participants’ work
The photographs presented in this section are the final outcome of each workshop.
Their creators range from professional photographers to people who may have just learned how to hold a camera.
The challenge in these workshops is how to bring out each one’s unique glance.
Click on each participant’s name to view the portfolio full-screen.
Cecile Barou, France
All along this workshop, I’ve learnt and understood many many things, photographically and personally. My vision of photography has considerably changed. After these eight days, I feel really motivated to carry on learning, practicing and enjoying photography. This experience was very fruitful and positive. Moreover, I appreciated that you give a chance to every person. Thank
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All along this workshop, I’ve learnt and understood many many things, photographically and personally. My vision of photography has considerably changed. After these eight days, I feel really motivated to carry on learning, practicing and enjoying photography. This experience was very fruitful and positive. Moreover, I appreciated that you give a chance to every person. Thank you for all that !
Nerris Markogiannis, Greece-Sudan
I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been
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I work as a photographer for the United Nations, my perception of photography and photographic style has been somewhat different to the one of Nikos Economopoulos. The workshop was amazing, it provided me with a new, fresh look. My way of seeing has changed significantly since then. The organization was great and Nikos has been an excellent teacher and mentor (and hopefully a friend). His comments throughout the workshop encouraged us to try harder and not only to reach our limits but also go beyond them, to take photographic risks and try and see the world around us differently. We were encouraged to go beyond the simple record of places, people and moment. At the end of the day, you do not usually get a MAGNUM photographer to spend a week with you and your photos, and seriously help you www.ontheroad.grelop your way of seeing, but Nikos did exactly that. The number of participants was the ideal one, not too small and not unmanageably big. Interaction and comments were encouraged and indeed helped us all to see our own photos in a different way.
Rose Vandepitte, Belgium
Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and
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Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.
Lars Just, Danemark
My trip to Ghana was my third with Nikos Economopoulos. As always the workshop is very high quality, and a total eye-opener to photography. Nikos is one of the best photography teachers out there, and the general level of the participants leveled up daily. Ghana was very beautiful, and the resort absolutely stunning. Bonus info:
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My trip to Ghana was my third with Nikos Economopoulos. As always the workshop is very high quality, and a total eye-opener to photography. Nikos is one of the best photography teachers out there, and the general level of the participants leveled up daily. Ghana was very beautiful, and the resort absolutely stunning.
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.
Colin Steel, Scotland
I really had great time in Istanbul and found the workshop every bit as challenging as I had hoped. The blend of nationalities was great and I think it was a good idea to move the sessions to the middle of the day to allow shooting in better light. I guess the only thing was
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I really had great time in Istanbul and found the workshop every bit as challenging as I had hoped. The blend of nationalities was great and I think it was a good idea to move the sessions to the middle of the day to allow shooting in better light. I guess the only thing was that removed the social aspect a little as I guess in the evenings we would have had a meal or some beers afterwards and a chance to talk more on a personal level. From my personal perspective, I did find the workshop extremely challenging and I do find it a little hard to force shooting and I did struggle to find photographs that express my thinking. Having said that, this was exactly the reason I came, to be challenged and taken forward in my photographic evolution. I can safely say that since the workshop I am much more demanding of myself and no longer tolerate shots that are safe or just plain nice. I think the workshop facility and location was superb, and I really enjoyed meeting all the guys. Maybe some more reviews of local photographers work would have been good as it’s always nice to see a different perspective. I do hope to make it to some of your future workshops and am even thinking of Istanbul again in December as I love the city so much.
Aisling Murray, Irlande
Attending a workshop with Nikos as your teacher, critic and guide into the world of creating the best images that you can produce, is both a challenging and inspiring experience. This was my second workshop with Nikos, and it was incredible!! How he teaches you to look at a photograph and “not just see it”
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Attending a workshop with Nikos as your teacher, critic and guide into the world of creating the best images that you can produce, is both a challenging and inspiring experience. This was my second workshop with Nikos, and it was incredible!! How he teaches you to look at a photograph and “not just see it” makes me compose each individual frame with an more critical eye and deeper understanding on how to make a photograph come alive. With his encouragement and strong commitment to getting the best from me, he guided me in the direction that I wanted to grow. Ultimately the week with Nikos was a very rewarding experience! On another note just spending time with him, over dinner or lunch, listening to his stories, is great. Traveling around parts of Istanbul with him on tram’s, trains and taxi’s looking for stadiums, they are all great memories that will be with me for a longtime.
