I’ve participated in Nikos’ workshops 7 times. It’s never enough. The experience is so enriching that as soon as it is done you find yourself planing for the next one! The Ghana workshop was incredibly fulfilling. Every participant was talented, lots of very good images emerged during the 11 day workshop. Nikos always challenges everybody at many levels. It is very personal. Nikos’ workshop is a journey that gives you the inspiration and direction to find and deepen your personal vision. Nikos is a mentor, an amazing human being who always celebrates good images made during his workshop with joy and passion. He is genuine and sincere. He has a sharp eye for editing. He does not tell you what to do, he does not impose his own style. It’s a common effort. It’s like a visual catharsis. This is why it is so fulfilling to participate in his workshops. It’s all about growing visually in a collaborative and friendly environment. Once you are on the road with Nikos you stay on the road with Nikos because the journey never ends.

To have a workshop in my own country, so dear to me, was a big challenge, yet a wonderful experience…. To have Nikos there… was the cherry to the cake. It was great to see how the other participants, who I knew from other trips, viewed my people, my land. Nikos’ usual coolness, good sense of humour and positive attitude towards everything and everybody is just perfect. The daily meetings keep being the highlight of my trips, the most expected moment, after a long day, rushed editing and great expectations to see nice surprises. Nikos’ vision and contagious emotion towards a beautiful picture is moving… the atmosphere he creates, magical. Counting the days to next one. Gracias, Niko!

Reflecting on the workshop in Varanasi I can first of all say that I am happy that I joined the workshop and that I am satisfied with the whole experience. The structure really suited my way of going about things. Being free during the day to go and photograph wherever an whatever I wanted and not necessarily going out in groups is something I could appreciate and enjoy. It forced me to look around me, find my subjects and focus on how I would translate what I saw and felt into a photograph. Keeping in mind that an editing session followed added that extra bit of positive pressure. And those editing sessions in the evening were of course crucial for the learning process ! The setting with the terrace, some food and beer was great. Your projection setup is really great. Listening to your comments was most enriching. I found it particularly interesting when you analysed all the elements that make up an image. I learned a lot from those remarks about form, content, balance and trying to go beyond whether it concerned my images or those of the other students. That is why it was very important and interesting that we did the editing and image evaluation as a group, these were moments of sharing and contribution (sometimes also moments of confrontation with oneself). We all benefited from the image critiques, guidelines to improve our skills and image quality. About the stay I can say that I liked the fact that we stayed enough days in Varanasi so we could really get in touch with this very special Indian city. But maybe one day less in Varanasi and one more day in Delhi might be a suggestion … (I also did find photographing in Delhi a lot more difficult and tiring). The total workshop duration of 9/10 days is perfect. As far as I am concerned I found the choices for accommodation really fine. The hotel in Varanasi did not only have a great terrace but it also matched the Indian scene we found outside the hotel. Personally I don’t like to find myself in “golden cages” in these countries, it does not correspond with how I see traveling and experiencing those parts of the world. I enjoyed the company of the group too (about the right size). For communication it is never obvious when a nationality or language group is in the majority even if all know that the workshop language is English however towards the end when we all got to know each other better it worked out alright. Anyway, I was really happy to be able to combine my interest in India with my interest in photography.

My sincere thanks for the exciting workshop in Istanbul. I really enjoyed the time with you and the other participants. It opened my eyes for things I have been looking for (getting away from boring pictures). I certainly have lots to think about and practicing to do for some months now and I am sure I will produce better pictures in the end.

After the first meeting with Nikos, I felt my photos and the way I thought about them were too old and ordinary. Nikos shared some of his hints with me and the other guys, and as a consequence I started to feel more comfortable with my camera while taking pictures in different situations: I thought my images were improving and were becoming more interesting. Then, after all the reviews I attended, I saw my pictures and suddenly they were old and ordinary again. I was completely upset. But now I am realizing that day after day and picture after picture, his advices led me to start finding a new way – my own way – to take photos. Ok, probably this is just the beginning, but it’s a good start. Thanks Nikos!

