My feedback is very positive. First of all, the management of the booking and preparation for the workshop is helpfully assisted by your assistant Dimitri. Second, you have been a very nice and empathic person all around, and this means a lot because apart from photography we are all human beings and have human beings’ needs, therefore being around nice people is something that comes before, and really helps, learning and participating. Third, I feel that your editing sessions during the workshop, and all the general interaction with you and the other participants, have helped my understanding of photography. All in all, I have come back after the workshop with lots of new creative energy and ideas, and I believe this is all because of the unique environment of your workshop. Your comments of our work feel objective and are often revealing, and your advice is at once simple and effective. I cannot but very highly recommend your workshop to anybody that has interest in photography.

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos is not only a great photographer, he’s also an open, direct, and natural mentor.

I’ve been thinking the past two weeks, trying to re-evaluate my photos with a better, more critical eye. Seeing how you evaluate each photo, examining each element, their relation to each other, and how they come together to make a photograph changed the way I look at photographs now. And I think this is what I gained most from the workshop: I can already see that your comments were pretty much spot on about the portfolio I presented, but I’m still a long ways from being a decent editor. I’ve already started heavily studying the works of other photographers and I’ll probably do a re-edit of that portfolio in six months to see how much I’ve progressed. The other benefit from the workshop was that I’m more focused in shooting. You saw this change during the course of the week, so I don’t think I need to elaborate more. Now I just need to work harder to make good photos. (…) Completely changing my photography in a week is almost impossible, but I think you’ve pointed me in the right direction. The real benefits of the workshop will come months from now if I follow through on two things:

learn to recognize a good photo and
put what makes those good photos good into my photos (but not in a way that I’m copying).

It was a fun and helpful week. I’ll work to make better photos now!

The workshop in Istanbul with Nikos has been very challenging and enriching experience as I am quite new at photography. When we have to leave our comfort-zone, to see different around us, we struggle to improve and it is never easy. The precious advice of such talented and experienced photographer as Nikos opens up new horizons to work on and sharing comments and time with other partecipants turned out to be very productive and pleasant. I have appreciated so much the method, editing is crucial for any photographer and Nikos helped us understand how to proceed or try it better. I love your attitude and personal approach Nikos, so true … if we’ll be a better a person, we’ll be a better photographer.

In just one week much of the information I had accumulated in a previous photo course, just clicked and started to make more sense. I loved your workshop. You made me see Istanbul and it’s people very differently. I cherish the opportunity to find out the stories behind some of your great works. Plus I discovered with amazement the incredibly humble and warm person behind the fascinating photographs that I had grown to admire. And as a bonus, you introduced us to Ara Guler who even signed books for us. Thanks, looking forward to seeing you again. From now on will always be looking for flying crocodiles..

Joining Nikos’ workshop has become a yearly must-do event for me. Why? Because his workshops are, for me, the ideal way to travel, if you’re serious about photography. Nikos always offers a destination that promises to be photographically interesting. He ensures we get to immerse ourselves in the place. There’s always someone who has done the ground work, and yet the itinerary remains casually open and flexible. On top of that, he has a way of challenging you to perform better and improve, but never to the point of creating competition. So far, in the three workshops I’ve attended, the participants have been a generous, agreeable, and encouraging bunch, which really is the effect Nikos’ personality and method of mentoring. Finally, in Uruguay, we had the uncommon experience of seeing some of Nikos’ images shot during the workshop, as well as some unpublished work, which left us in awe. That was special.

I’ve participated in Nikos’ workshops 7 times. It’s never enough. The experience is so enriching that as soon as it is done you find yourself planing for the next one! The Ghana workshop was incredibly fulfilling. Every participant was talented, lots of very good images emerged during the 11 day workshop. Nikos always challenges everybody at many levels. It is very personal. Nikos’ workshop is a journey that gives you the inspiration and direction to find and deepen your personal vision. Nikos is a mentor, an amazing human being who always celebrates good images made during his workshop with joy and passion. He is genuine and sincere. He has a sharp eye for editing. He does not tell you what to do, he does not impose his own style. It’s a common effort. It’s like a visual catharsis. This is why it is so fulfilling to participate in his workshops. It’s all about growing visually in a collaborative and friendly environment. Once you are on the road with Nikos you stay on the road with Nikos because the journey never ends.