Graciela Magnoni, Uruguay
This is the third time I participate in a Nikos’s workshop. Everybody comes back! Cuba was amazing. The people, the place, the backgrounds, the light, everything was perfect and of course Nikos’s passion for photography, his sharp vision, his keenness to find great images in our work made us produce and achieve great results. His
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This is the third time I participate in a Nikos’s workshop. Everybody comes back! Cuba was amazing. The people, the place, the backgrounds, the light, everything was perfect and of course Nikos’s passion for photography, his sharp vision, his keenness to find great images in our work made us produce and achieve great results. His comments are always truly useful and make us see in a different way. This is not a didactic class, this is an awareness journey, this is a personal search of style and meaning for our images. He does not tell us what to do. We ultimately discover it by ourselves and this is truly amazing. It looks like an impossible task but after a few days every body’s work becomes stronger, more compact and meaningful. Nikos is friendly and affectionate to everybody, he tries to understand the needs of every participant. He is generous with his time and he is always ready to help during the day. If he feels somebody needs extra help he immediately proposes a private meeting in the morning. The evening meetings are a delight. To see so many good images, talented photographers trying to improve their work is incredible motivating. I am planning to come to Iran in May and looking forward to it. Thank you Nikos for organizing the workshops and for your enthusiasm in our work. We do appreciate it, hugely.
Silvia Hagge de Crespin, Argentina
Doctors, teachers, students, architects, among others, left their comfort zone and their countries to meet other photographers to go to an unknown part of the world. 12 hours a day taking photos, then editing them to get to enjoy the cherry to the cake, meeting Nikos every evening to share all the results of each
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Doctors, teachers, students, architects, among others, left their comfort zone and their countries to meet other photographers to go to an unknown part of the world. 12 hours a day taking photos, then editing them to get to enjoy the cherry to the cake, meeting Nikos every evening to share all the results of each productive day. A whole week of pure pleasure to those passionate about photography. The guidance received by Nikos after first seeing our portfolio made us be prepared for the days to come. The feedback received every night not only by him but also by the other photographers, helped us continue to improve our way of photographing. Exchanging views with the others was a very enriching experience, both personal and professionally. Nikos’ sensibility and the encouragement he gave us made us realize that he is not only a great photographer but also a humble and considerate friend. I highly recommend this workshop to those lovers of photography and to those seeking to move on or searching for new ways. I am looking forward to joining more workshops with Nikos in the near future.
Graciela Magnoni, Uruguay
This is the second time I joined Nikos workshop and it keeps getting better and better. What amazes me about Nikos is the joy good images gives him. He is always excited when we achieve good pictures. He inspires us to enjoy the search for better images. Looking at people, faces, expressions, positions, backgrounds, and
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This is the second time I joined Nikos workshop and it keeps getting better and better. What amazes me about Nikos is the joy good images gives him. He is always excited when we achieve good pictures. He inspires us to enjoy the search for better images. Looking at people, faces, expressions, positions, backgrounds, and light becomes more important and somehow different from before. At the end, everybody is enjoying the challenges of producing interesting images. Nikos ‘s workshop is not a commercial course to make people believe that taking good pictures is easy and that being a good photographer is easy too. This workshop is for people who are passionate about photography and want to www.ontheroad.grelop a personal approach and style. It is hard because ultimately you realize that you have to find whatever your are looking for by yourself. At the end it is all worth it and incredible rewarding. I wish I had had Nikos as a teacher 20 years ago. No body has taught me as much as him in one week. It is amazing. Thank you again Nikos for being our photographic inspiration and for sharing your knowledge with us. See you in Iran!
Marco Pecci, Italy
Why my last workshop with Nikos (in Buenos Aires) was the Sixth and hopefully not the last one ? -The pleasure of learning and improving from a great photographer and a marvellous teacher -The pleasure of being part of a high level group where community is more important than competition -The pleasure of travelling trying
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Why my last workshop with Nikos (in Buenos Aires) was the Sixth and hopefully not the last one ?
-The pleasure of learning and improving from a great photographer and a marvellous teacher
-The pleasure of being part of a high level group where community is more important than competition
-The pleasure of travelling trying to look at the country from inside
-The pleasure of the pleasure.
-The pleasure of learning and improving from a great photographer and a marvellous teacher
-The pleasure of being part of a high level group where community is more important than competition
-The pleasure of travelling trying to look at the country from inside
-The pleasure of the pleasure.
