For me the Istanbul workshop was, above all, a great chance to see how an exceptional photographer such as Nikos looks at, selects and talks about photographs. Nikos was keen to understand our photographs first and then offered ways to improve them. While doing so, he was always up-front and honest but never condescending or imposing. I felt that Nikos’ attitude towards us, the participants, and our photography was similar to the compassion one can see in his own photography in that, he makes sure that no one is ever stripped off of their dignity. His comments were not only related to the formal result but also what goes on before and during shooting. The workshop was, as others have said, intense and demanding, and I enjoyed every minute of it.

People ask me why I keep attending Nikos’ workshops. Well, I can’t imagine a better way to experience and photograph a new place than through Nikos’ workshop! The regimen and discipline it requires is just impossible to duplicate if you’re otherwise simply traveling on holiday. What’s even better is that you get daily feedback and instruction. We see ourselves improve, whatever skill level we’re at. Our understanding of photography and our own approach thereto is deepened with each session, in every workshop attended. This is probably why this tribe of On The Road travellers has continued to grow into a thriving community of like-minded people. Even after the workshop, we have continued to keep in touch and remain friends, providing each other with insight and feedback on photography. This is why I like being On The Road with Nikos.

As a passionate photographer I was looking for a workshop that was not about pixels, gear and academic lectures.
Coincidentally, I discovered Nikos’ on the road workshops. The participants’ work immediately caught my eyes – and shortly after I found myself at the Istanbul workshop. It exceeded by far my expectations: Nikos’ joviality, patience, his guidance and incitement to try new ways and discover what might be dormant in oneself was incredible! It was manifest everyday in the pictures we “brought home” after long and exhausting walks in this staggering city. The vespertine meetings were fun as well. Thank you, Nikos, for your effort and thanks to all participants for the great atmosphere!

This is my fifth workshop with Nikos. It has became kind of an annual meeting with him. Every year I discover something new. In Lisbon workshop, different photographic issues have arised about the event and the anti-event, go beyond description or what happen or not in the picture. I have learned to find a balance between all these photographic topics or, at least, I have begun to look for them in my pictures.

Joining Nikos’ workshop has become a yearly must-do event for me. Why? Because his workshops are, for me, the ideal way to travel, if you’re serious about photography. Nikos always offers a destination that promises to be photographically interesting. He ensures we get to immerse ourselves in the place. There’s always someone who has done the ground work, and yet the itinerary remains casually open and flexible. On top of that, he has a way of challenging you to perform better and improve, but never to the point of creating competition. So far, in the three workshops I’ve attended, the participants have been a generous, agreeable, and encouraging bunch, which really is the effect Nikos’ personality and method of mentoring. Finally, in Uruguay, we had the uncommon experience of seeing some of Nikos’ images shot during the workshop, as well as some unpublished work, which left us in awe. That was special.

4th time on Nikos’ workshop – be careful, it can become addictive! Seriously, like most people who have followed him on his workshops, I keep being impressed with how effective these workshops are for bringing the best out of everyone : I am thinking how difficult it would be in my job to deal with apprentices at such different levels of skills, from completely amateur to accomplished professional: Nikos manages to pull the trick every time – his natural humbleness and humanity and interest in people make it seem effortless. And the interactions between the team and Nikos is always one of the best things about the course – how you always end up meeting interesting people and getting close to them.

My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos is not only a great photographer, he’s also an open, direct, and natural mentor.

Being part of the On The Road Workshop was a unique experience for me. Spent 7 days in Istanbul dedicated to photography, shooting during the day and editing at night with your opinion making my thoughts about photography and what I was doing move to another level. I have learned a lot by listening many times what makes a good picture (and what was missing in ours!), seeing and talking about great pictures and photographers. It was also great to hear your vision of modern photography, social media and always have in mind why we are making photos. I definitely will be part in another one!

I liked very much not only the editing process but the general discussions we had about photography, and the way you challenged everyone and frankly shared your opinions. In my opinion, the more opinionated, the better. (…) I liked the way you emphasized the idea of creating the portfolio from pictures with a similar approach. I feel I am on the way to www.ontheroad.greloping a style.

