4th time on Nikos’ workshop – be careful, it can become addictive! Seriously, like most people who have followed him on his workshops, I keep being impressed with how effective these workshops are for bringing the best out of everyone : I am thinking how difficult it would be in my job to deal with apprentices at such different levels of skills, from completely amateur to accomplished professional: Nikos manages to pull the trick every time – his natural humbleness and humanity and interest in people make it seem effortless. And the interactions between the team and Nikos is always one of the best things about the course – how you always end up meeting interesting people and getting close to them.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

In just one week much of the information I had accumulated in a previous photo course, just clicked and started to make more sense. I loved your workshop. You made me see Istanbul and it’s people very differently. I cherish the opportunity to find out the stories behind some of your great works. Plus I discovered with amazement the incredibly humble and warm person behind the fascinating photographs that I had grown to admire. And as a bonus, you introduced us to Ara Guler who even signed books for us. Thanks, looking forward to seeing you again. From now on will always be looking for flying crocodiles..

I participated in the workshop in Athens and I was so thrilled about that.
Nikos Economopoulos is a unique and authentic photographer and an inspired teacher.
He doesn’t only speak about the importance of the background, the proper light in photography, and the way to make a good composition, he puts his views of life across in meetings, and speaks about the importance of freedom in everyday life.
He guides you along the photography to your inner self, and tries to reveal the most important elements of your personality.
In simple words it’s not only a workshop in photography, it is a workshop how to make your life more inspired by keeping the most important things and put them onto your frame.

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.

Nikos family name has something to do with economics. But don’t be mistaken, he is more the kind of person always happy, without any sense of saving its time, to be involved 200% in its works as a…. what? Teacher is an understatement for an attitude towards the rest of the world which helps you in advancing at a fast rate towards the excellency. Always saying what he thinks, if there is something he does not like, and helpful in finding the good sides to be www.ontheroad.greloped.

Ethiopia was my 4th workshop and i feel like it is already more than a workshop but seeing a good friend, travelling around and having good time. It’s more like learning more about life not only photography. So if anybody still have doubts about attending one, go, be yourself and let Maestro show you what you actually are.

My feedback is very positive. First of all, the management of the booking and preparation for the workshop is helpfully assisted by your assistant Dimitri. Second, you have been a very nice and empathic person all around, and this means a lot because apart from photography we are all human beings and have human beings’ needs, therefore being around nice people is something that comes before, and really helps, learning and participating. Third, I feel that your editing sessions during the workshop, and all the general interaction with you and the other participants, have helped my understanding of photography. All in all, I have come back after the workshop with lots of new creative energy and ideas, and I believe this is all because of the unique environment of your workshop. Your comments of our work feel objective and are often revealing, and your advice is at once simple and effective. I cannot but very highly recommend your workshop to anybody that has interest in photography.

I’ll get straight to the point, the “On The Road” workshop I attended in Istanbul was the single best photography class I’ve ever taken. Nikos is an inspiring teacher who perfectly combines a nurturing, generous spirit with a rigorous critical eye and revealing analysis of each student’s work. He pushes each participant to look harder, go deeper, shoot better. Over the course of the week, I greedily collected the pearls of wisdom he would drop about everything from composition to lens choice to how to most effectively approach shooting in the street, and I realized that I was learning as much from what he had to say about my classmates’ photographs as my own. Through it all Nikos imposes no single viewpoint about what photography should be, but instead pushes each student to fulfill his or her own vision. I felt I made a huge leap with my work. Finally, “On The Road” is a fantastic way to experience a new city, and to have seven glorious days with the luxury of thinking about nothing except photography.

The workshop with Nikos was a great experience and a wonderful event. The evening reviews were inspiring as Nikos proved to be not only a gifted photographer but also a patient teacher and reviewer. He truly possesses the didactical skills to explain what elements are required in building up a good photograph. Naturally the workshop was frustrating at the same time as one comes to realize what skills are required in order to perform photography at this level. Nonetheless, it is definitely learning process that I want to experience again, so I’m studying my agenda and Nikos’ website to try to decide when I can sign up again.

I sometimes felt like a first year violin player in a master class. I do not mind feeling a bit stupid at times and think I profit a lot by learning of the best. I have learned a lot and will continue to do so for quite some time. And hopefully, I will be able to join other workshops (…) I liked the approach very much – giving advice on the one hand and letting the participants find their own way on the other. And then, of course, the voyage was marvellous, extraordinary in the purest sense of the word.