Fernando Rituerto Pineiro, Spain
This is my fifth workshop with Nikos. It has became kind of an annual meeting with him. Every year I discover something new. In Lisbon workshop, different photographic issues have arised about the event and the anti-event, go beyond description or what happen or not in the picture. I have learned to find a balance between all these photographic topics or,
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This is my fifth workshop with Nikos. It has became kind of an annual meeting with him. Every year I discover something new. In Lisbon workshop, different photographic issues have arised about the event and the anti-event, go beyond description or what happen or not in the picture. I have learned to find a balance between all these photographic topics or, at least, I have begun to look for them in my pictures.
Esra Belgin, Turkey
I participated in just one workshop with Nikos so far, and now I see why people want to do it over and over again. It was a unique experience! It is amazing how my way of seeing things changed in one week.Nikos is a great photographer and an educator. I will certainly return.
Adam Brooks, USA
I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go
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I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go deeper, shoot better. Over the course of the week, I greedily collected the pearls of wisdom he would drop about everything from composition to lens choice to how to most effectively approach shooting in the street, and I realized that I was learning as much from what he had to say about my classmates’ photographs as my own. Through it all Nikos imposes no single viewpoint about what photography should be, but instead pushes each student to fulfill his or her own vision. I felt I made a huge leap with my work. Finally, “On The Road” is a fantastic way to experience a new city, and to have seven glorious days with the luxury of thinking about nothing except photography.
Graciela Magnoni, Uruguay
I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that
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I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.
Lars Just, Danemark
Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of
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Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.
Silvia Hagge de Crespin, Argentina
Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal
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Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!
Julia Cooke-Forsman, UK
I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my
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I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.
Benedikt Göttert, Germany
It worked — or as Nikos said “It always works”. I needed three days to throw everything over board I thought to know about photography. How to select backgrounds, how to use the 35mm lens, how to lead the eye of the beholder, how to avoid clichees, how to get closer, how to recognize a
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It worked — or as Nikos said “It always works”. I needed three days to throw everything over board I thought to know about photography. How to select backgrounds, how to use the 35mm lens, how to lead the eye of the beholder, how to avoid clichees, how to get closer, how to recognize a good photograph and how to find my own style. Nikos has something like a built-in compass for good photography which always functions. It was a pleasure to learn from him, to talk with him about his philosophy and to see his passion for beautiful visual events. Even when he felt sick and his face looked as grey as some of my worse photographs he got excited and touched by every great picture he saw at our group meetings in the evenings. He is such a nice and open guy and it seems he has also a talent to attract like-minded people to his workshops. I felt very welcome from the first moment. The Thailand workshop was my first one with him. But for sure not the last..
Fabio Berzaghi, Italy
After the first meeting with Nikos, I felt my photos and the way I thought about them were too old and ordinary. Nikos shared some of his hints with me and the other guys, and as a consequence I started to feel more comfortable with my camera while taking pictures in different situations: I thought
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After the first meeting with Nikos, I felt my photos and the way I thought about them were too old and ordinary. Nikos shared some of his hints with me and the other guys, and as a consequence I started to feel more comfortable with my camera while taking pictures in different situations: I thought my images were improving and were becoming more interesting. Then, after all the reviews I attended, I saw my pictures and suddenly they were old and ordinary again. I was completely upset. But now I am realizing that day after day and picture after picture, his advices led me to start finding a new way – my own way – to take photos. Ok, probably this is just the beginning, but it’s a good start. Thanks Nikos!
Regula Tschumi, Switzerland
The workshop in Ghana was my first with Nikos. It was a great experience because Nikos is not only an excellent photographer and teacher, but also a really wonderful person to be with! In Nikos’ teaching methods I loved especially that he let everybody go his own way and let us www.ontheroad.grelop our own visions.
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The workshop in Ghana was my first with Nikos. It was a great experience because Nikos is not only an excellent photographer and teacher, but also a really wonderful person to be with! In Nikos’ teaching methods I loved especially that he let everybody go his own way and let us www.ontheroad.grelop our own visions. He was not imposing his own style or anything else, so each participant was free to photograph whatever he or she wanted to. In the evenings we all met for long and very interesting editing sessions. Then Nikos went carefully through all the photographs we offered him, regardless if there were only a few or even a hundred. He gave each of us excellent feedback on our daily work in a direct and honest, but always very friendly way. With this we learnt how to avoid common traps or clichés, how to recognise easy tricks, and avoid making boring and badly composed pictures. So he carefully guided each of us and helped us day by day to improve our work. Thanks a lot for all this Nikos, you are a great inspiration and I already look forward to being with you again in another workshop! Thanks also to all the participants for the great time we had together!




























