Ethiopia’s workshop has been a wonderful experience for my photography.
Nikos guides you on a very precise path: one camera, one lens, one format between black and white and color, and focus on the image. Just relax, react to what you see, without too much thought or preparation.
This may sound obvious, but it was not for me at the beginning: I’ve passed from confusion, feelings of inadequacy, to be more and more confident and able to enjoy the process, and it’s been amazing for me to see my pictures improve day by day, become more interesting and less ordinary.
Niko’s passion is contagious, he’s able to criticize very precisely and firmly but always in a positive and constructive way.
I still have l a long way to go, but I can only thank Nikos for giving me back enthusiasm and directions to improve my photography.
I really look forward for the next workshop with Nikos!

This was my first workshop with Nikos. I loved everything about it: Nikos warmth, his relaxed and funny way, the supportive group of participants, the thoroughness of each evening session. I learnt a lot, at many levels, namely improving my ‘seeing’ to obtain more powerful images, how to ‘carry’ myself on the street as a photographer as I approach the world around me, editing pictures, learning to be patient about the process of making images. Nikos is tireless in sharing his knowledge, experience and love for photography. He has a way of teaching that works for me his feedback sinks deep and opens me to other ways of seeing. The workshop was very challenging and at the same time very energising. His passion for a good image is contagious. Nikos has inspired me to persevere.
I am a beginner and I think my greatest takeaway from this workshop is that now I feel I am determinedly on a quest: I am more curious about the art of photography, I have more and more questions, I want to know more, I challenge myself more, I am more relaxed about the whole process. I’m simply enjoying being on the street with my camera without any expectations but to see all the layers of what is right in front of my eyes, and practice, practice, practice.
Thank you, Nikos.

“The Istanbul workshop was my first one with Nikos and it was undoubtedly a great experience. Nikos’ comments and guidelines during the editing sessions were so much appreciated and eye opening for the never ending search for good photos. The group was very interesting as well and I learned so much not only from the comments of my photos but also from others. Nikos’ feedback was always very constructive and he always pushed everybody a step up trying to make from us better photographers. Thanks Nikos..”

Ethiopia was my 4th workshop and i feel like it is already more than a workshop but seeing a good friend, travelling around and having good time. It’s more like learning more about life not only photography. So if anybody still have doubts about attending one, go, be yourself and let Maestro show you what you actually are.

I wanted to thank you so much for your dedication and for offering all help possible for all the participants. I can’t forget that you stayed up one class time until 2 a.m. reviewing &amp editing my work. The workshop was one of the best hands on learning experience that I had since I took interest in photography. Mainly because we watched you daily critique and edit every participant’s work right after a full day of shooting. This process has pushed me to think seriously about my work and the changes needed to make in order to improve. It allowed me to compare my work with others and this gave me new ideas for future projects and ways to improve. Not only that, we had discussions on equipment and why some of us use certain cameras or laptops. Which was really useful for someone like me who never cared for the technical side of photography. It was hard to go back to work and my usual routine because I will not be photographing as much as I did during the workshop even though one of my main tasks at my work is photography. Photography as full time job is not the same as the photography we did during the workshop which is the kind of photography I dream of pursuing one day. As a result of this workshop, I am more focused about my personal photography goals inside Kuwait and I am planning to commit myself to planning photography trips outside Kuwait. I am trying to commit myself more to my personal photography. I forgot how much joy that used to bring me and that workshop was a great reminder. Thank you especially for being tough on me! I didn’t come all the way to hear what I would like to hear. I wanted someone to push or dare me for a change and you did! Honestly I haven’t put my 24mm on the side. But I am crazy over the 35 mm. And that is a great start.

I came to the workshop feeling dissatisified with what I was doing with my photography and hoped that the workshop would help me find a more definite direction. I was particularly impressed with your ability to look at the work of the members of the workshop group, assess where we were up to photographically and individually give us feedback and suggestions based on this and on the work we did progressively throughout the workshop. The practical information you gave us (eg about ‘visual impact’, about taking care with all elements that fill the frame of a photograph – not just the main subject, etc), I also found useful. As well, I enjoyed the ‘journey’ of the workshop itself – seeing everyone’s work each evening and hearing about our different explorations of Istanbul (particularly those to areas away from the tourist hordes). However, the main overall impact of the workshop for me was that it made me realise and accept that, if I am to continue seriously with my photography, I do need to change my focus. Doing things the same old way is no longer an option. It will take me some time to properly work out what this should be, but the workshop has given me the impetus to make a start, as well as some constructive ideas. I am very grateful for that.

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.