Thank you for another great workshop. During my week in Athens I believe to have again improved my photographic skills and at the same time was able to acquire important knowledge on how to take pictures in difficult situations, i.e. in this case taking pictures of people having to live under precarious circumstances and taking to the streets. Athens during the financial crisis struck me as a city of strong social distinction with poverty becoming strongly visible in the streets of some areas and on the other hand still keeping its friendly, sunny side for which it also stands. I finally ended up trying to show these contrast in my pictures  ̶ as it seemed to me that focusing on one side only would not show an equitable picture of Athens in the situation of the financial crisis. There is still positive energy certainly among the young. I enjoyed the evening sessions with the other students in the workshop as always pleasant and informative. I am looking forward to the next workshop I will be able to attend.

(…) During this workshop, (the) edition pointed clearly that the kind of connection I establish with people and the environment while photographing them reflects on the kind of photography i make. Thus through photography I got an interesting connection with istanbullus, with the city and with myself. In that intense week I went hardly into the search for the purest photographic substance in Istanbul, photographing street scenes the whole days in different neighborhoods with a fixed 35mm in hands and no specific subject or assignment, but the mission to get very few shots, among hundreds, of these very dynamic moments in which things get right in the frame at the right time. At the end of the days, I think the editions had very high standards and at the same time were didatic, with helpful comments and good discussing with the participants – a very stimulating group, with people I really enjoyed meeting. After the workshop, I’m satisfied with the portfolio I made. And feel inspired to keep producing my personal work. Besides, with your edition and coordination the photography workshop potencialized the warm experience I had at my first time in Istanbul. (…) They’ve been very helpful and showed me a different path to follow in my photographic work.

As always, a great workshop, good people and rewarding discussions. First, I will say I really enjoyed Porto as a city. Its’ size was just right, and there were enough interesting areas to get around to – the old town, art museum, food market, the other side of the river and town Gaia, the beaches and the riverside walks. And it was easy to get around with buses and trams – and walking.
Second, I really enjoy to experience and to watch how good you are pedagogically. One little step at a time, go easy, you manage to lift us all a little bit – also the not so experienced. Thank you so much for that!
You do it so well, and discreetly – I think we hardly notice that we learn something, a little at a time. And also always interesting to listen when you tell of your experiences, travels, of the history of photography and the great photographers in the past.
I come home happy, having learned a lot. Now looking at my photos with more critical eyes, knowing maybe how to do it better next time.

Thank you for the workshop, overall it was great and I look forward to joining you somewhere else in the future. In terms of feedback, particularly at my beginner level, I was often seeking more and more direction and information from you and as you probably realise, I would continually ask for more and more information as the days went on. Apart from that however, it was a great experience and an overall (apart from the food) good trip.

Working with Nikos in Istanbul was personally an eye-opener for me. His insight and way of seeing changed my entire approach to photography. If you want to take your photography to the next level and make meaningful images I highly recommend his workshops for you. This was my first workshop with Nikos and he impressed me so much that I’m hoping to repeat someday soon if time and work permits. Thank you, Nikos, for your patience and sharing your vision with me!

I’ll never forget that week. It was like a revolution for me. Nikos and his point of view really impressed me and that workshop opened my eyes and showed me new worlds and possibilities. Words can’t express how great everything was. I felt so much free in Istanbul and I was so close to people who I didn’t know very well. It was much more about changing my ideals than my photographic view.

I would like to say how much I enjoyed the Istanbul workshop, from all the photographic advice and guidance that you gave me to the pleasure of exploring the city and walking through areas that I might not have visited on a normal ‘city break’ trip. The maps and descriptions of the various neighbourhoods proved very useful and it gave me a focus on how to structure the day. I always looked forward to the editing sessions in the evening and all the feedback you were able to give. Each day I tried to refine my photography, taking into account what you had said the previous evening. By the end of the workshop I could see my technique improving and I was very happy with the final edited sequence. I feel that the experience was very positive and the effect it has had on my photography is that I have the confidence to get closer to the subject and also to dig a little deeper and not just take the obvious ‘tourist’ type of photograph.