First of all I would like to tell you that I’m very happy that I had the opportunity to attend your workshop. It is still making me reflect on photography (…) I’ve been reading and watching images and documentaries about history of photography. I was very curious and excited to see where your advice would take me when I started shooting in Porto. There was a kind of freedom in restriction: type of project, one camera, one lens, only color, same ISO.
Because I challenged myself to meet people with the camera, I felt that photography is not such a solitary act. I agree with you that this connection is something beautiful about photography, as it is beautiful about dance.
I also approached color differently. Before it was something that was there, naturally, as part of the reality. I became more sensitive to it, even when I wasn’t shooting, and I also became more conscious of it as one more element to consider in composition.
One of the most important things for me during the workshop was to hear your comments about the images, ours and yours. What caught your eye and why. What makes a photograph a good one. I realized that photography is possible to be read. This is something that I would like to continue to practice, so I can trust my judgment about my own photography.
Spending so many hours dedicated just to photography made me realize how time is important to achieve a good work, even as an amateur photographer.Since I started photographing, I feel it is an important part of my life. Maybe one day I’ll find a way to take it to another dimension.

Nikos is a wayfaring man. He takes you on a journey which is neither comfy nor sluggish, but encourages you to witness the foreign and encounter your own limits. This way of traveling with the camera forces you to participate with the world around you and in the evenings during the workshop your participation will be putted to the test, if you have sweated enough. On some days life gifts you with one or two good photographs, but on some not a single one. So the next morning you’ll head out again and demand your luck. And at the end of a week or two with Nikos you make your way home safe in the knowledge that you have achieved and experienced something unique.

It worked — or as Nikos said “It always works”. I needed three days to throw everything over board I thought to know about photography. How to select backgrounds, how to use the 35mm lens, how to lead the eye of the beholder, how to avoid clichees, how to get closer, how to recognize a good photograph and how to find my own style. Nikos has something like a built-in compass for good photography which always functions. It was a pleasure to learn from him, to talk with him about his philosophy and to see his passion for beautiful visual events. Even when he felt sick and his face looked as grey as some of my worse photographs he got excited and touched by every great picture he saw at our group meetings in the evenings. He is such a nice and open guy and it seems he has also a talent to attract like-minded people to his workshops. I felt very welcome from the first moment. The Thailand workshop was my first one with him. But for sure not the last..

Every literate can write. Not every literate can write poems or short stories. Even less of them can write meaningful or original stories. I think the same thing applies to photographers. Every person with a camera can take photos. Some can produce stories, but just a few are able to produce a meaningful and personal work.
Sometimes I joke and say that Nikos’ mission on Earth is to educate us, his participants, to become original, faithful and personal photographers. After a while, I am coming to believe that my joke was actually real. The transformation he manages from us is unreal. The photos that he choses are a caress to the eyes and soul. And this leads me to a second conclusion: Nikos is the best editor I have ever met.
Gracias, Maestro!

I have been an avid photographer for the past few years and moved to Greece from New York only a few months ago. Greece is my homeland but has experienced many changes during my 9 years of absence and I am eager to use my camera to tell the present story. Attending the workshop was a no brainer, being on the spot and needing a serious incentive to get me on the streets of Athens. What I got in return was much more than I had bargained for!!! I met Nikos and discovered a person who went far beyond small technical issues, discussing what photography is really all about and using his own experiences as examples. The topics were endless and his willingness to answer every question and clarify every blurry notion was remarkable. I was very impressed with his openness and how friendly and giving he was. Sharing our knowledge and our experiences is most important and it is what helps us and those around us grow. And Nikos certainly does that. Furthermore, I was very happy that Nikos encouraged participants to go off on their own to shoot. We need to www.ontheroad.grelop our own vision and make our own mistakes. In short, thank you Niko for an amazing week and I look forward to future workshops and more guidance from you!

Most of all I would like to thank you for inspiring me. I’m still in a learning process in photojournalism, but I felt I needed to know more about photography before moving on. I really enjoyed turning things around. Working with single visual impacts, instead of storytelling photojournalism, took me back to the roots of photography. I’ve learned a lot by doing so. In a way I tried to copy you and those that inspire you, Cartier-Bresson etc, and where that in a way sounds like a bad approach (instead of finding my own style), it made me look at pictures in a new way. In photojournalism I’m supposed to tell a story that has to be told directly. Where the message of the picture is delivered instantly. On this trip I learned how to make pictures that make the viewer look an extra time. Where there is no instant message, but where the pictures create curiosity. It is another way in photography. And a style I will try to combine with photojournalism.

The workshop with Nikos, was a unique experience. He opened a new door to the world of photography for me. The tips he gave me were extremely useful and his advises clearly changed my photography approach. Finally I want to thank the whole group that made the experience unforgettable, and I am looking forward to taking part in my second workshop.

I have enjoyed so much the workshop in Athens. My photography has become more compact and coherent and I have been able to focus on something more specific in photographic terms -there are even some good portraits in my portfolio! New questions arise such as the contradiction between reflecting the misery of the people and have pleasure of taking pictures of it. I can see a background in my photos of emptiness, artificial spaces, simulation, loneliness, people with strange feelings…Everybody reflect their own personality in their pictures.

