participants’ work
The photographs presented in this section are the final outcome of each workshop.
Their creators range from professional photographers to people who may have just learned how to hold a camera.
The challenge in these workshops is how to bring out each one’s unique glance.
Click on each participant’s name to view the portfolio full-screen.
Monica Trachsel, Switzerland
Andy Baker, Australia
Vojciech Ryzinski, Poland
Regula Tschumi, Switzerland
Jan Gott, Austria
The “Balkan expedition” trip didn’t changed my photography so much after 8 workshops with Nikos – it’s going to change my life as a photographer..
Pegah Abdollahian, Iran
Esra Belgin, Turkey
I participated in just one workshop with Nikos so far, and now I see why people want to do it over and over again. It was a unique experience! It is amazing how my way of seeing things changed in one week.Nikos is a great photographer and an educator. I will certainly return.
Aurel Cepoi, Moldavia
Nikos, thank you for your patience and effort. It was a pleasure for me to work with a legendary photographer. Keep working and stay in shape. Humanity needs you.
Michael Fuery, Australia
Monica Trachsel, Switzerland
Jose Farinha, Portugal
Nerris Markogiannis, Greece-Sudan
Christine FitzGerald, Ireland
Lars Just, Danemark
Bonus info: best African food in Cape Coast with fresh fish on a daily basis.
Margarita Mavromichalis, Greece
Enrique Ramirez, Mexico/USA
Marika Poquet, France
Christos Georgalas, Greece
Kristof Huf, Germany
Attending one of Nikos Economopoulos’ workshops is an enlightening experience! Nikos’ artistic guidance is both challenging and subtle. He continues to inspire and helps in www.ontheroad.greloping my photographic eye.
Teresa Santos, Portugal
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.


























































