(…) During this workshop, (the) edition pointed clearly that the kind of connection I establish with people and the environment while photographing them reflects on the kind of photography i make. Thus through photography I got an interesting connection with istanbullus, with the city and with myself. In that intense week I went hardly into the search for the purest photographic substance in Istanbul, photographing street scenes the whole days in different neighborhoods with a fixed 35mm in hands and no specific subject or assignment, but the mission to get very few shots, among hundreds, of these very dynamic moments in which things get right in the frame at the right time. At the end of the days, I think the editions had very high standards and at the same time were didatic, with helpful comments and good discussing with the participants – a very stimulating group, with people I really enjoyed meeting. After the workshop, I’m satisfied with the portfolio I made. And feel inspired to keep producing my personal work. Besides, with your edition and coordination the photography workshop potencialized the warm experience I had at my first time in Istanbul. (…) They’ve been very helpful and showed me a different path to follow in my photographic work.

For me the Istanbul workshop was, above all, a great chance to see how an exceptional photographer such as Nikos looks at, selects and talks about photographs. Nikos was keen to understand our photographs first and then offered ways to improve them. While doing so, he was always up-front and honest but never condescending or imposing. I felt that Nikos’ attitude towards us, the participants, and our photography was similar to the compassion one can see in his own photography in that, he makes sure that no one is ever stripped off of their dignity. His comments were not only related to the formal result but also what goes on before and during shooting. The workshop was, as others have said, intense and demanding, and I enjoyed every minute of it.

It was a great trip and although I worked really hard, I still had a lot of fun wandering the streets and trying to hone my eye.
It seemed to me that Nikos explained more in this workshop (as compared to the others I’ve taken with him) and I think that is a good thing. Even when it’s something that we think we know, it is always good to be reminded and guided. I really enjoyed hearing his thoughts on so many aspects of photography and I personally needed a nudge in being reminded to look at the work of the great photographers. I had slacked off in that department over the last few months. I also love how he meets each student at his/her level and encourages them.
And, as usual, what I learned will continue to resonate with, and direct, me for months.

I liked very much not only the editing process but the general discussions we had about photography, and the way you challenged everyone and frankly shared your opinions. In my opinion, the more opinionated, the better. (…) I liked the way you emphasized the idea of creating the portfolio from pictures with a similar approach. I feel I am on the way to www.ontheroad.greloping a style.

The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took me one year to digest what I’ve learned in those days. Nikos is the old hard core street photographer, and one of the finest in the Magnum group (is not only me to say it, but other Magnum photographers), I say this because what you can learn from this kind of photographers, nobody else is able to teach you. I have learned to compose better, to have more attention to what is in my frame, to slow down and think and shoot, I have learned to edit pictures in a more selective way choosing only the great pictures not the good ones, to be ruthless in editing..

“This is my third workshop with Nikos and even though I should know what to expect, it was still such an intense journey from agony, elation through awakening, without any bullshit. It was like a much needed spiritual cleansing to expel the bad habits for a simple goal to make a better photograph that’s visually valid. Nikos, thank you for pushing me further – I know my next workshops with you will be just as rewarding.”

It’s all about sensibility, involvement, balance and control. This is mostly what I have learnt from Nikos workshop. From my day-to-day photos, Nikos directed my feelings and revealed what is the best in me. I started to be more conscious about what I was photographing, what I should photograph, what approach I should apply and what new direction I should explore. I have learned that getting close to people is the key, searching for the right setting and capturing the action at the right moment are essential. Nikos workshop is highly rewarding for those wishing to progress and confront themselves with street photography. Nikos workshop is a powerful human experience where I have met other interesting friendly photographers from different backgrounds, cultures and objectives in life. Nikos outspoken, honest critical look and simplicity, as personal qualities, make the workshop unique and very valuable for anybody wishing to move to next level in photography. Thank you Nikos for your true sympathy.

Here is some feedback on the Oaxaca workshop. Simple and short – the workshop was absolutely amazing. Excellence defined.
The feedback sessions in the evenings were transforming with deep inspiration continuing as a growth journey day by day. I highly appreciate the way Nikos gives feedback and shares his amazing vision and way of seeing, it is clear and to the point, with the beauty of the creative process not being jeopardised. A way of life, how to shoot, when not to shoot, and how to discipline your mind loosing the experienced feeling of time. I definitely left Oaxaca with deep and new inspiration.
Excellent workshop. Amazing atmosphere.
Great workshop set up – with a feeling of freedom in the creative process and flow during the day.
Unique feedback sessions in the evenings with firm and clear communication.
Tailored feedback how to improve day by day Again. Just great. Difficult to describe in words!