First of all I would like to thank Nikos and the participants very much for the workshop in Istanbul. The learning experience of the workshop was absolutely immense. It was participant-centered, and this provided not only close supervision but also great space for creativity and room for www.ontheroad.grelopment. Further, I have really enjoyed meeting with Nikos and the other participants. For me meeting with Nikos was like ‘downloading wisdom’ from a master photographer like himself but the challenge lied in reflecting that wisdom on my photographs. In addition, I think participants added much to my experience with their diverse approaches to photography and they were great company. Given his credentials, I think Nikos is very modest while professing strongly his mastery secrets and has a very nice personality. I feel privileged to have been a part of this whole experience and hope to get together with them sometime in the near future at another workshop.

My first On the Road workshop was almost a year ago in Oaxaca, Mexico, from which I learned an immense amount. In this one (this time in Ghana), I learned plenty too, not only from Nikos, but also from very good and talented photographers, many of whom have attended several workshops in other places. Nikos is not only a great photographer, he’s also an open, direct, and natural mentor.

Ethiopia’s workshop has been a wonderful experience for my photography.
Nikos guides you on a very precise path: one camera, one lens, one format between black and white and color, and focus on the image. Just relax, react to what you see, without too much thought or preparation.
This may sound obvious, but it was not for me at the beginning: I’ve passed from confusion, feelings of inadequacy, to be more and more confident and able to enjoy the process, and it’s been amazing for me to see my pictures improve day by day, become more interesting and less ordinary.
Niko’s passion is contagious, he’s able to criticize very precisely and firmly but always in a positive and constructive way.
I still have l a long way to go, but I can only thank Nikos for giving me back enthusiasm and directions to improve my photography.
I really look forward for the next workshop with Nikos!

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

People ask me why I keep attending Nikos’ workshops. Well, I can’t imagine a better way to experience and photograph a new place than through Nikos’ workshop! The regimen and discipline it requires is just impossible to duplicate if you’re otherwise simply traveling on holiday. What’s even better is that you get daily feedback and instruction. We see ourselves improve, whatever skill level we’re at. Our understanding of photography and our own approach thereto is deepened with each session, in every workshop attended. This is probably why this tribe of On The Road travellers has continued to grow into a thriving community of like-minded people. Even after the workshop, we have continued to keep in touch and remain friends, providing each other with insight and feedback on photography. This is why I like being On The Road with Nikos.

Thank you so much for the incredible opportunity to participate in your Istanbul workshop. After the first day, I realized everything I thought I knew about photography was crap. I appreciate your patience and kindness with me during the entire time, especially as a novice. I felt that I really limited myself in the workshop because of my current level.
I wanted so badly to learn, and want to continue to learn, how to create and compose a good photograph and this workshop provided me with a starting point. Your critiques were invaluable. The conversations we all shared and the insight given from the other photographers helped me immensely. It was inspiring to be immersed in an environment with such passionate people. Having Jason Eskenazi share his work with us was also a great highlight from the workshop.
I already miss our group meetings, staying up until 1 a.m. discussing photography. I wish it could have lasted longer. I will continue to work on improving my skills and I cherish the foundation you have been able to provide. Again, thank you, thank you, thank you! 

The expertise and clear vision of Nikos criticism is the best gift for any photographer attending his workshops. The last few years I had lost motivation for photography and all i was hoping from this workshop was just to awake my “eye” and to feel the magic of the photographic process. The “mission” was more than accomplished! Until the end of the workshop i felt falling in love with photography again and got the thrill of grabbing my camera and go photograph the action. Nikos guided me through this process and with his generosity shared precious “secrets” of big photographers. The end of the workshop meant a new start to my photographic projects. I continue photograph the city and feel the influence of this workshop on my work. THANK YOU! I am really looking forward to the next photographic workshop with Nikos!

I had the chance to participate in one of Nikos Economopoulos’ photographic journeys-workshops. The unique and very particular way that he has in guiding you without giving you recipes, while respecting your personal worldview, turns the whole photographic experience into a broad aesthetic and intellectual experience, as well as pure joy. Within just a few days, I discovered that the chaotic world around me has balance and poetry.

The best aspect of Nikos workshop for me was to realize that a good photo can be best produce by liberating oneself from codes and rules. Seeing everyday each participant become visually freer and freer was revealing. Nikos has a passion for images and this workshop was all about sharing with us this passion. We were all motivated and thrilled by everybody’s images, comments and discussion about what makes an image better than others. Nikos gave us freedom, feedback and love for photography beyond imagination. Thank you. It was truly a unique experience.

4th time on Nikos’ workshop – be careful, it can become addictive! Seriously, like most people who have followed him on his workshops, I keep being impressed with how effective these workshops are for bringing the best out of everyone : I am thinking how difficult it would be in my job to deal with apprentices at such different levels of skills, from completely amateur to accomplished professional: Nikos manages to pull the trick every time – his natural humbleness and humanity and interest in people make it seem effortless. And the interactions between the team and Nikos is always one of the best things about the course – how you always end up meeting interesting people and getting close to them.

“I haven’t touched the camera for good period of time and right from the first day of the workshop i was back in the game. This group was so rich of characters and bonding in a great way. I personally learned so much in this 11 days and i will never forget the time in Iran with you guys -)”