Why my last workshop with Nikos (in Buenos Aires) was the Sixth and hopefully not the last one ?
-The pleasure of learning and improving from a great photographer and a marvellous teacher
-The pleasure of being part of a high level group where community is more important than competition
-The pleasure of travelling trying to look at the country from inside
-The pleasure of the pleasure.

I have been an avid photographer for the past few years and moved to Greece from New York only a few months ago. Greece is my homeland but has experienced many changes during my 9 years of absence and I am eager to use my camera to tell the present story. Attending the workshop was a no brainer, being on the spot and needing a serious incentive to get me on the streets of Athens. What I got in return was much more than I had bargained for!!! I met Nikos and discovered a person who went far beyond small technical issues, discussing what photography is really all about and using his own experiences as examples. The topics were endless and his willingness to answer every question and clarify every blurry notion was remarkable. I was very impressed with his openness and how friendly and giving he was. Sharing our knowledge and our experiences is most important and it is what helps us and those around us grow. And Nikos certainly does that. Furthermore, I was very happy that Nikos encouraged participants to go off on their own to shoot. We need to www.ontheroad.grelop our own vision and make our own mistakes. In short, thank you Niko for an amazing week and I look forward to future workshops and more guidance from you!

I would like to express my gratitude to Nikos for being not only an attentive and demanding photography mentor, but also for being a humble, caring and infinitely friendly person. It was always a pleasure for us to share with him not only ideas about photography, but also numerous stories about his life and adventures. I feel that in that week my photographic skills moved to a completely new level. The first few days have been a bit of a strugle as I tried to implement Nikos’ technical suggestions and made sure I really followed his advice, but at the end the magic happened and I felt like my vision had changed once and forever.

Working with Nikos is an unforgettable and very educative photographic experience. Nikos is a great teacher, a person who finds the good points in everybody’s work and gives you the way to take the benefits of it and arrive at a higher level. During the workshop I found myself seeing things differently, from a photographic point of view, and he stayed beside me, pushing me towards finding a more creative way, educating my photographic eye and explaning to all of us always with patience, why a photo is not strong enough, why an other is powerful, what is missing and what is important. So everybody was going deeper and deeper everyday. I saw also the other participants’ work and I had the feeling that this process was working for all of them in a creative way.

There is a british saying – “those who can, do and those who can’t, teach” – and indeed, judging from my profession the best surgeons are usually unable to transmit their knowledge insofar as their talent and ingenuity is what drives them, and this cannot be easily transferred. So, I I did not know what to expect from a Magnum workshop.. I couldn’t have been more pleasantly surprised ! Nikos kept proving , again and again, how someone who is a (generally accepted) master in his work and has acquired a place as one of the main photographers of the 20th century, can also be a simple and down to earth person: His immense patience kept surprising me, day after day: When I thought that he would have had enough going through another bunch of amateur’s photos, he manifested kindness coupled with insight while critiquing our photos. He constantly managed to stay acutely interested, after hours of looking into photos, to adjust his level of critique to different photographer levels, without appearing either patronising or bored. Every photo would appear to be an opportunity to delve deep into the nature of photography this is not a course about flashes and lenses and f-stops indeed, it presupposes you have reached an appropriate technical level, going beyond that, trying to understand the nature of photography, why some photos move us and confuse and grasp us in such a way an academic level teaching from someone who at the same time is a real photographer. Someone who can gravitate at the same time between being the artist and the critic, the producer of art and the academic (a combination that would be normally unthinkable!). The course is not for the faint hearted it is intensive and demanding , not because of Nikos’ demands or attitude (on the contrary , he is relaxed as can be) but because you will be surrounded by talented, motivated photographers , everyone of which will be doing his/her best. This is not a course on sunsets and cute babies – but you will hear intelligent and thought provoking quotes on photography, that most people would have to spend years reading to finding from the non-descriptive power of photography to the importance of light and to the language and balance of images.. One could keep on talking about the course what was most interesting was that half of the participants Addis course have followed his previous workshops. Probably this is the greatest compliment to the workshop. I am looking forward to my next session with Nikos..

First of all, I am very happy to know a person like Nikos. Even if we worked until late hours, I enjoyed every minute of it.
I guess my adventure of photography will be divided into 2 before Nikos and after Nikos and I am very excited to use what I learned from Nikos on my photography.

Ok..it was really my pleasure to meet you and be part of the Damascus workshop.. A really nice experience and a good start for myself and my photos. The workshop has encouraged me to become better and learn more … In the one week I learned from your comments and your suggestions what I should look for and what to avoid. You gave me directions for finding my own style and to experiment on that. Now being back inCyprus, believe it or not, I feel like a “new ” person. I know this might sound strange but the one week that I spent time with myself and my camera and later having your comments about my work made me fall in love once again with the world of photography, keep taking photos, love the people and try more.