I have as complicated a relationship with street photography as I do with my streets. I am passionate about other people’s street photography but find it very hard to do it myself. I don’t want to poke my camera into the face of someone having a bad day, but I do want to show my family and friends the intensity of life here, and why I often have my heart broken during a short trip for groceries. Recently some of my Istanbul photography friends did a workshop (or two!) with legendary Magnum photographer Nikos Economopoulos, and I was really interested in the work they produced. When we heard he was coming to Istanbul Ville persuaded me that I should sign up.
For three days I spent a few hours shooting alone and then met up with Nikos and the other participants to go through all the pictures. This took four or five hours each day. I learnt so much by listening to Nikos critique us all. He is truly a person with great generosity and a big, open heart (as well as being an incredible photographer). He removed the terror of showing my attempts (however unsuccessful) and helped me find a new way of thinking about photographing on the street.

I just returned from my 5th workshop with Nikos. This was the second time I joined him in Cuba. It was, once again, an amazing experience. It is very exciting when you know what to expect: growth, challenge, intellectual stimulation, encouragement and friendship. You can count on these every time. As many participants have pointed out, there is little structure to the workshop, no handouts or hand holding. Nikos treats everyone as if we were all professional peers. The meetings at the end of each day are magical, enlightening, and stimulating. Nikos does not tell you how to do things rather he accurately points out what works for each person considering individual interests and styles. He points you in the right direction for you to go to work the next day. We work very hard. We work long days, we edit hundreds of images, and we go home with strong portfolios. We are one hundred percent immersed in photography for the length of the workshop. Something else I appreciate and enjoy is the post learning experience. Days or weeks after the workshop you continue to realize how much you learned then and continue to learn from that workshop. It is a privilege to have Nikos as a mentor. He is not only a master in this craft but also the most considerate, encouraging, and generous professional photographer I have come across. I already look forward to the next workshop On the Road.

The Sanliurfa workshop was inspiring and exciting both with regard to the photos taken by the other members of the group as well as the area and the cities we were visiting. Further, I enjoyed the evening sessions. I like the way Nikos criticizes the pictures of the photographers and gives them advice each on his/her individual professional levels. Nobody has to fear to be embarrassed – on the contrary, I was motivated not only by the comments and advice to become a better photgrapher but felt also supported by the other group members.

“I haven’t touched the camera for good period of time and right from the first day of the workshop i was back in the game. This group was so rich of characters and bonding in a great way. I personally learned so much in this 11 days and i will never forget the time in Iran with you guys -)”

This was my third trip with Nikos –I believe it is called “voting with your feet”. One of the nicest parts of these courses is the chance to meet interesting and intelligent people from around the world. What is however truly amazing, is that despite the daily struggle to improve, there is no competitiveness (or at least, that was my feeling) – something that would have impossible, but for Nikos’ amazing warmth and interpersonal as well as balancing talent. What however I really relished, was the -almost linear- improvement in the quality of photos I took during the course. There is a big difference between photographing while traveling andtraveling in order to take photos. In the first case, photographing in a secondary (albeit important) part of your trip: In the heart of traveling is understanding and learning. A traveller wants to explore (and, occasionally, photograph what he sees) – while a photographer is (exclusively, obsessively) interested in producing photos. The difference is anything but academic. Meeting someone like Nikos, a person living, breathing, dreaming photography, makes the difference obvious. Like most things in life, the amount of effort correlates directly with the results. During a week in this workshop I felt that the quality of my photos improved dramatically. It is not easy to explain it: It is partly related to different day-planning (waking up early and going around during dusk to take photos), partly choosing where to go on the basis of its photographic potential, partly being constantly exposed to amazing photos from and interacting with the other participants, but most importantly, having a daily feedback and being stimulated daily by someone with a passion for photography that is still not blunted, someone who has kept his enthusiasm after all these years. The genius photographers are people that are different from the rest of us: They breath, eat, live, drink and live photography. For them photography is a demanding mistress – jealous and harsh: You cannot treat her to the second row, you cannot give her just your spare time. The trip is a light immersion (a “preview”) into this strange and wonderful world.

The workshop of Nikos changed my photographic vision and belief. In something I always though was photography but nobody had told me before. He changed my way of photographing, he make me understand the importance of the frame edges, what to think when you shoot, he brought my photography to a new level, and it took me one year to digest what I’ve learned in those days. Nikos is the old hard core street photographer, and one of the finest in the Magnum group (is not only me to say it, but other Magnum photographers), I say this because what you can learn from this kind of photographers, nobody else is able to teach you. I have learned to compose better, to have more attention to what is in my frame, to slow down and think and shoot, I have learned to edit pictures in a more selective way choosing only the great pictures not the good ones, to be ruthless in editing..

