For me as a professional photojournalist, to be with Nikos takes me back to photography where surprise and curiosity are key elements, instead of telling the story as specific as possible – as many editors seek today. Working in a fast moving newsflow, photojournalism needs surprise to stop readers, and Niko’s photography does exactly that. It intrigues us and plays with our imagination. It moves us from the world of realism to the world of surrealism.
And a workshop with Nikos is a vital reminder of photography at its best: to show us the world in a way we don’t see it ourselves. And to be formulated by a teacher, not only extremely talented, but also a friendly and charismatic travel companion.
I’m already looking forward to my next workshop with Nikos Economopoulos.

My trip to Ghana was my third with Nikos Economopoulos. As always the workshop is very high quality, and a total eye-opener to photography. Nikos is one of the best photography teachers out there, and the general level of the participants leveled up daily. Ghana was very beautiful, and the resort absolutely stunning.
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.

Nikos teaches the real thing – learning to shoot excellent photos that capture the eye and interest. Stopping fashionable habits like” storytelling”, “streetphotography” – avoiding clichés, mannerism and boredom instead pure clarity and mastership in creating compelling visuals. A group of excellent photographers with very special talents meets – surprising in expertise and dedication.
Nikos himself – an open-minded and well-balanced teacher: straightforward, clear and offering individual ways of learning to everyone.
You will shoot on your own during the day those topics that give you most pleasure. In the long evenings there is a very intense time for moving forward by editing the shots taken and studying examples from the history of photography: you start to see like your camera does and to discover the beauty of the unknown. 
Nikos acts with attentive care for the thoughts and ideas of the participants, offering a new step every day on how to continue. Efcharisto poli.

This week was, by far, my best spent time concerning photography over these last few years.
I was trying to clear my mind, to find the right approach to photography, and this workshop was a stepping stone, taking me to another level of understanding.
Staying late each night, patiently going through other participants’ work, as well as my own, answering our questions, explaining choices we did not understand in the beginning, helping us to see the good and the bad elements in a photo, pointing out good content and good intention.
All these things and more, Nikos did in a very honest way, sharing his thoughts and his knowledge with each of us. A great photographer, and a really inspiring mentor.

The more workshops I do with Nikos the more I want to come back. Every place is different as the challenges to encounter. The good thing about coming back, is that he already knows how much we can achieve so he pressures us accordingly, and I think we most agree that our results get a bit better every time.
Like each new workshop is like starting from scratch, each day of it is also starting from scratch. In every meeting he would choose a few photos but the next morning we start again from blank. The days are long and intense, but for me it’s just pure joy. We have some good days but others we hit the wall. It’s inexplicable the pleasure we have when we manage to go over that wall. Sometimes it happens, sometimes it doesn’t. But as Nikos well said: “We can have good days and bad days. But that is not important. What really matters is that we never lose the great feeling of wanting to go out and take photos. That, it is very important.” And I do hope, to never lose that feeling.
Niko, thank you again, and I am already looking forward to Argentina next month.

I have previously attended a photography workshop with Nikos Economopoulos (Karpathos-Greece, Easter 2008) and it was the most beautiful ten consecutive days of my life. I asked to participate at the Varanasi workshop because I admire Nikos as a photographer and completely trust him as a person. I regretted it immediately after I signed up, because my fear of the unknown took over and I was about to call and cancel, despite all the shame that I would feel. Fortunately I did not do it. I got a whole lot out of this workshop. The daytime was dedicated to shooting, and during the evenings we were showing our day’s work. Niko’s observations and criticism were made in such a way that made us feel pushed forward, he has a way of encouraging you and making you put yourself in every image you make and feel confident about it. We never felt put down by a comment or a remark. There was an atmosphere of affection and solidarity all the way through. (He even helped me with my laptop..) Varanasi is magical..

Those few seconds you waste thinking too much about whether to take that picture or not. This is what you learn to get rid of when joining an On the Road workshop.
In this respect, working with Nikos is a sort of liberating experience. You learn to let it go, to just go with the flow. And you do it because the camera eventually becomes your main means of communication. It’s no more an object you use to do something but, instead, it turns into an essential part of the creative process. You start feeling the images through the viewfinder and not just seeing them.
And, as a matter of fact, this is really good fun!

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…

As a professional photographer for 25+ years I thought this would be a pleasant little holiday, it turned out to be so much more. Whoever said you can’t teach an old dog new tricks had the wrong teacher. Be inspired and energised by one of our greatest living photographers. Thank you Nikos for reigniting my passion.

“Loved loved the workshop. Nikos is a great teacher. The way he offers feedback is fantastic, it helps you grow from day to day and see things in a different way from day to day. Really liked the daily edit session and learned a lot from looking at each other’s work. It was an honor to be part of a group of so talented photographers. Hopefully will be able to join another workshop in the near future.”

