I liked very much not only the editing process but the general discussions we had about photography, and the way you challenged everyone and frankly shared your opinions. In my opinion, the more opinionated, the better. (…) I liked the way you emphasized the idea of creating the portfolio from pictures with a similar approach. I feel I am on the way to www.ontheroad.greloping a style.

Being on the road with Nikos for a month traveling through Turkey and Georgia was a true adventure. For those interested in documentary photography, this style of travel produces photo opportunities faster than you can click. We were 8 people traveling together, and Nikos’ unpretentious, genuine and friendly personality really brought out the best of each person in the group. He is also a skilled teacher and gives great guidance in the important work of trying to find your own personal style. Though his approach is different than on other workshops, focusing on selection and feedback rather than instructions, I truly believe this is his greatest asset. Let the results speak for themselves, and all you need to do is take a look at the works produced by his participants on this website. I can not wait till next time I will be joining again!

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

With this workshop i finally felt the urge to pay attention to my work, the way to select a photo for a portfolio and harmony between the series of photos in a portfolio. This is not by force but by the inspiration and motivation that Nikos was emitting. I feel so lucky to work with him and with all the other great photographers who have attended. He gave me the direction, inspiration and motivation that I was in need of, now shooting only 35mm and only colour, I feel excitement and joy and cannot wait for another workshop with Nikos to evaluate the improvement (hopefully) together. Now i see 35mm framelines everywhere i look.

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

Thank you for another great workshop. During my week in Athens I believe to have again improved my photographic skills and at the same time was able to acquire important knowledge on how to take pictures in difficult situations, i.e. in this case taking pictures of people having to live under precarious circumstances and taking to the streets. Athens during the financial crisis struck me as a city of strong social distinction with poverty becoming strongly visible in the streets of some areas and on the other hand still keeping its friendly, sunny side for which it also stands. I finally ended up trying to show these contrast in my pictures  ̶ as it seemed to me that focusing on one side only would not show an equitable picture of Athens in the situation of the financial crisis. There is still positive energy certainly among the young. I enjoyed the evening sessions with the other students in the workshop as always pleasant and informative. I am looking forward to the next workshop I will be able to attend.

This week was, by far, my best spent time concerning photography over these last few years.
I was trying to clear my mind, to find the right approach to photography, and this workshop was a stepping stone, taking me to another level of understanding.
Staying late each night, patiently going through other participants’ work, as well as my own, answering our questions, explaining choices we did not understand in the beginning, helping us to see the good and the bad elements in a photo, pointing out good content and good intention.
All these things and more, Nikos did in a very honest way, sharing his thoughts and his knowledge with each of us. A great photographer, and a really inspiring mentor.

I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go deeper, shoot better. Over the course of the week, I greedily collected the pearls of wisdom he would drop about everything from composition to lens choice to how to most effectively approach shooting in the street, and I realized that I was learning as much from what he had to say about my classmates’ photographs as my own. Through it all Nikos imposes no single viewpoint about what photography should be, but instead pushes each student to fulfill his or her own vision. I felt I made a huge leap with my work. Finally, “On The Road” is a fantastic way to experience a new city, and to have seven glorious days with the luxury of thinking about nothing except photography.

Most recently, I participated in the Argentina/Uruguay workshop with NIkos. This was my third workshop with him. Each one has been as different as the countries we visit, our photography levels, and the wonderful people who participate in them. What is certain each time, is the positive photographic and personal experience. Nikos doesnt hold your hand, tell you where to go, or how to photograph. He encourages you to find that yourself and you do. You can count on his encouragement and guidance but the search is yours as you will www.ontheroad.grelop your own style and your own way of being a photographer. The daily evening meetings are fantastic, everyone shares their work from that day and the conversation is very enriching. Nikos enthusiasm to see everyones work is wonderful, he is interested and excited about our images as if they were his own. This contagious enthusiasm and his amazing constructive criticism becomes our best tool and guidance for the next day. Nikos workshops are not for the faint of heart, they are a lot of hard work, discovery, physical and emotional effort and incredibly rewarding. I can hardly wait for the next one. I am amazed at my growth as a photographer as a result of Nikos’ workshops, not to mention what a wonderful way this is to see the world and become part of it. Thank you Nikos!

I’ll never forget that week. It was like a revolution for me. Nikos and his point of view really impressed me and that workshop opened my eyes and showed me new worlds and possibilities. Words can’t express how great everything was. I felt so much free in Istanbul and I was so close to people who I didn’t know very well. It was much more about changing my ideals than my photographic view.

The Sanliurfa workshop was inspiring and exciting both with regard to the photos taken by the other members of the group as well as the area and the cities we were visiting. Further, I enjoyed the evening sessions. I like the way Nikos criticizes the pictures of the photographers and gives them advice each on his/her individual professional levels. Nobody has to fear to be embarrassed – on the contrary, I was motivated not only by the comments and advice to become a better photgrapher but felt also supported by the other group members.

As a passionate photographer I was looking for a workshop that was not about pixels, gear and academic lectures.
Coincidentally, I discovered Nikos’ on the road workshops. The participants’ work immediately caught my eyes – and shortly after I found myself at the Istanbul workshop. It exceeded by far my expectations: Nikos’ joviality, patience, his guidance and incitement to try new ways and discover what might be dormant in oneself was incredible! It was manifest everyday in the pictures we “brought home” after long and exhausting walks in this staggering city. The vespertine meetings were fun as well. Thank you, Nikos, for your effort and thanks to all participants for the great atmosphere!

I participated in the workshop in Athens and I was so thrilled about that.
Nikos Economopoulos is a unique and authentic photographer and an inspired teacher.
He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life across in meetings, and speaks about the importance of freedom in everyday life.
He guides you along the photography to your inner self, and tries to reveal the most important elements of your personality.
In simple words it’s not only a workshop in photography, it is a workshop how to make your life more inspired by keeping the most important things and put them onto your frame.

My feedback is very positive. First of all, the management of the booking and preparation for the workshop is helpfully assisted by your assistant Dimitri. Second, you have been a very nice and empathic person all around, and this means a lot because apart from photography we are all human beings and have human beings’ needs, therefore being around nice people is something that comes before, and really helps, learning and participating. Third, I feel that your editing sessions during the workshop, and all the general interaction with you and the other participants, have helped my understanding of photography. All in all, I have come back after the workshop with lots of new creative energy and ideas, and I believe this is all because of the unique environment of your workshop. Your comments of our work feel objective and are often revealing, and your advice is at once simple and effective. I cannot but very highly recommend your workshop to anybody that has interest in photography.

I met Nikos last April in Iran’s workshop for the first time.We traveled for ten days and that trip changed my perception of photography. He taught me how to go beyond the limits and break strict rules and let creativity inspire me to create my own photography style. After 7 months,I decided to participate in another workshop and Varanasi was a great choice for me. The city was the most amazing place I’ve ever visited and if it wasn’t for the workshop, I might have never gone there. We had enough time during the day to see the city and the special ceremony which was held in that time. And in the evenings,reviewing participant’s photos encouraged me to explore the city more in the next day.

I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.