Nikos workshop was by far the event with the most intense and strongest impact on my photographic view. It was an amazing pleasure to see everyone flourishing under Nikos relaxed and still disciplined guidance. Initially you might experience some confusion. You might still carry the diffuse anxious anticipation you built up before the workshop. Or You might feel even jammed seeing your former photographic concepts going to pieces. But then: Boooooom – comes the creative explosion within the steep part of the learning curve. You´ll very soon get more selective, more focused, more careful, more personal and more playful when working with your camera. Powerful stuff, hard work, lovely people and lots of fun. Nikos teaches a wonderfully concentrated no-frills approach to photography. One camera, one fixed focal. It´s all about the picture, the visual event in the frame and within that rigorous selection of what is interesting and what is not.

I had the chance to participate in one of Nikos Economopoulos’ photographic journeys-workshops. The unique and very particular way that he has in guiding you without giving you recipes, while respecting your personal worldview, turns the whole photographic experience into a broad aesthetic and intellectual experience, as well as pure joy. Within just a few days, I discovered that the chaotic world around me has balance and poetry.

Thank you for another amazing workshop. I feel that not only I noticed the great improvement of the quality of my work, but also feel that Nikos is not only a great teacher &amp mentor but also a great friend. Also interacting with talented photographers from all over the world added a lot to the experience. What is amazing about this workshop was the fact that all attendees were at different levels. Being able to provide assistance to all showed Nikos’s ability as a great teacher. I think each one of us returned home with many goals to pursue &amp ideas to improve their work. I am more clear about what I want to photograph, what lens I want to buy next, and needing to work on my weak ‘editing’ skills. I just wanted to thank you and thank all attendees for this great workshop. I learned a lot from each one of you! I am really looking forward to being on the road again.

This was my fourth workshop with Nikos and you wonder how much there is still to learn down and on the road! Nikos is very generous in sharing his knowledge and experience and it is a delight to participate in the editing sessions. Besides the workshop it was great to meet all these motivated photographers and great personalities.

This week was, by far, my best spent time concerning photography over these last few years.
I was trying to clear my mind, to find the right approach to photography, and this workshop was a stepping stone, taking me to another level of understanding.
Staying late each night, patiently going through other participants’ work, as well as my own, answering our questions, explaining choices we did not understand in the beginning, helping us to see the good and the bad elements in a photo, pointing out good content and good intention.
All these things and more, Nikos did in a very honest way, sharing his thoughts and his knowledge with each of us. A great photographer, and a really inspiring mentor.

There is a british saying – “those who can, do and those who can’t, teach” – and indeed, judging from my profession the best surgeons are usually unable to transmit their knowledge insofar as their talent and ingenuity is what drives them, and this cannot be easily transferred. So, I I did not know what to expect from a Magnum workshop.. I couldn’t have been more pleasantly surprised ! Nikos kept proving , again and again, how someone who is a (generally accepted) master in his work and has acquired a place as one of the main photographers of the 20th century, can also be a simple and down to earth person: His immense patience kept surprising me, day after day: When I thought that he would have had enough going through another bunch of amateur’s photos, he manifested kindness coupled with insight while critiquing our photos. He constantly managed to stay acutely interested, after hours of looking into photos, to adjust his level of critique to different photographer levels, without appearing either patronising or bored. Every photo would appear to be an opportunity to delve deep into the nature of photography this is not a course about flashes and lenses and f-stops indeed, it presupposes you have reached an appropriate technical level, going beyond that, trying to understand the nature of photography, why some photos move us and confuse and grasp us in such a way an academic level teaching from someone who at the same time is a real photographer. Someone who can gravitate at the same time between being the artist and the critic, the producer of art and the academic (a combination that would be normally unthinkable!). The course is not for the faint hearted it is intensive and demanding , not because of Nikos’ demands or attitude (on the contrary , he is relaxed as can be) but because you will be surrounded by talented, motivated photographers , everyone of which will be doing his/her best. This is not a course on sunsets and cute babies – but you will hear intelligent and thought provoking quotes on photography, that most people would have to spend years reading to finding from the non-descriptive power of photography to the importance of light and to the language and balance of images.. One could keep on talking about the course what was most interesting was that half of the participants Addis course have followed his previous workshops. Probably this is the greatest compliment to the workshop. I am looking forward to my next session with Nikos..