It all sounds not enough when I think of the incredible two weeks that I spent traveling with Nikos to Nepal and India. Those two weeks were filled with beautiful moments captured by all the participants, all inspiring each other and supporting our effort and common goal. We all bonded beautifully and hopefully created life-long friendships. The workshops are demanding but it is through the effort and hard work that we achieve results that we can be proud of. Nikos pushed each participant to create the best work possible and I think that the results speak for themselves. I returned home feeling inspired, stronger as a photographer and as a person. I look forward to traveling with Nikos to Ethiopia and india in 2015!

The Sanliurfa workshop was inspiring and exciting both with regard to the photos taken by the other members of the group as well as the area and the cities we were visiting. Further, I enjoyed the evening sessions. I like the way Nikos criticizes the pictures of the photographers and gives them advice each on his/her individual professional levels. Nobody has to fear to be embarrassed – on the contrary, I was motivated not only by the comments and advice to become a better photgrapher but felt also supported by the other group members.

During the workshop, I was deeply inspired by Nikos and his work especially the reason why he takes photos – that it simply gives him joy, not for fame, recognition, or any other reason. He encouraged us to find our own style and reminded us not to try too hard to prove something or mimic someone else’s style. This had a profound effect on me. I felt “liberated” to take photos of moments that speak to me instead of photos that I think would be appreciated by others. I felt I was “allowed” to explore my own style and express myself through photography. I am normally shy and afraid of people but I slowly opened up and pushed myself with the help of Nikos’ and the group’s guidance and encouragement. It also helped that Athens has a unique character and most Greek people are charming, open, and kind – it was challenging yet inspiring to photograph there. The workshop changed how I see photography in my life and gave me a clearer sense of where I want to take my photography next.

4th time on Nikos’ workshop – be careful, it can become addictive! Seriously, like most people who have followed him on his workshops, I keep being impressed with how effective these workshops are for bringing the best out of everyone : I am thinking how difficult it would be in my job to deal with apprentices at such different levels of skills, from completely amateur to accomplished professional: Nikos manages to pull the trick every time – his natural humbleness and humanity and interest in people make it seem effortless. And the interactions between the team and Nikos is always one of the best things about the course – how you always end up meeting interesting people and getting close to them.

It was a great trip and although I worked really hard, I still had a lot of fun wandering the streets and trying to hone my eye.
It seemed to me that Nikos explained more in this workshop (as compared to the others I’ve taken with him) and I think that is a good thing. Even when it’s something that we think we know, it is always good to be reminded and guided. I really enjoyed hearing his thoughts on so many aspects of photography and I personally needed a nudge in being reminded to look at the work of the great photographers. I had slacked off in that department over the last few months. I also love how he meets each student at his/her level and encourages them.
And, as usual, what I learned will continue to resonate with, and direct, me for months.

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

Working with Nikos in Istanbul was personally an eye-opener for me. His insight and way of seeing changed my entire approach to photography. If you want to take your photography to the next level and make meaningful images I highly recommend his workshops for you. This was my first workshop with Nikos and he impressed me so much that I’m hoping to repeat someday soon if time and work permits. Thank you, Nikos, for your patience and sharing your vision with me!

(…) During this workshop, (the) edition pointed clearly that the kind of connection I establish with people and the environment while photographing them reflects on the kind of photography i make. Thus through photography I got an interesting connection with istanbullus, with the city and with myself. In that intense week I went hardly into the search for the purest photographic substance in Istanbul, photographing street scenes the whole days in different neighborhoods with a fixed 35mm in hands and no specific subject or assignment, but the mission to get very few shots, among hundreds, of these very dynamic moments in which things get right in the frame at the right time. At the end of the days, I think the editions had very high standards and at the same time were didatic, with helpful comments and good discussing with the participants – a very stimulating group, with people I really enjoyed meeting. After the workshop, I’m satisfied with the portfolio I made. And feel inspired to keep producing my personal work. Besides, with your edition and coordination the photography workshop potencialized the warm experience I had at my first time in Istanbul. (…) They’ve been very helpful and showed me a different path to follow in my photographic work.

“This was my first workshop with Nikos, absolutely a wonderful experience!!! The way the workshop is managed it’s a unique opportunity to improve your photographic skills. At my beginner level, I was looking to improve my visual capacities and tο learn how tο frame my shots: I am definitely more than satisfied, and I will definitely come back to attend more workshops. This unique experience has then been enriched by a fantastic atmosphere and excellent fellows with sharing a lot of information. Overall a great experience, definitely worth and to be soon repeated”

First of all, I am very happy to know a person like Nikos. Even if we worked until late hours, I enjoyed every minute of it.
I guess my adventure of photography will be divided into 2 before Nikos and after Nikos and I am very excited to use what I learned from Nikos on my photography.