Thank you for another amazing workshop. I feel that not only I noticed the great improvement of the quality of my work, but also feel that Nikos is not only a great teacher &amp mentor but also a great friend. Also interacting with talented photographers from all over the world added a lot to the experience. What is amazing about this workshop was the fact that all attendees were at different levels. Being able to provide assistance to all showed Nikos’s ability as a great teacher. I think each one of us returned home with many goals to pursue &amp ideas to improve their work. I am more clear about what I want to photograph, what lens I want to buy next, and needing to work on my weak ‘editing’ skills. I just wanted to thank you and thank all attendees for this great workshop. I learned a lot from each one of you! I am really looking forward to being on the road again.

Thank you so much for the incredible opportunity to participate in your Istanbul workshop. After the first day, I realized everything I thought I knew about photography was crap. I appreciate your patience and kindness with me during the entire time, especially as a novice. I felt that I really limited myself in the workshop because of my current level.
I wanted so badly to learn, and want to continue to learn, how to create and compose a good photograph and this workshop provided me with a starting point. Your critiques were invaluable. The conversations we all shared and the insight given from the other photographers helped me immensely. It was inspiring to be immersed in an environment with such passionate people. Having Jason Eskenazi share his work with us was also a great highlight from the workshop.
I already miss our group meetings, staying up until 1 a.m. discussing photography. I wish it could have lasted longer. I will continue to work on improving my skills and I cherish the foundation you have been able to provide. Again, thank you, thank you, thank you! 

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

I think for me the best things about the workshop were to hear opinions for my own work (and for others in the group) from a master photographer, to learn better how to distinguish between bad, good and great photographs, to pay importance to details which can make a big difference (either in the good or bad way), to avoid some bad practices or approaches when taking photos, to raise my expectations for my own work and be more selective. When taking photos I remember the critique words from Nikos which help me take decisions to get the best results out of a scene, and at the end of the day I have confidence to delete the photos that are definitely not good and keep only those which are potentially good.During the evening meetings when the participants presented their work to the group, there were always surprises when I would think a photograph was good but Nikos wouldn’t select it or the other way around.But when a photo was chosen even though I didn’t consider it a strong one, that’s when I was mostly surprised and happy. That was I think a moment when I realized I learned something new. I’m glad I attended to the workshops with Nikos. I’m definitely a better photographer than I was before meeting him.

My feedback is very positive. First of all, the management of the booking and preparation for the workshop is helpfully assisted by your assistant Dimitri. Second, you have been a very nice and empathic person all around, and this means a lot because apart from photography we are all human beings and have human beings’ needs, therefore being around nice people is something that comes before, and really helps, learning and participating. Third, I feel that your editing sessions during the workshop, and all the general interaction with you and the other participants, have helped my understanding of photography. All in all, I have come back after the workshop with lots of new creative energy and ideas, and I believe this is all because of the unique environment of your workshop. Your comments of our work feel objective and are often revealing, and your advice is at once simple and effective. I cannot but very highly recommend your workshop to anybody that has interest in photography.

Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.

I participated in 5 workshops with Nikos Economopoulos. He keeps guiding me so that I can keep defining my photographic style. Always pointing out and reminding to avoid cliches, déjà vu, mannerism, easy formulas, tricks, boring images and the list goes on. Always making sure we prioritize content and form to make strong images that are genuine and not pure repetitions of cheap art or just images describing a scene. He guides each participants at his/her own level and needs. He never imposes a style, he works with each participant’s own style. He is great at telling what is good and what is not good. He is not commercial. He is direct and really frank. In my opinion the most important is that he is fully engaged when editing and commenting on our work. When he sees a good image, it makes his day. It is evident that he loves to teach. Every one keeps improving. Once you are On the Road with Nikos you keep coming back. It’s just the way it is.

I just returned from my 5th workshop with Nikos. This was the second time I joined him in Cuba. It was, once again, an amazing experience. It is very exciting when you know what to expect: growth, challenge, intellectual stimulation, encouragement and friendship. You can count on these every time. As many participants have pointed out, there is little structure to the workshop, no handouts or hand holding. Nikos treats everyone as if we were all professional peers. The meetings at the end of each day are magical, enlightening, and stimulating. Nikos does not tell you how to do things rather he accurately points out what works for each person considering individual interests and styles. He points you in the right direction for you to go to work the next day. We work very hard. We work long days, we edit hundreds of images, and we go home with strong portfolios. We are one hundred percent immersed in photography for the length of the workshop. Something else I appreciate and enjoy is the post learning experience. Days or weeks after the workshop you continue to realize how much you learned then and continue to learn from that workshop. It is a privilege to have Nikos as a mentor. He is not only a master in this craft but also the most considerate, encouraging, and generous professional photographer I have come across. I already look forward to the next workshop On the Road.

“The Istanbul workshop was my first one with Nikos and it was undoubtedly a great experience. Nikos’ comments and guidelines during the editing sessions were so much appreciated and eye opening for the never ending search for good photos. The group was very interesting as well and I learned so much not only from the comments of my photos but also from others. Nikos’ feedback was always very constructive and he always pushed everybody a step up trying to make from us better photographers. Thanks Nikos..”