“I haven’t touched the camera for good period of time and right from the first day of the workshop i was back in the game. This group was so rich of characters and bonding in a great way. I personally learned so much in this 11 days and i will never forget the time in Iran with you guys -)”

Dear Nikos,
I wanted to take a moment to express my gratitude for all of the guidance and support you have provided me as a www.ontheroad.greloping photographer.
Your expertise in composition and storytelling has truly helped me to www.ontheroad.grelop my photographic eye and to think more deeply about the messages and stories that can be conveyed through photography.
I have appreciated very much, the way that you take the time to review my work, editing each picture and explaining every detail. Whether we have met in person during workshops or through Zoom sessions, your feedback has always been gentle yet constructive, pointing me in the right directions to further www.ontheroad.grelop my skills.
You have taught me that every picture must stand on its own in terms of composition and that each one should tell a complete story.
Your own masterful ability to create complex situations or to focus on a single subject always triggers empathy and astonishment in the viewer, and I am so grateful for the way you have taught me, to hopefully do this in my own work.
Thank you for being such an extraordinary teacher and mentor, and for sharing your wisdom and expertise with me. I am grateful to have had the opportunity to learn from you and to grow as a photographer under your guidance.
Lookin forward to continue our journey together.
All the best

I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been an excellent teacher and mentor (and hopefully a friend). His comments throughout the workshop encouraged us to try harder and not only to reach our limits but also go beyond them, to take photographic risks and try and see the world around us differently. We were encouraged to go beyond the simple record of places, people and moment. At the end of the day, you do not usually get a MAGNUM photographer to spend a week with you and your photos, and seriously help you www.ontheroad.grelop your way of seeing, but Nikos did exactly that. The number of participants was the ideal one, not too small and not unmanageably big. Interaction and comments were encouraged and indeed helped us all to see our own photos in a different way.

My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos is not only a great photographer, he’s also an open, direct, and natural mentor.

Every evening, after a busy day of wandering the streets and shooting, I was rewarded with the pleasure of looking at the interesting and beautiful pictures of my fellow students in the workshop. In doing so and by Nikos‘ wonderful and empathetic teaching and the ensuing discussions, I learned so much in terms of visual perception and the transformation into a good picture that I can see more clearly now than ever before the direction, in which I want to move and on what I need to focus on. Thank you, Nikos for yet another enriching experience and thanks to all of you for the pleasant time we shared during the week in Istanbul. It was marvelous!

“This is my third workshop with Nikos and even though I should know what to expect, it was still such an intense journey from agony, elation through awakening, without any bullshit. It was like a much needed spiritual cleansing to expel the bad habits for a simple goal to make a better photograph that’s visually valid. Nikos, thank you for pushing me further – I know my next workshops with you will be just as rewarding.”

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took me one year to digest what I’ve learned in those days. Nikos is the old hard core street photographer, and one of the finest in the Magnum group (is not only me to say it, but other Magnum photographers), I say this because what you can learn from this kind of photographers, nobody else is able to teach you. I have learned to compose better, to have more attention to what is in my frame, to slow down and think and shoot, I have learned to edit pictures in a more selective way choosing only the great pictures not the good ones, to be ruthless in editing..

“Just walking, seeing and saying nothing and seeing the result at the end of the day. Giving myself to the road and being on the road. Hearing the honest comments Seeing throw a window that dear Nikos opens to my eyes, and exploring my country Even myself more than it. My second workshop. I wait for the next chance”

I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and have pleasure of taking pictures of it. I can see a background in my photos of emptiness, artificial spaces, simulation, loneliness, people with strange feelings…Everybody reflect their own personality in their pictures.

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.

My third on the road workshop and again another amazing experience. New goals set not only for the workshop but to consider and start tackling when you return home. Nikos simply does not give you a break! Looking at your work, he sets personal goals for each participant and demands to see more in every critique. That is one of Nikos’s major strong points as a teacher along with his contagious passion for photography. With such motivation and challenge, I find myself driven to accept the challenge and push for more. He simply keeps me marching to make the best out of his workshops. Most important I see it better. Having your work compared against other photographers help you see what you need to work on next. You see your points of strength and weakness against theirs and helps to learn and set goals. It was a nice experience to run into other participants that you met in earlier workshops and see how they grew as photographers since the last time you met them. This workshop was the best of the three for the reasons above and for the fact that it was held in Mumbai. For me it was a portrait heaven and almost everywhere we went was a great shooting location. We were also blessed with a group of participants from all over the world that were extremely dedicated to photography and committed to making the best out of this workshop. The most special thing about these workshops is that for a week you get to switch off and escape from everything and think nothing but doing the photography that you want and love. It is just you with your camera on the road. I look forward to join other future workshops with Nikos and highly recommend it as a great learning and fun experience!

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

(…) During this workshop, (the) edition pointed clearly that the kind of connection I establish with people and the environment while photographing them reflects on the kind of photography i make. Thus through photography I got an interesting connection with istanbullus, with the city and with myself. In that intense week I went hardly into the search for the purest photographic substance in Istanbul, photographing street scenes the whole days in different neighborhoods with a fixed 35mm in hands and no specific subject or assignment, but the mission to get very few shots, among hundreds, of these very dynamic moments in which things get right in the frame at the right time. At the end of the days, I think the editions had very high standards and at the same time were didatic, with helpful comments and good discussing with the participants – a very stimulating group, with people I really enjoyed meeting. After the workshop, I’m satisfied with the portfolio I made. And feel inspired to keep producing my personal work. Besides, with your edition and coordination the photography workshop potencialized the warm experience I had at my first time in Istanbul. (…) They’ve been very helpful and showed me a different path to follow in my photographic work.

I have previously attended a photography workshop with Nikos Economopoulos (Karpathos-Greece, Easter 2008) and it was the most beautiful ten consecutive days of my life. I asked to participate at the Varanasi workshop because I admire Nikos as a photographer and completely trust him as a person. I regretted it immediately after I signed up, because my fear of the unknown took over and I was about to call and cancel, despite all the shame that I would feel. Fortunately I did not do it. I got a whole lot out of this workshop. The daytime was dedicated to shooting, and during the evenings we were showing our day’s work. Niko’s observations and criticism were made in such a way that made us feel pushed forward, he has a way of encouraging you and making you put yourself in every image you make and feel confident about it. We never felt put down by a comment or a remark. There was an atmosphere of affection and solidarity all the way through. (He even helped me with my laptop..) Varanasi is magical..