions. First, I will say I really enjoyed Porto as a city. Its’ size was just right, and there were enough interesting areas to get around to – the old town, art museum, food market, the other side of the river and town Gaia, the beaches and the riverside walks. And it was easy to get around with buses and trams – and walking.
Second, I really enjoy to experience and to watch how good you are pedagogically. One little step at a time, go easy, you manage to lift us all a little bit – also the not so experienced. Thank you so much for that!
You do it so well, and discreetly – I think we hardly notice that we learn something, a little at a time. And also always interesting to listen when you tell of your experiences, travels, of the history of photography and the great photographers in the past.
I come home happy, having learned a lot. Now looking at my photos with more critical eyes, knowing maybe how to do it better next time.

Nikos workshop was by far the event with the most intense and strongest impact on my photographic view. It was an amazing pleasure to see everyone flourishing under Nikos relaxed and still disciplined guidance. Initially you might experience some confusion. You might still carry the diffuse anxious anticipation you built up before the workshop. Or You might feel even jammed seeing your former photographic concepts going to pieces. But then: Boooooom – comes the creative explosion within the steep part of the learning curve. You´ll very soon get more selective, more focused, more careful, more personal and more playful when working with your camera. Powerful stuff, hard work, lovely people and lots of fun. Nikos teaches a wonderfully concentrated no-frills approach to photography. One camera, one fixed focal. It´s all about the picture, the visual event in the frame and within that rigorous selection of what is interesting and what is not.

“Loved loved the workshop. Nikos is a great teacher. The way he offers feedback is fantastic, it helps you grow from day to day and see things in a different way from day to day. Really liked the daily edit session and learned a lot from looking at each other’s work. It was an honor to be part of a group of so talented photographers. Hopefully will be able to join another workshop in the near future.”

 I would like to say how very much I valued Nikos’ perceptive, insightful and supportive comments. While just starting out in photography the workshop was a really valuable guide on how I should be thinking about it. I really liked the emphasis on looking for the humanity in the image, the unusual, the abnormal, the avoidance of the simply descriptive, the banal, the obvious and cliché. Not to mention the need to be very selective, paying attention to backgrounds, the value of geometry in composition, finding interesting elements and locations, the need to concentrate on simple forms and shapes and avoid clutter. The workshop was a genuinely supportive and helpful experience.
So thank you Nikos for lots of really helpful advice and I hope to see you on future workshops.

Thank you very much for a great yet challenging week in Marrakesh. Being ‘On the Road’ with you helped me to understand what the street photography is all about. This workshop allowed me to discover photography once again. Your advices and suggestions helped me in choosing a right direction for my future photographic journey. Time spent with other participants and possibility to see their work helped me to understand how much photography dependents on personality. In fact it inspired me to be a better person. I am sure I will see you again…

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.