First I think anyone who wants to travel and learn to be a better photographer should take at least one of Niko’s workshops. When I came back from Cuba I felt that I really knew Havana and interacted with so many people (even with my non-existent Spanish) and it was so amazing to feel part of the city, not just a tourist. I have the travel bug now and I would never travel any other way again.
Nikos, In your workshop, the messages that you have about photography are so important for anyone who is interested in taking better photos. They are in my head constantly. Visually valid is such a hard thing to put into words but I am striving to find that more and more in my photos. You really push people to dig deeper and find something more in their photography (but in the nicest way).
And also I want to say how much I appreciated your generosity. It’s not very often that I come across people as kind and giving as you are, from your knowledge with photography – taking photos, editing, post processing, you shared as much as you could. You even shared your sandwich with me on the first day!
And also I am really interested in doing a master class but I have to save up more before I can. And hopefully I can do another workshop in the future but this time I will be much more prepared for the adventures!
Thanks again Nikos!!!

For me as a professional photojournalist, to be with Nikos takes me back to photography where surprise and curiosity are key elements, instead of telling the story as specific as possible – as many editors seek today. Working in a fast moving newsflow, photojournalism needs surprise to stop readers, and Niko’s photography does exactly that. It intrigues us and plays with our imagination. It moves us from the world of realism to the world of surrealism.
And a workshop with Nikos is a vital reminder of photography at its best: to show us the world in a way we don’t see it ourselves. And to be formulated by a teacher, not only extremely talented, but also a friendly and charismatic travel companion.
I’m already looking forward to my next workshop with Nikos Economopoulos.

The workshops of Nikos Economopoulos are a great teaching experience. For him there is no “must” or “don’t”. I was suddenly confronted with all my past choices in a way that forced me to go backwards and look for all those things that I had previously discarded in order to re-assess them. At least I now feel closer to the truth. And I thank him for this and for everything else.

“I haven’t touched the camera for good period of time and right from the first day of the workshop i was back in the game. This group was so rich of characters and bonding in a great way. I personally learned so much in this 11 days and i will never forget the time in Iran with you guys -)”

The expertise and clear vision of Nikos criticism is the best gift for any photographer attending his workshops. The last few years I had lost motivation for photography and all i was hoping from this workshop was just to awake my “eye” and to feel the magic of the photographic process. The “mission” was more than accomplished! Until the end of the workshop i felt falling in love with photography again and got the thrill of grabbing my camera and go photograph the action. Nikos guided me through this process and with his generosity shared precious “secrets” of big photographers. The end of the workshop meant a new start to my photographic projects. I continue photograph the city and feel the influence of this workshop on my work. THANK YOU! I am really looking forward to the next photographic workshop with Nikos!

I feel privileged for having the opportunity to join Nikos’s workshops two times in six months. Seeing the way that he is present during the workshops and providing his continuous availability for sharing not only technical, but also esthetic and photographic language with different materials and stories makes me understand more the reason i felt always close to his photography. I remember several key inputs, which I see now how to reflect my view to my frames. I hope to hear as usual Nikos’s open and constructive comments in the next workshops as well, which help my www.ontheroad.grelopment a lot. Meeting so diverse cultures during the workshops is another pleasure which enriches it with no doubt!

Nikos family name has something to do with economics. But don’t be mistaken, he is more the kind of person always happy, without any sense of saving its time, to be involved 200% in its works as a…. what? Teacher is an understatement for an attitude towards the rest of the world which helps you in advancing at a fast rate towards the excellency. Always saying what he thinks, if there is something he does not like, and helpful in finding the good sides to be www.ontheroad.greloped.

4th time on Nikos’ workshop – be careful, it can become addictive! Seriously, like most people who have followed him on his workshops, I keep being impressed with how effective these workshops are for bringing the best out of everyone : I am thinking how difficult it would be in my job to deal with apprentices at such different levels of skills, from completely amateur to accomplished professional: Nikos manages to pull the trick every time – his natural humbleness and humanity and interest in people make it seem effortless. And the interactions between the team and Nikos is always one of the best things about the course – how you always end up meeting interesting people and getting close to them.

Thank you for another amazing workshop. I feel that not only I noticed the great improvement of the quality of my work, but also feel that Nikos is not only a great teacher &amp mentor but also a great friend. Also interacting with talented photographers from all over the world added a lot to the experience. What is amazing about this workshop was the fact that all attendees were at different levels. Being able to provide assistance to all showed Nikos’s ability as a great teacher. I think each one of us returned home with many goals to pursue &amp ideas to improve their work. I am more clear about what I want to photograph, what lens I want to buy next, and needing to work on my weak ‘editing’ skills. I just wanted to thank you and thank all attendees for this great workshop. I learned a lot from each one of you! I am really looking forward to being on the road again.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.