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

People ask me why I keep attending Nikos’ workshops. Well, I can’t imagine a better way to experience and photograph a new place than through Nikos’ workshop! The regimen and discipline it requires is just impossible to duplicate if you’re otherwise simply traveling on holiday. What’s even better is that you get daily feedback and instruction. We see ourselves improve, whatever skill level we’re at. Our understanding of photography and our own approach thereto is deepened with each session, in every workshop attended. This is probably why this tribe of On The Road travellers has continued to grow into a thriving community of like-minded people. Even after the workshop, we have continued to keep in touch and remain friends, providing each other with insight and feedback on photography. This is why I like being On The Road with Nikos.

There is a british saying – “those who can, do and those who can’t, teach” – and indeed, judging from my profession the best surgeons are usually unable to transmit their knowledge insofar as their talent and ingenuity is what drives them, and this cannot be easily transferred. So, I I did not know what to expect from a Magnum workshop.. I couldn’t have been more pleasantly surprised ! Nikos kept proving , again and again, how someone who is a (generally accepted) master in his work and has acquired a place as one of the main photographers of the 20th century, can also be a simple and down to earth person: His immense patience kept surprising me, day after day: When I thought that he would have had enough going through another bunch of amateur’s photos, he manifested kindness coupled with insight while critiquing our photos. He constantly managed to stay acutely interested, after hours of looking into photos, to adjust his level of critique to different photographer levels, without appearing either patronising or bored. Every photo would appear to be an opportunity to delve deep into the nature of photography this is not a course about flashes and lenses and f-stops indeed, it presupposes you have reached an appropriate technical level, going beyond that, trying to understand the nature of photography, why some photos move us and confuse and grasp us in such a way an academic level teaching from someone who at the same time is a real photographer. Someone who can gravitate at the same time between being the artist and the critic, the producer of art and the academic (a combination that would be normally unthinkable!). The course is not for the faint hearted it is intensive and demanding , not because of Nikos’ demands or attitude (on the contrary , he is relaxed as can be) but because you will be surrounded by talented, motivated photographers , everyone of which will be doing his/her best. This is not a course on sunsets and cute babies – but you will hear intelligent and thought provoking quotes on photography, that most people would have to spend years reading to finding from the non-descriptive power of photography to the importance of light and to the language and balance of images.. One could keep on talking about the course what was most interesting was that half of the participants Addis course have followed his previous workshops. Probably this is the greatest compliment to the workshop. I am looking forward to my next session with Nikos..

My feedback is very positive. First of all, the management of the booking and preparation for the workshop is helpfully assisted by your assistant Dimitri. Second, you have been a very nice and empathic person all around, and this means a lot because apart from photography we are all human beings and have human beings’ needs, therefore being around nice people is something that comes before, and really helps, learning and participating. Third, I feel that your editing sessions during the workshop, and all the general interaction with you and the other participants, have helped my understanding of photography. All in all, I have come back after the workshop with lots of new creative energy and ideas, and I believe this is all because of the unique environment of your workshop. Your comments of our work feel objective and are often revealing, and your advice is at once simple and effective. I cannot but very highly recommend your workshop to anybody that has interest in photography.

First of all I would like to thank Nikos and the participants very much for the workshop in Istanbul. The learning experience of the workshop was absolutely immense. It was participant-centered, and this provided not only close supervision but also great space for creativity and room for www.ontheroad.grelopment. Further, I have really enjoyed meeting with Nikos and the other participants. For me meeting with Nikos was like ‘downloading wisdom’ from a master photographer like himself but the challenge lied in reflecting that wisdom on my photographs. In addition, I think participants added much to my experience with their diverse approaches to photography and they were great company. Given his credentials, I think Nikos is very modest while professing strongly his mastery secrets and has a very nice personality. I feel privileged to have been a part of this whole experience and hope to get together with them sometime in the near future at another workshop.

 I would like to say how very much I valued Nikos’ perceptive, insightful and supportive comments. While just starting out in photography the workshop was a really valuable guide on how I should be thinking about it. I really liked the emphasis on looking for the humanity in the image, the unusual, the abnormal, the avoidance of the simply descriptive, the banal, the obvious and cliché. Not to mention the need to be very selective, paying attention to backgrounds, the value of geometry in composition, finding interesting elements and locations, the need to concentrate on simple forms and shapes and avoid clutter. The workshop was a genuinely supportive and helpful experience.
So thank you Nikos for lots of really helpful advice and I hope to see you on future workshops.

…The workshop in Istanbul has been a great experience for me. Some points I got from it are the following: I trust myself a little bit more and now I think my personal view is as valid as any other to describe a city or a place. I have to work much on this subject: What do objetivity and subjetivity mean in photography? Moreover, Istanbul is a fantastic city to make oneself questions such as: What do contemporaneity mean? I have become more motivated to go through the work of different photographers…